Art

The Horrors and Hells of Hieronymus Bosch

"The Garden of Earthly Delights" triptych. Public domain image via Wikimedia Commons

Hieronymus Bosch may have died 500 years ago, but he’s inspired episodes of The Simpsons, rock ’n’ roll lyrics, children’s book characters, movies from The Exorcist to David Fincher’s Seven — even Dr. Martens boot designs. Last year when Leonardo DiCaprio visited Pope Francis, the actor brought along a book about Bosch as a gift for the pontiff.

How does an artist who has been dead for half a millennium pull off such a feat?

Meet the 'Artist of the Poor' Who Calls to Pope Francis Across the Centuries

Caravaggio's "The Seven Acts of Mercy." Public domain image

If Pope Francis wanted a single image to illustrate the special Year of Mercy that is the current focus of his ministry and, indeed, the theme at the heart of his pontificate, he could do no better than choosing an underappreciated masterpiece by the thrilling Italian artist known as Caravaggio.

Christian Art and the 'Ministry of Imagination'

Graffiti on the wall of the abandoned building in Zelenogorsk City, Russia. TatyanaKokoulina / Shutterstock.com

Of course good art is in the eye of the beholder, but I define good art to be creations of paint, music, or stories that speak profoundly to the human condition and break open our imagination beyond what already is. Much of what is qualified as “Christian” art or music has instead done the opposite. It shuts down possibilities by offering a script to be consumed. Instead of creating space for genuine exploration of questions about God — who God is, what God does, where God can be found, etc. — Christian art supplies manufactured answers in a new marketing package. We have struggled to rise up into a prophetic imagination to speak against the dominant consumer culture. If anything, the subculture has been subsumed by consumerism.

The Living and the Unforgotten

TUVIA RUEBNER HAS earned the lament he wrote for King David, Israel’s better-known sorrow bearer. The poet came into the world 91 years ago in Pressburg-Bratislava, Slovakia, under Nazism’s shadow. It is a shadow he managed to separate himself from physically, but which sticks to him philosophically and is at the core of his poetry. The parched sound of random loss is the root sound in many of his poems. The spawn of an unimaginable yesterday, Tuvia Ruebner is more than anything a poet of today.

His parents, his grandparents, and his little sister Litzi all perished at Auschwitz in 1942, a year after he immigrated to British Mandate Palestine. Forty years after their deaths, Ruebner’s first son, Moran, was sent to fight in Israel’s first Lebanese war. Moran left for South America the following year, estranged from his country and its wars, and after a few letters, was never heard from again.

In Ruebner’s poem “[My father was murdered],” one by one he enumerates his losses:

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New & Noteworthy

Contemporary History
The duo Ibeyi are Naomi and Lisa-Kaindé Díaz, 19-year-old French-Cuban twins with Yoruba roots—a West African culture transplanted to Cuba during slavery. Ibeyi’s self-titled album begins and ends in prayer; in between is a fusion of English and Yoruba, minimalist piano and percussion, jazz and hip hop. XL Recordings

Preach It
The Collected Sermons of Walter Brueggemann, Volume 2 brings together more than 50 sermons by the biblical scholar and powerful preacher, arranged according to the liturgical year. Also includes special-occasion sermons and a scripture index. A good resource for pastors and laity alike. Westminster John Knox

Sketching the Word
In And the Word Became Color: Exploring the Bible with Paper, Pen, and Paint, artist and teacher Debby Topliff describes what she calls “visual lectio divina”—a method of Bible study that incorporates simple line drawings. Debbytopliff.com

Soul Seedlings
Faith Forward Volume 2: Re-imagining Children’s and Youth Ministry collects stories, insights, and models from the 2014 Faith Forward gathering on nurturing the spiritual lives of young people. Edited by David M. Csinos and Melvin Bray, with a foreword by Jennifer Knapp. CopperHouse

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The Problem with Creating ‘Christian’ Versions of Things

Photo via Fotocafe Photography / RNS
A collection of Julia Chew is showcased during 2015 Christian Fashion Week. Photo via Fotocafe Photography / RNS

If someone offered you the chance to live in a world designed to look and feel like the real one, but is actually a tidier, more ordered Stepford-ish facsimile, would you take it? For many Christians today, the answer appears to be yes.

Call it Newton’s Third Law of modern Christianity, but for every event, there appears to be an equal and opposite corresponding Christian event. There are Christian music festivals and book festivals; Christian versions of TED Talks; the upcoming International Christian Film Festival in Orlando, Fla.; and earlier this month, even a Christian Fashion Week.

While it might seem tempting for Christians to lock themselves away in anti-secular bubbles, where they could wear nothing but Christian clothing and eat nothing but Christian food (Chick-fil-A, I’m guessing?), the ramifications of doing so are polarizing at best, and deeply destructive at worst.

Just look at the recent spate of religious freedom laws being passed around the country. Regardless of whether you view the RFRAs as discriminatory or necessary, the nut of their existence essentially boils down to separateness.

At their core, they are laws designed to keep one group of people from being forced to interact with another.

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