Last year, Suzanne Brennan Firstenberg, a social practice artist, created In America: Remember — a vast field of flags on the national mall, one for each American who died from COVID-19. Visitors, both in-person and digitally, had the opportunity to dedicate a flag by writing a message on the while poly film. When the installation began in mid-September of 2021, there were 666,624 deaths. When the installation closed in early October, there were 701,133 deaths. As of this week, nearly 1 million people have died of COVID-19 in the United States, 6 million globally. As we try to grapple with the weight of these fatalities, we’re revisiting an interview from late October 2021 between Firstenberg and Sojourners associate culture editor Jenna Barnett, in which they discuss what it looks like to honor grief and memorialize an ongoing pandemic.

This is a tale of two orphans, Bruce and Jephthah. A tale of two cities, Gotham and Gilead. A story of curses and vengeance and redemption.

ALLOW ME TO introduce myself: I’m IKEA, an expert in DIY construction and deconstruction, here to explain a recent religious phenomenon. According to a 2021 Relevant magazine article, Christianity is in “the age of deconstruction.” “Through deconstruction,” explains writer Kurtis Vanderpool, “we are able to find the good and the helpful parts of our faith upbringing, while reshaping or throwing out the unhelpful.” But there is a problem! While the exvangelicals on Twitter are obsessed with deconstruction, “most people you will find in church are uncomfortable with deconstruction,” says Vanderpool.

You may be thinking, “Is an enormous warehouse full of good-enough furniture really equipped to explain a sensitive theological process? No offense, IKEA, but did you even go to seminary?” No, I didn’t. But nondenominational churches often pay me thousands of dollars to host massive lock-ins and I overhear A LOT of really bad theology as youth pastors, groggy chaperones, and sugar-faced youth groups play hide-and-seek in my showrooms. (I’m pretty sure I didn’t dream this.)

Used with permission from Orbis Books (orbisbooks.com)

TO ITS CREDIT, the Black church seeks to instill a sense of “somebodyness” through positive reinforcement in conversion. But it seeks to do so without deeply immersing the convert in the true history of his/her culture. Consequently, the Black church falls prey to the universalism of the white church by naïvely thinking that one can be a true child of God while possessed of a deformed racial self-image. In so doing, the static conservatism of the Black church is at odds with freedom movements and prophetic leaders who are able to judge rightly that the freedom of Blacks cannot come through a rejection of one’s history, whether intentional or not.

WHEN I PICKED up Get Untamed—a journal based on Glennon Doyle’s best-selling memoir Untamed—at a secondhand bookstore, I was, as the kids say, down bad. Real bad. A year of overscheduling, overcommitting, and underhydrating had turned me into the caretaker of a creative and existential abyss. In that bookstore, I was reaching for more than a how-to book. I was reaching for a lifeline. And I found one—just not in the way I expected.

Doyle emerged onto the nonfiction scene with Carry On, Warrior in 2013, followed by Love Warrior in 2016. The latter book was raw and vulnerable, detailing the dissolution and resurrection of Doyle’s first marriage. Acclaimed by Oprah, Brené Brown, and Elizabeth Gilbert, Love Warrior celebrated love’s ability to overcome all obstacles—from addiction to internalized misogyny—in a marriage. Then Doyle met retired professional soccer player Abby Wambach. Doyle and her husband divorced. Now Doyle and Wambach are, by all accounts, happily married. The events leading to this form the basis for Untamed.

WHEN I FIRST read Gwendolyn Brooks’ poem “truth” early last year, I did a double take to make sure it wasn’t written in 2021. The 1987 poem personifies its titular subject as a living being that can knock its “firm knuckles / Hard on the door,” whose arrival brings an equal mix of anticipation and apprehension. Brooks describes multiple responses one can have to the arrival of truth. For those who have made peace with lies, the truth can be threatening: “Shall we not dread him, / Shall we not fear him / After so lengthy a / Session with shade?” Even for those who have longed for truth’s arrival, blissful or willful ignorance seems to be a better alternative than the terror of having to engage truth head on: “Shall we not shudder?— / Shall we not flee / Into the shelter, the dear thick shelter / Of the familiar / Propitious haze?” Regardless, Brooks makes one thing clear: The question is not a matter of if truth will come, but when. The most important question of our lives then becomes, how are we to greet it?

In the poem, Brooks doesn’t name the truth that haunts her—although since she first published it in 1949, as the stage for the civil rights movement was being set, one possibility might be the systemic mistreatment of Black people and white people’s willful obliviousness to it. I found the poem to be a peculiar comfort in this time as we try to adjust to an ever-shifting landscape of new realities and reckon with truths about ourselves we might otherwise prefer remain hidden.

Similarly, several films offer insight into how people receive truth’s advent.

Moved by Love

The limited ABC series Women of the Movement follows Mamie Till-Mobley as she grieves the murder of her son Emmett Till and fights for justice. Directed by four Black women, the show tells the true story of the woman who helped fuel the civil rights movement. Two Drifters

We are currently in the midst of what the American Library Association condemned in November as “a dramatic uptick” in efforts to challenge or remove certain books from libraries and schools. Many of these censorship efforts have been led by conservative Christians and conservative politicians who are concerned these books will dissuade their kids from embracing what they call “Judeo-Christian values.” But as Ryan Duncan explained, Christians are deluding themselves if they believe banning stories about gender, race, or sex will halt their kids’ curiosity. Ban ’em or burn ’em, these books will not disappear and kids will continue to seek out resources on these topics — to some parents’ chagrin.

Lincoln’s Dilemma, released this month on Apple TV+, presents a complicated version of the 16th president. The four-part series portrays Lincoln as a man of his time and place, wrestling with the culture war of his day: slavery.