Arts & Culture
Today is a day for magical thinking. The date — 2/22/22 — is a palindrome: Whether you read it forward or backward, the date is identical. Because the day also falls on a Tuesday, particularly enthusiastic followers of palindrome dates have been calling today “Twosday.”
If we analyze our current conditions, avoid circular debates, stop waiting for heroes to save us, speak honestly about our past and present, and try to change today, we might just save tomorrow.
Looking at Kanye West can be both difficult and easy. Easy because of his genius: how he put Chicago on the map as a hub for brilliant rap music, widened the lane for non-gangster rappers, and somehow made tunes seriously considering Jesus so sonically innovative and catchy that some become radio staples, paving the path for Kendrick Lamar and Chance the Rapper. Difficult because of his public antics: the outbursts, the flamboyance, the drama. Recently Kanye’s displays have even become dangerous, harassing his wife Kim Kardashian, who has filed for divorce, and threatening her rumored boyfriend Pete Davidson.
One of the defining features of cosmopolitan Protestantism is the sweet little promise — whispered even — that Christianity is not going to ruin your life. You can still love salty language (and I do) and feel justified by holding prevailing opinions (which I do) and have many mild to moderate faults that are not polite for me to mention. Its wonderful accommodation to modernity has liberated the church from a great many sins (Phariseeism, disembodied love, political acquiescence, etc.), but I’m afraid it has laid itself quite open to the glories of idolatry. And let me be clear, idolatry — which is to say, comforting false images of a true God — is the most fun in town.
I began to watch the show due to my love of sci-fi but the reason I finished all 218 episodes and remained faithful even throughout the 2016 reboot is because of Dana Scully. There’s not a more complex TV character than Scully: She is a medical doctor who knows karate and although she openly antagonizes her partner, Mulder, for placing stock in supernatural explanations instead of logical ones, she openly identifies as Catholic. Scully’s complexity gets to the heart of what the show is all about: the desire to believe.
Danny McBride’s HBO show The Righteous Gemstones is a dark comedy about corrupt, hyper-wealthy Christian pastors. The Gemstone family runs a famously successful megachurch in South Carolina, but behind the scenes, they evade taxes, snort cocaine, pull knives on their friends, bicker like filthy-mouthed children, and say things like, “You are forgiven for my suspicions of you.” And though they all live in mansions on the same compound, patriarch Eli Gemstone and his three adult children — Jesse, Judy, and Kelvin — generally only come together in spirit when they need to ward off blackmailers, snoops, and evil grifters from their past: anyone who might reveal their secrets or jeopardize the family’s wealth-hoarding.
It’s certainly ironic, but as much as the news can get me down it can also lift me up. Yes, legislators are attempting to censor books that teach about racial (in)justice and human sexuality — Weeble down. But these lawmakers’ attempts to censor theories are only resulting in increased interest and open-mindedness among their constituents — Weeble up!
the vast
and all its definitions had dumbfounded. I bit the hand
that fed imagination, took
for pestilence, the flies. For end-of-world, the gully washers.
I shook in handfuls
petals fetched from
doubt
MORE THAN A decade ago, photographer John Noltner began crisscrossing the United States to conduct interviews focused on this question: What does peace mean to you? The result was a multiyear, multimedia arts project called “A Peace of My Mind.”
Four exhibits, three books, and tens of thousands of miles later, the pursuit of peace has only become more important as the country trembles on ominous fault lines: Noltner put together his most recent book of interviews and photographs, Portraits of Peace: Searching for Hope in a Divided America, several months after the 2017 Charlottesville neo-Nazi riot, made final edits amid the emergence of the COVID-19 pandemic and fallout from the murder of George Floyd, and sent the book to the publisher just weeks before the 2020 presidential election.
Portraits of Peace weaves together unique narratives while identifying ways readers can begin dismantling biases that lead to division. As Noltner writes in a benediction of sorts, “May these stories be a beacon and a compass to guide our journey” toward “encountering difference, navigating conflict, and finding a better path forward.”
THE SCENE APPEARS idyllic: “Golden sand, a vast red horizon, and shards of light scattered across the water.” But on this beach in Gaza, in Palestine, the mood is desperate. One man there describes Palestinian Christians as living artifacts of the 2,000-year-old Christian community in the Holy Land.
With grace and deep reporting, Janine di Giovanni, an acclaimed author and war correspondent, has captured the often overlooked plight of the dwindling Christian communities of the Middle East—specifically in Iraq, Syria, Egypt, and Palestine. The Vanishing is a tender if deeply disturbing travelogue, filled with stories told by Christians about the ferocious politics and desperate economics that shattered their communities. She writes in an elegiac tone while marveling at the resiliency of the few who remain.
Di Giovanni describes the trajectory of collapse, carefully providing the markedly different history of each country that nonetheless has led to similarly tragic outcomes.
Exposing Injustice
Reporter Seth Freed Wessler utilizes video call footage to expose the horrific conditions of a detention center used by ICE to detain immigrants amid the COVID-19 pandemic. His documentary, The Facility, follows those inside as they protest for better protections and for their release. Field of Vision.
THE LATEST FAD among some conservative pundits and propagandists is to bash corporate executives who use their positions to promote “politically correct” causes. They call it “corporate wokeness,” and they see it everywhere. However, this is not a new phenomenon.
In 1971, in the backwash of the 1960s, America was very much a country in crisis. Large swaths of our inner cities still bore scars left by the uprisings that followed the assassination of Rev. Martin Luther King Jr. A president elected on a promise to end the Vietnam War was widening it instead. Coca-Cola had the answer to all that trouble and strife. That year, the soda company assembled 500 young people of varied races and nationalities on a hilltop and filmed them singing, “I’d like to teach the world to sing in perfect harmony.” So “corporate wokeness” was born.
Twenty-nine years later, Coca-Cola paid millions of dollars to settle a federal court case accusing it of a historical pattern of systematically underpaying and otherwise discriminating against its Black employees.
In spring 2020, just a few days after a police officer murdered George Floyd, JPMorgan Chase CEO Jamie Dimon and Brian Lamb, the company’s global head of diversity and inclusion, issued a statement that “we are watching, listening and want every single one of you to know we are committed to fighting against racism and discrimination wherever and however it exists.” A week later, Dimon was photographed, with some bank employees, down on one knee in the Colin Kaepernick pose, presumably in an attempted display of solidarity.
THE POWER OF the TV drama Tehran, about an Israeli spy who was born in Iran to a Jewish family and returns to her birthplace to help destroy a nuclear reactor, lies partly in how it parallels reality. On the other side of the screen, President Joe Biden continues to face the fallout of President Donald Trump’s decisions to withdraw the United States from the Iran nuclear deal and recognize Jerusalem as the capital of Israel, while tensions between Iran and Israel simmer.
But relevance alone doesn’t win an International Emmy Award for Best Drama. With her lifelong ties to both Israel and Iran, Tehran’s hacker-agent Tamar Rabinyan is a unique protagonist, and Tehran perfectly executes the thrills and twists that draw people to the spy genre. The show also is violent—guns, blood, an attempted rape that ends with the killing of the attacker, and a shot of a man hanged from a crane, presumably executed by the government. The more I watched, the more I felt a pang in my chest, wondering whether Rabinyan would survive.
Tehran is not all stress, though—at least not for the viewer. Rabinyan’s family members become entangled with the show’s plot in a pleasurably Shakespearean fashion, mirroring each other and possessing information their kin may not know but the viewer does. A romance grows between Rabinyan and an Iranian hacker named Milad. When the show pauses the action to linger on characters and personal relationships, we can reflect on the humanity of Muslim and Jewish lives. Even clichéd techniques provide this opportunity, such as a scene in slo-mo—which I would have foregone for regular-speed footage—of Iranian university students protesting restrictions imposed by their government as other students counterprotest in support of the government’s conservative stance.
A MYKAL KILGORE performance isn’t just a show or concert; it’s an experience. Kilgore’s mind-blowing vocals and presence captivate, yes, but there’s more to it than that. In creating an atmosphere abundant in inclusion, empowerment, freedom, joy, truth, and love, Kilgore ministers to the soul. It’s a taste of the beloved community we hunger for.
A Black queer man, Kilgore uses his platform and prodigious talent to advocate for Black and LGBTQ issues. With a Grammy nomination in 2020 for his performance of the song “Let Me Go” further raising his profile, he’s getting even more opportunities to educate and entertain. In December, Kilgore spoke with writer and filmmaker Rebecca Riley via Zoom.
Rebecca Riley: When you perform, what do you hope audiences experience and take with them?
Mykal Kilgore: I want us to do a better job of being present with one another and seeing the thing inside each other that is eternal and sacred and perfect and special: I think that it is God. I want people to leave feeling like they have had a human experience at the show that allows them, and forces them, to be in their own emotions, to find pockets of empathy for others, and, more than anything else, to just truly see one another.
My favorite place in the Sojourners’ Fellowship house is the chair by the window. Each morning, I tiptoe through the dark house, flip on a lamp, and turn on the kettle. I center myself in the lingering darkness of the previous night.
As part of the Catonsville Nine, the rebel priest Daniel Berrigan joined eight other Catholic activists in setting fire to hundreds of draft files with homemade napalm. It was 1968 and he was protesting the Vietnam War. The way he evaded prison was perhaps as memorable as the crime he committed.
For most folks, Christian nonviolence evokes unified images of civil rights marches, Vietnam War resisters, and bumper stickers calling us to “turn the other cheek” or “beat swords into plowshares.” Yet Christian nonviolence isn’t a single school of thought, “but rather a rich conversation wrestling with what it means to live out the biblical call to justice amid the complexities of ever-changing political, social, and moral situations.”
On New Year’s Eve, exactly five cats cuddled on Starlink user Aaron Taylor’s dish, slowing down his movie-streaming experience. “Starlink works great until the cats find out that the dish gives off a little heat on cold days,” he wrote in a now viral tweet.
Carrie Newcomer, a musical light-bearer, is a Quaker singer-songwriter who has inspired listeners throughout her career. Her latest release, Until Now (Available Light Records), offers an salve of spiritual renewal. In the past few years we have been through difficult terrain politically and culturally; Newcomer’s music is like dipping our hands in a baptismal font.
In her new book, theologian Candice Marie Benbow takes readers on a journey through some pivotal and transformational moments in her life, highlighting the conversations she had with her mother, the theology informing her, and the sources — such as literature and hip-hop — that have shaped who she is. Red Lip Theology: For Church Girls Who’ve Considered Tithing to the Beauty Supply Store When Sunday Morning Isn’t Enough is an invitation to reflect on the moments, the people, and the religious institutions that have contributed to making us who we are.