JR. Forasteros

MAYBE YOU FIRST saw it while sitting in the waiting room of the doctor’s office — a Fox News banner update across the bottom of the screen. Or perhaps you saw the hashtag on X or Threads. Maybe you’re following the story as internet sleuths exchange theories on Reddit. Here’s what you know: There’s an SUV making its way from California to Washington, D.C., driven by a man and a woman in their 20s. They’re transporting some sort of nuclear device, and they plan to blow up the president. And, for some reason, law enforcement isn’t taking this very seriously.

It’s the story of the moment. Even though nobody has any real facts. Everyone just knows we’re collectively watching a disaster unfold.

Such is the setup for Jason Pargin’s I’m Starting to Worry About this Black Box of Doom, a parable of the dangers of the information age. Pargin’s witty, incisive novel illustrates how social media has eroded our ability to trust each other.

In this world where only the fittest survive, can a robot’s commitment to help without agenda possibly work?

Fury Road drew on Exodus imagery in Furiosa’s flight from the Citadel, leading her people to a promised land. No surprise, then, that the earlier beats of Moses’ story have striking parallels to Furiosa’s backstory.

Especially for those churches who imagine ourselves to be a mediating middle path in a country where every issue has become sharply partisan, Civil War illustrates that objectivity ends where the suffering of vulnerable people begins.

THE AD FOR Text With Jesus promised “A Divine Connection in Your Pocket.” Developed by Catloaf Software, the app is an artificial intelligence chatbot that takes on the persona of the Alpha and Omega. In the paid version of Text With Jesus, you can also chat with Mary, the 12 apostles, Moses, and dozens of other biblical characters, including Satan (if you dare to enable him in the settings menu). Cue eye roll.

In November 2022, ChatGPT went public. With Generative AI now at our fingertips, offering conversational responses to users’ prompts, the AI revolution was officially in full swing. Tech giants such as Google, Microsoft, and OpenAI raced to provide the most accurate, engaging chatbot. But no one has taken the messianic furor around generative AI quite as literally as Catloaf.

A few years before launching Text With Jesus, Catloaf president and CEO Stéphane Peter had created Texts From Jesus, an app that sends users a daily Bible verse. In an email interview with Sojourners, Peter explained that the innovation of ChatGPT offered “a compelling new element of interactivity.” Instead of a static quote from the New Testament the new app lets users have conversations with an AI Jesus.

Gary’s goal in the trial was to bring the buried deeds of the Loewen Group into the light, to tell the story they hid behind contracts and laws and cultural biases and systemic injustice. In doing so, he aims to purchase some measure of justice. Is this what Willie Gary learned in Black church?

The word “monster” originates with the Latin words for “omen” or “warning.” The best monster stories teach us about ourselves — about the evil that lurks in our own spirits. That’s something horror stories and the Enneagram have in common.

THE BEST CHRISTIAN MOVIE you’ve never seen (even though it was Oscar-nominated for best picture!) turns 10 this year. That movie is Philomena, adapted from The Lost Child of Philomena Lee: A Mother, Her Son and A Fifty-Year Search, by British journalist Martin Sixsmith. The film stars Dame Judi Dench as the titular mother and Steve Coogan as Sixsmith. While the book primarily focuses on Philomena’s son Michael Hess, the film more closely traces the mother’s story. As a pregnant teenager, Philomena was abandoned to a convent of nuns who forced young women to work without pay and sold their children to wealthy Americans looking to adopt.

On her son’s 50th birthday, Philomena weeps, clutching the only pictures she has of him. Despite her efforts, she has never been able to learn his fate. When Sixsmith, a disgraced journalist, learns of Philomena’s plight, he agrees to help her. What began as a distraction from his own troubles soon shifts to captivation. Despite Philomena’s assurances that the sisters of the convent have done their best to care for the women and children in their charge, Sixsmith uncovers a devilish conspiracy of silence.