Arts & Culture
Illustration by Ric Carrasquillo
I am Peter at Gethsemane
where I wake to oak
branches suspended,
spinning like hair in water.
Flora’s night
blanched, a prophet’s
chanting, every caesura’s
quiet steeping, transfiguring
grief to alms.
Screenshot from 'The Farewell' trailer / A24
The film challenges Western beliefs about familial and individual responsibility, as well as the often-unrecognized personal sacrifices we make for the ones we love.
Byron Widner played by actor Jamie Bell in Skin
This film tells the story of Bryon Widner's exit from white supremacy and how love redeemed his life.
YouTube / PBS Kids
A few days ago, I gathered with my two Potawatomi sons on our couch to watch Molly of Denali, a cartoon that recently premiered on PBS starring a young girl named Molly who is an Alaska Native (specifically, Gwich’in/Koyukon/Dena’ina Athabascan). This show is the first of its kind in the history of the United States.
Photo by Brad Penner-USA TODAY Sports
Just under a hundred days before their first World Cup match (in which they would score a record-breaking 13 goals), every member of the team filed a class action, gender discrimination lawsuit against the U.S. Soccer Federation. The timing of the announcement conveyed that the 23 other teams in the tournament would not be the only opponents of the USWNT this World Cup.
Illustration by Jon Krause
Why wouldn’t they drop by, stare up
approvingly at the point of the minaret?
Perpetual connoisseurs of the loving work
of centuries, the stacked stones, nails pounded
until synagogues, temples, shrines
little houses of worship rise from the land.
Oxford University Press
THE U.S. HAS BEEN on a war footing since at least 1939. Undergraduate students today have never known a world before 9/11, and even their instructors (I was born in 1983) have never known a peaceful America. The Cold War era that preceded our own was enormously bloody in places such as Lebanon, Vietnam, and Afghanistan—and in all these countries, American intervention played a role.
During the Cold War, permanent war footing seemed like more of a threatening novelty than a grinding inevitability. The time played host, therefore, to a global and surprisingly influential peace movement. The Politics of Peace tells the movement’s dramatic story of both ideals co-opted and maybe even betrayed and ideals that shaped our world and might be worth recovering.
Eerdmans
WHITE EURO-AMERICAN Christianity is dying, according to Miguel A. De La Torre, and from his point of view, its death is necessary. It has distorted the gospel with Euro-American nationalist ideals that benefit white communities at the expense of communities of color—heretical beliefs grounded in fear and exclusion, rather than love. In Burying White Privilege: Resurrecting a Badass Christianity, De La Torre deconstructs Donald Trump’s abundant evangelical support. In doing so, he offers guidance on how Christians can move forward.
Whiteness lies, he explains. It lies about the superiority of particular beliefs and nations. And this superiority complex has led to a lot of violence being done under the name of Christianity, including displacement, slavery, and genocide.
These retablos reflect on the faith that people had to begin the journey of migration, entering a foreign land. Often leaving family and home into the unknown, on a journey that is fraught with peril but also promise. Young fathers and mothers, children of families who will pray for them daily as they go. As the exhibit description mentioned, these retablos "depict a side of migration usually not told in statistical reports or even in detailed interviews of migrants."
Tim Duggan Books
YET ANOTHER BOOK about climate change. What could it possibly say that we haven’t already heard?
Plenty, it turns out.
David Wallace-Wells’ extraordinary and chilling book The Uninhabitable Earth: Life After Warming gives an overview of the overwhelming scientific consensus that the planet is warming and changing at rates never seen before. But the real value for its readers are the 100 brutal pages of excruciating details about what life will be like if they do not quickly make extraordinary changes to their energy consumption. Wallace-Wells’ central message is that we are living in a time hotter than any other time humans have ever lived in, and we cannot go back in our lifetimes. And looking forward is nothing short of terrifying.
Justin Townes Earle / New West Records
APPROPRIATELY ENOUGH, The Saint of Lost Causes —the new Justin Townes Earle album—has an Orthodox icon of St. Jude on the cover. In Catholic lore, St. Jude is the patron saint of lost causes and desperate cases. But if a person can still turn to a saint for intercession, the cause isn’t entirely lost. The desperate act of prayer implies at least a sliver of hope for grace and mercy, and that’s mostly where the people in Earle’s new batch of songs are: down to their last desperate prayer but still hoping.
At the beginning of the album, in the title track, Earle lays it out, singing: “Now it’s a cruel world / But it ain’t hard to understand / You got your sheep, got your shepherds / Got your wolves amongst men.” Over the course of the next 11 songs, we see the world mostly from the point of view of the sheep. We hear from some fracked-out citizens in “Don’t Drink the Water” who are growing increasingly restless as some oil company hack keeps claiming that their poisoned land and water, and the occasional earthquake, are all an “act of God.” Later, in “Flint City Shake It,” a streetwise Michigander fills us in on how General Motors assassinated his still-resilient hometown. Then there’s the junkie desperado of “Appalachian Nightmare” who hopes God can forgive him at the moment of his death.
William Stringfellow
Shelter and Storm
Seeking Shelter: A Story of Place, Faith, and Resistance is a 30-minute documentary on the personal history of the late Christian activists Daniel Berrigan, William Stringfellow, and Anthony Towne. Using firsthand accounts, the film follows their work for civil rights, social justice, nuclear disarmament, and environmental action. Seekingshelterblockisland.org
Detail of “Under the Wave Off Kanagawa,” by Katsushika Hokusai / Apple’s wave emoji
WHEN I TRAVEL to a city, I find art museums and their masterpieces: “Sunflowers” in Amsterdam, the “Prodigal Son” in St. Petersburg, “David” in Florence. Van Gogh, Rembrandt, Michelangelo. These are masters, according to some cultural imagination.
But it wasn’t until this past April that I encountered an Asian master and masterpiece: Katsushika Hokusai’s “Under the Wave Off Kanagawa.” The print is better known as “The Great Wave”—you know, the Apple wave emoji. Why is this the first Asian masterpiece that I’ve seen?
The Peace Poets.
BEFORE THEY ARE hip-hop performers, educators, and poets, the Peace Poets are a family. “It’s been a development of a brotherhood,” Frank Antonio López (aka Frankie 4) says of the group’s formation. López and Abraham Velazquez Jr. (aka A-B-E) met when they were 3 years old. Enmanuel Candelario (aka The Last Emcee) was introduced to the pair in grade school and introduced to Frantz Jerome (aka Ram 3) in high school. Candelario would go on to meet Luke Nephew (aka Lu Aya) at Fordham University in New York.
Much of the Peace Poets’ foundational development occurred in Harlem at Brotherhood/Sister Sol, a leadership and educational organization for black and Latinx youth. It was there, López says, that the Peace Poets were “politicized through art.”
Image via REUTERS/Shannon Stapleton
"The reactions are full spectrum from shock to upset to being angry, but not angry at what I'm doing, angry at the stark fact that this could be a reality," the artist, who does not reveal his real name, said in an interview on Monday.
CREDIT: CORNELIUS FILM
Do you remember where you were four years ago when you heard the news?
The cast of "Choir Boy" performs. Image via REUTERS/Brendan McDermid
Good theater contains a strain of that gospel antidote, that powerful tradition of trying to name and recognize our demons and human propensities. The earnestness in story that pairs what we believe with what we do, can serve as a way to handle truths about ourselves and our dealings that make us uncomfortable. Often written off as fluffy and as a less effective means of activism, the tradition of plays and musicals has the power to stage an inner confrontation in real time, asking the audience to contend with a hard truth or recasting a social norm we seldom question.
From Netflix's 'When They See Us'
I watched Ava DuVernay’s Netflix series When They See Us and found myself angered by the people and systems that had a role in the incarceration of five innocent boys. The Central Park Five, Raymond Santana, Kevin Richardson, Antron McCray, Yusef Saalam, and Korey Wise, were wrongfully convicted and later exonerated of a variety of charges related to the rape and assault of a white female jogger in 1989. While the series itself honors the stories of the Central Park Five, in choosing to title the series When They See Us, DuVernay invites us into a broader conversation on the criminalization and mass incarceration of young boys and girls of color, and challenges us to define our own role within this system.
Illustration by MUTI
This seep of droplets sponged by moss leaked
from a cleft in the rock; the waters in the cleft
rose osmotically from earth:
the aquifers of earth rained down
from cloudburst skies;
HUMANITY HAS BEEN reaching ever since Eve put her hand out and plucked the forbidden fruit. Since then, our acts of extension have been plagued far too often with violence and, in the end, death and despair. Philip Kolin’s new book of poetry, Reaching Forever: Poems, takes on those stretches and examines them with grace. His book is a fresh take on what it means to be loved and loving.
In the poem “God Comes to the Eternal Gate Holiness Church,” Kolin makes short work of people whose reaching is unsuccessful, via one of my favorite lines: “Bystanders down country roads reach out to him.” In other words, the spiritual life is not one for spectators but for those who do God’s will.