Arts & Culture

In two stunning interactive visualizations, individuals are able to examine workplace diversity state by state - controlling for factors such as race, sex, and occupation. One visualization ranks states according to representation, with red and green bars showing what percent under and overrepresented certain populations are in relationship to their presence in the labor force. The other visualization allows users to compare states - giving a clear breakdown of representation at  each occupation level.

TWO NEW ADVENT-THEMED books bring deep wisdom for this liturgical season.

Peter B. Price is a retired Church of England bishop with decades of experience advocating on the ground and in the halls of power for peace and reconciliation in conflict situations around the world. His new book, A Shaking Reality: Daily Reflections for Advent, takes its title from a mediation written by a German priest, Alfred Delp, S.J., while imprisoned by the Nazis.

Price reflects on Delp (who was later executed for being in the resistance) and the “courage and witness” of others in these graceful meditations for each day of Advent. He writes about the world’s brokenness from his sensibilities as a pastor—acknowledging structures that harm and oppress, while guiding readers toward what Delp called “God’s promise of redemption and release.”

IN THE FILM BLAZE, directed by actor Ethan Hawke, happiness is rare and meaning always seems slightly out of reach, just around the corner. An unconventional, compelling biopic of Blaze Foley, a country musician who died too young, and violently, Blaze is a challenging alternative to familiar rags-to-riches tales. It’s rags-to-slightly-more-fashionable-rags, where the loneliness of the road is never salved by the acclaim of a crowd, the price of art being the very life of the artist.

As a movie about the pain of making music, it’s up there with Tender Mercies, Coal Miner’s Daughter, and Dreamgirls. As a biopic it gets closer to the inner life of its subject than most—Ben Dickey’s hypnotic lead performance embodies the drive to write, to sing, to perform, even if no one’s watching. “He knew the value of zero,” says iconic songwriter Townes van Zandt in the film. Van Zandt is played by Charlie Sexton, one of van Zandt’s cultural heirs and a frequent member of Bob Dylan’s band. The value of zero here is the notion that what we’re most called to in life is authenticity, whatever the reward.

"WE ARE WHAT WE PRETEND TO BE,” Kurt Vonnegut once observed. “So we must be careful about what we pretend to be.” What a funny and paradoxical and intensely true thing to say. This is indeed the drill. The world runs on pretense. We play along with norms, strengthening their power as we go, borrowing a sense of legitimacy—sometimes trading in acts of legitimation with others—in the hope of being seen by others as credible and worthy of a salaried position.

If we aren’t careful, we learn to stop asking whether the reigning legitimacies in which we live and move are, in fact, good or worthy or true. When they aren’t, our pretense is a form of earnest wickedness. I’ve gained power, a tiny world of fake legitimacy, while slowly and dutifully forfeiting my soul. I’ve become what I’ve played at and lost any righteous sense of self and others in exchange for status. Henry David Thoreau described the way his own conscience sometimes succumbed to such peer pressure thusly: “The greater part of what my neighbors call good I believe in my soul to be bad, and if I repent of anything, it is very likely to be my good behavior. What demon possessed me that I behaved so well?”

We are, of course, responsible for our own words and actions, but we’re also responsible for the conflicts we avoid to more effectively get by, the lies we allow others to propagate unchallenged in our presence. Thoreau worried over all the ways he played along and didn’t raise a fuss in the face of the terrors his government enacted and the subtle fashion in which his own behavior, by proving polite and acceptable, abided injustice.

I'M TOO OLD, and so are my children, to set out cookies and milk for you. But I’m still hopeful enough to write you another letter.

Last year, with all the earnestness I could muster, I asked you for a white people intervention—many white progressive and evangelical Christians in the same room for a cleansing flood of white tears, some deep breathing and healing prayer, and time to plan to dismantle white supremacy from the inside.

But I have not received word that an intervention took place. I assume invitations to it went out or it got canceled, postponed, or taken over by the announcement of Supreme Court Justice Anthony Kennedy’s retirement. (Was that supposed to be a Christmas-in-summer gift?)

For too many Christians, the argument that we should love others because Jesus told us to becomes a begrudging obligation rather than a willful choice. If the only thing that drives Christians to accept disenfranchised people is Jesus, there is a lack of authenticity in that connection. The implication is that without Jesus, there would be no intrinsic value to diversity.

ProPublica has released a new interactive database that allows users to examine racial disparities in more than 96,000 individual public and charter schools, and 17,000 districts across the United States.

You can search the racial composition of individual schools and also compare school districts on issues of opportunity, discipline, segregation, and achievement gap.

Alaska has a “linguistic emergency,” according to the Alaskan Gov. Bill Walker. A report warned earlier this year that all of the state’s 20 Native American languages might cease to exist by the end of this century, if the state did not act. American policies, particularly in the six decades between the 1870s and 1930s, suppressed Native American languages and culture. It was only after years of activism by indigenous leaders that the Native American Languages Act was passed in 1990, which allowed for the preservation and protection of indigenous languages. Nonetheless, many Native American languages have been on the verge of extinction for the past many years.

Donald Glover aka Childish Gambino has become a cultural icon. From his comedic work in Community to his acting in both Marvel and Star Wars franchises to his writing and producing of the critically acclaimed show Atlanta, the versatile Grammy-nominated artist is a creative force. Throughout all of this commercial and critical success, Donald Glover has refused to frame his work as a product; instead he wants to offer a participatory experience, a religious experience even.