Magazine

Liz Bierly 6-02-2023
Paul (Harrison Ford) wears a light blue dress shirt and hat and sits on a black park bench next to teenage girl Alice (Lukita Maxwell), who's sitting cross-legged while wearing a gray hoodie.

From Shrinking

HOW WOULD YOUR life change if you stopped filtering your thoughts and instead shared what was really on your mind? This is the question at the heart of Apple TV+’s Shrinking, a tear-jerker of a comedy that follows therapist Jimmy (Jason Segel) and his teen daughter Alice (Lukita Maxwell), who is grappling with the loss of her mom and the emotional withdrawal of her grieving dad. In the months following his wife’s unexpected death, Jimmy turns to women and substance use to numb his pain. As Jimmy checks out of actively parenting, other people in Alice’s community step in — including the neighbor Liz (Christa Miller), who makes dinner for Alice and cheers her on at the soccer games her dad has forgotten. After a particularly flagrant parenting fail on Jimmy’s part, Liz confronts him, saying, “I have to ask: Is this you forever?” Jimmy’s response is relatable to many who have lost themselves in the wake of losing a loved one: “I don’t know.”

Yet with assistance from Liz, candid conversations with co-therapist Gaby (Jessica Williams), and unwavering friendship from Brian (Michael Urie), viewers watch Jimmy return to himself. And in the process, he breaches all guidelines about boundaries between patients and clients.

Caroline McTeer 6-02-2023
An illustration of Emily Dickinson: a white woman with brown hair in a blue dress and blue and white short neckscarf. Pink, turquoise, and teal paint is splattered across the background.

Emily Dickinson Dream / Miki De Goodaboom

WHEN EMILY DICKINSON first read the novel Jane Eyre, she didn’t know the name of its author. At the time, Charlotte Brontë wrote under the pseudonym Currer Bell, and her work was the subject of controversy. The British Quarterly Review referred to Bell as “a person who ... combines a total ignorance of the habits of society, a great coarseness of taste, and a heathenish doctrine of religion” and said, “the tone of mind and thought which has overthrown authority and violated every code human and divine ... is the same which has also written Jane Eyre.

When Dickinson returned Jane Eyre to the friend who lent it to her, she sent it with a bouquet of box leaves and a note that makes it clear she’d heard the gossip on Bell. She wrote, “If all these leaves were altars, and on every one a prayer that Currer Bell might be saved — and you were God — would you answer it?” Years later, when Brontë died, Dickinson wrote the following elegy: “Oh, what an afternoon for heaven, / When ‘Brontë’ entered there!”

As Dickinson’s biographer Alfred Habegger notes, this elegy not only grants Brontë salvation but also “made heaven the beneficiary.” Even in these brief notes on Brontë, we can see some of the common themes of Dickinson’s poetry. There is the impulse to engage with (and even affirm) the ideas of God and heaven but also the impulse to subvert rigid and exclusive notions of theology.

Frank A. Thomas 6-01-2023
A painterly illustration of two people walking along the edge of a lake on a wide iridescent pathway at night. A cityscape is behind them to the left, and a purple-blue and pink horizon to the right, casting the whole illustration in these two colors.

Illustration by Matt Williams

MY DAD HAD a very mixed relationship with America. Based in his experience of and feelings concerning white supremacy in America, I was never sure he loved America and knew with certainty that he hesitated to call it “home.” America was never holy ground for him.

On Jan. 6, 2021, while I was watching the Capitol insurrection on TV, he died in his hospice bed. My screen view of the Capitol mob’s recitation of “hang Mike Pence,” in rhythmic incantation to bring forth the blood-boiling hate, was reminiscent of the ritualistic lynching of thousands from 1870 to 1940, particularly and almost exclusively African Americans.

I also had a screen view of my dad. Given the threat posed by COVID-19 exposure upon his chemotherapy-treated and compromised immune system, we were not able to visit him as we would have liked. My sister had installed a camera system to get a visual. I noticed that he was not moving. I earnestly studied his lack of motion and noticed that his mouth was wide open. This was the death posture. I instantly knew he was gone.

Trying to come to grips with the death of my father, while staring with glazed-over eyes at the Capitol riot, I said to myself: “The insurrection took my dad out of here. He had enough of white supremacy in America.” During the chaos of the insurgency, my dad became an ancestor. In the stark reality of his death, I realized he had been in search of holy ground for a long time.

G. Scott Morris 5-31-2023
A side-rear view woman doctor with red hair points to a screen with a spectrum of faces from sad to happy, asking her patient in the chair (a man with gray hair) which is most accurate for him. A purple screen with "Church Health" is shown nearby.

Photo courtesy of Church Health

IN SEPTEMBER 1987, ordained Methodist minister and practicing physician G. Scott Morris opened Church Health, a faith-based health care center in Memphis, Tenn. The first clinic tended to 12 people. Over 35 years later, more than 80,000 different individuals have come through Church Health’s doors. When they started, Memphis was the poorest city in the country, but Morris and companions didn’t open Church Health center as an act of charity. Church Health’s mission has always been about demanding justice. His book Care: How People of Faith Can Respond to Our Broken Health System tells the story of clinics across the U.S. where people practice Jesus’ command to heal. — The Editors

I FIRST CAME to Memphis in 1986. Having completed my theological and medical education, I was determined to begin a health care ministry for uninsured people working in low-wage jobs. I had dreamed of this for years as I slogged my way through the training that would make it possible. When the time came, I chose Memphis because historically it is one of the poorest major cities in the U.S. Today we see patients in clinics for primary care, urgent care, dental work, and optometry services. Behavioral health, life coaching, and physical rehabilitation are integrated into our clinics, and we have a teaching kitchen offering classes on culinary medicine for patients and the community. The Church Health model is used in more than 90 clinics around the country. There are about 1,500 free and charitable clinics in the U.S., many of which have faith-based connections.

God calls the church to healing work. Jesus’ life was about healing the whole person, and Jesus is the church in the world. Tradition suggests that Helena, the mother of the emperor Constantine, was the first to open a hospital specifically to care for the poor. The ancient world never had a system to care for the sick who were poor until Christians offered hospitals. Even Julian the Apostate, a fourth-century Roman emperor who did not have much use for Christians, wrote, “Now we can see what it is that makes these Christians such powerful enemies of our gods, it is the brotherly love which they manifest toward strangers and toward the sick and poor, the thoughtful manner in which they care for the dead, and the purity of their own lives.” We are still Jesus’ disciples, the body of Christ running after God’s priorities in the world together. What does it look like to have a healing ministry in today’s world?

Zachary Lee 5-31-2023
An illustration of a giant film reel being lifted up by an invisible force, revealing a bottomless pit. A man stands on the edge of the deep red floor, peering in as some of the film unspools over him out of frame.

Illustration by Nicolás Ortega

EVERYTHING EVERYWHERE ALL AT ONCE, the absurdist sci-fi cinematic romp through the multiverse by a Chinese American laundromat owner in the L.A. mega sprawl, garnered seven Oscars this year, including for Best Picture. I’ve seen Everything Everywhere eight times. I’ve introduced it to friends. I did not think my favorite film could do anything wrong. What could be better than to be wrapped up in the spectacle created by directors Daniel Kwan and Daniel Scheinert and their amazing cast?

The directors’ over-the-top approach embraces the “too muchness” of its title. Laundromat owner Evelyn Wang (Michelle Yeoh) lives with her husband, daughter, and recently-arrived-from-China elderly father in a small apartment above the family business. Their dining room is cluttered with the American dream — workout equipment, inspirational business books, beeping electronic kitchen gadgets, a TV droning in the background, and a live security feed to the washers and dryers downstairs. “The Daniels,” as the directors are known, wrote in the original script, “It is a still life of chaos.”

Evelyn and her family are slowly spinning apart, and now the IRS is auditing the Wangs and their business. The forces of chaos are spreading beyond their little apartment. Later, while Evelyn is explaining to an IRS auditor (Jamie Lee Curtis) why her receipts are not in order, she gets a message from her husband (well, an alternative version of him) that she may be in grave danger and that she may hold the key to saving not only her own world but also the worlds in multiple universes and parallel time frames.

Despite its zany premise and on-screen absurdities (from anthropomorphic racoons and talking rocks to people with hot dogs for hands), Everything Everywhere never lets the spectacle eclipse the emotional story at its center: Evelyn is learning to find contentment in her own universe with her real family, even if she has the power to be elsewhere all at once.

Justin Jones 5-31-2023
Representative Justin Jones, a Black-Filipino man in a white suit and brown tie, stands amid the aisles of Tennessee's House of Representatives, raising his fist to the ceiling as his colleague Justin Pearson stands behind him to the left.

Rep. Justin Jones gestures during a vote to expel him from the state legislature in Nashville, Tenn., in April, for taking part in a gun-control demonstration on the House floor after six people were killed in a mass shooting at a local Christian school. / Seth Herald / Getty Images

Justin Jones is a Tennessee state legislator representing Nashville. He spoke with Sojourners’ Mitchell Atencio.

What they were trying to do wasn’t just expel us, but the movements we are standing in solidarity with. It’s not ironic that it happened on the day before Good Friday. They tried to crucify democracy and I [was reinstated] the Monday after Easter as a testament to the resurrection of a movement for multiracial democracy here in the South. The resurrection of a Third Reconstruction [is] being led by students and young people — that’s a very powerful vision. If it’s possible here in the South, if it’s possible in Tennessee, that should give us some hope in the nation.

A minimalist cartoon of people at a party. A man and woman stand together to the left next to some plants, a man cooks on a grill to the right, two women sit in chairs while drinking beer in the upper center, and a man holds his bike in the lower center.

Nadia Bormotova / iStock

FOR SOME REASON, conversations about economics and the church are rare these days — even though scripture includes more than 2,000 verses on poverty, such as laws in the Hebrew Bible on debt, labor, and land ownership. In the gospels, Jesus had many conversations with people about their relationship to money.

Our daily lives wade in the waters of economics, even in the most ordinary ways. When I brushed my teeth this morning, for instance, I used a brand-name electric toothbrush and a brand-name toothpaste, one that claims to be gentle on tooth enamel. After leaving my apartment, I gazed ahead to the street corner, where a man with a familiar face extended his hand in need to passersby. On the streets of New York City, the human cost of economic insecurity is painfully evident. I made my way eastbound toward Park Avenue; the potholes had me pondering how my hood is often overlooked in the city’s infrastructure budget. Yet, somehow, new “affordable” luxury apartments pop up, seemingly out of nowhere; I sometimes wonder if these buildings just appear overnight, ready-made. I’m also reminded that our local community board, through its land use committee, had some say in these new developments.

Rose Marie Berger 5-31-2023
An illustration of an open scroll with swirling, sandy textures across its blank page.

kzkz / Shutterstock

IN THE EARLY days of the pandemic, I started a death scroll. Not to be confused with “doomscrolling” (a malady related to one’s smartphone), my death scroll was a physical length of paper on which I penned names and death dates as I learned of them.

Across the top I scrawled: “Blessed are you, Lord Our God, Who Is Keeper of the Book of Life. Today, we learned that Sister Death called ...” On March 13, 2020, I wrote the first name: Barbara Clementine Harris. A towering figure in the American church, Harris registered Black voters in Mississippi in the 1960s, marched from Selma to Montgomery in 1965, and was one of the first 11 women “irregularly” ordained as Episcopal priests in 1974 and the first female bishop in the Anglican Communion. But, because of the COVID lockdown, no churchwide memorial service was held for her.

Pandemics bring death. And, as Christians, it’s impressed upon us to remember. Remember the Sabbath. Remember that your ancestors were slaves in Egypt. Do this in remembrance of me. Remember my chains. But ... I have a very bad memory. So, I made the scroll. When I stopped collecting names in late 2022, my scroll held 36. How many names would your scroll hold?

Maria Santelli 5-30-2023
An illustration of a blue peace symbol with two yellow hands raised to the sky in the center, which are each holding both halves of a broken rifle.

Vera Smirnova / Alamy

THE NUMBER OF asylum seekers from Russia arriving at the U.S. southern border has risen dramatically in the past year. Hundreds of thousands of Russians have left their homeland since President Putin ordered the invasion of Ukraine. Some fear increasing economic hardship and that Putin will impose martial law and close the borders, and some are fleeing to follow their conscience.

In September, the Kremlin announced its first military mobilization for soldiers to fight in Ukraine, prompting the departure of tens of thousands of Russian men. A second mobilization may occur this fall. Many of those who have fled hold religious or moral beliefs that tell them that participation in Russia’s invasion of Ukraine is wrong. Many young men have come to the United States seeking asylum as conscientious objectors (COs) based on their refusal to be drafted into Russia’s military for reasons of moral conscience.

At the Center on Conscience and War, we began hearing about these cases in fall 2022 — and found very few resources to support them. A handful of immigration attorneys are taking on a few of these cases, but the demand is much greater than the help available. This spring, our center initiated a Freedom of Information Act request to learn exactly how many of the asylum seekers are making claims based on conscientious objection to military conscription.

Julia M. Speller 5-30-2023
An illustration of the United Church of Christ symbol inside the African symbol for Odomankoma. Both are enclosed in a black circle with a green border against against a gold backdrop.

From Afro-Christian Convention

THIS JULY, THE United States turns 247 years old. Independence Day calls to mind a powerful narrative—our nation’s defiant break from the British Empire, explosive population growth and expansion, and ascent as a world power. Yet within this historical movement are rooted many other stories—large and small—that reflect who we really are as a nation. When we hold up a larger mirror, when we view ourselves more completely and take all these stories into account, then we recognize that “our” history is more than a collection of dates, events, and people prioritized by the powerful. History is a complex web of beliefs, practices, and interpretations that exist in the sacred movement of time and space as a spiraling mixture of who we are and who we are becoming.

Sharing a common understanding of history is complicated these days by new words in our lexicon like “fake news” and “alternative facts.” How do we know what to believe and what to reject? Isn’t “revisionist history” a bad thing?

In fact, many historians agree that allhistory is revisionist. Historical interpretation, by its very nature, changes with time and circumstance, requiring new views and fresh analyses. From one perspective, the revision of history in any form means to criticize the past and disrupt commonly held ideas and beliefs. Conversely, the introduction of new, validated, historical information broadens the scope of discourse and deepens its meaning in ways that bring clarity to the past and hope for the future.

An illustration of the Statue of Liberty's torch, completely colored in red. The torch is ripping through a tear in the background, which depicts an aerial view of land plots in a dark blue tint.

Illustration by Candice Evers

WHEN WE LOOK at the record numbers of migrants who are seeking refuge and asylum in the U.S. and the deplorable ways they have often been treated, it’s easy to lose faith. The U.S. immigration system seems so hopelessly broken, and hateful rhetoric and bad faith are so abundant among our politicians, that it can often feel as if there’s nothing we can do to fix it. Yet, if we take seriously both the Hebrew scripture command to welcome the stranger and Jesus’ call to treat migrant people as we would treat him (Matthew 25), then we cannot let ourselves succumb to despair or resignation. People who have been forced to leave dangerous conditions in their home countries to seek asylum are depending on us to not give up fighting for a fairer and more humane immigration and asylum system. Sadly, Congress has lacked sufficient political will to pass the sweeping overhaul of our immigration laws that is so sorely needed.

The Editors 5-30-2023
An illustration of Renee N. Salas, a professor and physician at Harvard Medical School. She is wearing light blue scrubs and has long brown hair and blue eyes. An iceberg enveloped in a hot pink flame is behind her.

Renee N. Salas is a professor and physician at Harvard Medical School and a senior author of the Lancet Countdown on Health and Climate Change Policy Brief for the U.S. / Illustration by Adriana Bellet

MANY SCRIPTURAL METAPHORS for transformation involve variations on the “open my eyes that I may see” plea of Psalm 119; the writer of Ephesians 1, for instance, prays for the enlightenment of the “eyes of your heart” so that “you may know the hope to which he has called you.” Various authors in this issue wrestle with similar images. For example, our Prelude, which draws on the writings of French Jesuit Pierre Teilhard de Chardin, refers to the “worst failing of our minds” as the inability “to see the really big problems” that “are right under our eyes.”

Much of our culture, Zachary Lee explains in his cover feature on Hollywood “spectacle,” serves to distract us from those “really big problems” and makes it difficult for us to see in different, more hopeful ways. Bible savant Walter Brueggemann, who knows a thing or two about alternative ways of perceiving, said that prophets “are able to imagine the world other than the way that is in front of them.” But that task, that “prophetic imagination” of seeing with enlightened eyes, isn’t reserved just for prophets: It’s really an invitation to all of us who seek a better world.

An illustration of a open light green hand with leaved branches sprouting upwards and tangling along the fingers. Larger and abstracted olive-colored silhouettes of leaves are intermingled with the branches.

Illustration by Cat O'Neil

WE HAVE SEVERAL readings this month where God creates something out of nothing — or at least out of pretty limited materials. In the opening chapters of Genesis, we see creation birthed from God’s imagination and curiosity. In the story of Sarah and Abraham, a child is conceived in a womb so postmenopausal that the now-pregnant woman can’t help but laugh (Genesis 18). A well appears from nowhere to quench the thirst of a dying woman and her child (Genesis 21:19). God “calls into existence the things that do not exist” (Romans 4:17). And God turns death to life through the mysteries of resurrection (Romans 6:1-11).

This month’s lectionary readings make God’s continuous creation — as well as God’s continual renewal of creation — explicit. But the fact is, once we’re looking for it, all of scripture tells these stories of renewal. God is always creating, re-creating, and reimagining our world. God is always making a way where there was no way before. God continually turns death to life. And, just as importantly, we are called to participate in God’s divine practices of continuous creation, in God’s own divine practice of everyday resurrection.

As we exit a series of some of the higher holy seasons in the liturgical year — Epiphany, Lent, Easter, and Pentecost — June quiets down from such intensity. The slower pace to which (in some places) the warm summer sun calls us can inspire us to seek out everyday resurrection wherever God hides it. How is the Spirit calling you to partner with divine practices of renewal, with everyday resurrections?

A cartoon illustration of a woman with orange skin and gray hair lying prone on the floor with a blank expression. She's wearing an orange shirt, blue pants, and green slippers. Chips and a crinkled green bag are spread out in front of her.

Illustration by Melanie Lambrick

WHAT DO YOU MEAN, “How to keep going,” you may ask? I’m fine, you may say. The increasingly fraught political landscape, the ominous signs of climate change, the erosion of voting rights, the crushing “invisible hand” of global capitalism, and a lack of space to collectively process any of the above — these are all things that are totally fine and normal and do not bother you. Your eye is not twitching right now as you say this.

Hush, you. I made a list of five easy steps to help you keep on keeping on. Read it and weep. I mean, stop weeping.

Elisabeth Ivey 4-27-2023
An illustration of a bird engulfed in flames with its wings spread out being held in human hands. A person's face is visible in the dark backdrop with glowing orange eyes, staring down at the bird poised over their cupped hands as feathers float downward.

Illustration by Kat Ash

I like my anger. I stoke it
like a fire, tend to it
with tender hands, cup
a hand ’round as I
blow to fan the flames

Mitchell Atencio 4-27-2023
A comic book illustration of a male superhero in purple tights, a purple cowl, and red gloves. He's holding a woman in his arms in a city park as a police helicopter circles a tower in the background, where an explosion occurs on an upper floor.

Illustration by Cat Sims

EVER SINCE I was little, my imagination has been shaped by superhero worlds, lore, and comic and animated adaptations. And while more “realistic” adaptations are the trend on the big screen, what enthralled me about characters such as Batman wasn’t that I thought he could be real; I was tuned instead to the ethos behind the caped crusader.

Superhero stories often seem limitless. At their best, they stretch the imagination to ask what type of world we want to exist and what it would take to get us there, while acknowledging hardships along the way.

Recently, I began a rewatch of the DC Animated Universe: TV shows, feature films, and shorts that aired mainly from 1992 to 2006. These shows were the first to capture my attention and shape my imagination. Batman: The Animated Series was my first love, with Kevin Conroy’s Batman and Mark Hamill’s Joker seared into my consciousness. As I watched, I made a particular note about the moral imagination of these shows: Superheroes in these shows don’t just refuse to kill — a theme recurring across superhero worlds — they refuse to even let anyone die.

Take Season 1, Episode 11 (S1 E11) of Superman: The Animated Series: Lex Luthor’s weapons factory is about to explode, with spilled molten metal splashing about. Lana Lang is hanging by a thread above certain death; so is Lex Luthor, who unintentionally caused this mess in his attempt to kill Superman. But then, at the last moment, Superman bursts forth from under the molten waves, crashing out of the top of the factory just before it explodes, with Lana in one arm and the villain in the other.

It’s a scene that strains credulity. There’s an improbability of timing, a lack of “logic” in doubling back for the person trying to kill you, and the storyteller’s refusal to explain how Superman managed to save the villain. But what’s key here is the insistence, and flaunting, that Superman would save the villain. It doesn’t need an explanation; it’s assumed.

For a while, I was paying attention to how the writers made this subtext believable. Superman saves some villains in hopes they can be rehabilitated, others because they are being used by larger, more villainous characters. Why? The simple answer is that these were shows for families and children. The same reason the comic book’s “League of Assassins” became the TV show’s “Society of Shadows” and villains set out to “destroy” rather than “kill” heroes.

But this death-resisting subtext becomes dialogue in S2 E9 of Superman: The Animated Series when some kids plead with Metallo, a villain disguised as a hero, to save Lois Lane from an exploding volcano. “Superman wouldn’t let anyone die, no matter how bad they were,” the kids protest. “I’m not Superman,” Metallo retorts.

Josiah R. Daniels 4-27-2023
An illustration of blue disembodied hands pulling white strings in various directions in the shape of the Enneagram symbol. The background is a mixture of bright pastel colors of the rainbow.

Illustration by Mark Pernice

IN 2011, I took a course at my Christian college about the personality type system known as the Enneagram.

The Enneagram is a system built around nine personality types, with each type providing a unique perspective on how we navigate our relationships, emotions, and the world around us. The Enneagram draws on both spirituality and psychology, which distinguishes it from many other personality indicators.

A primary question that emerged for me from that college class: Does the inner work that the Enneagram encourages manifest itself in the outer world through justice work, or is the Enneagram primarily a tool meant to encourage people to focus on individual healing, career, and spirituality?

Throughout history, questions about how and why each human has a unique set of behaviors, motivations, emotions, and cognitions have preoccupied philosophers, psychologists, sociologists, religious thinkers, and Buzzfeed quiz creators alike. Indeed, in the 21st century, “know thyself” is less of a thought-provoking ancient Greek aphorism and more of a cultural imperative lauded by the self-help industrial complex and career coaches. We are assured that by unlocking our “true selves,” we will ultimately be unlocking our true potential, which will drastically improve our fortunes.

But the Enneagram was never meant to simply measure our potential or provide a definitive answer to the question of human personality. This is contrary to some of the most popular personality indicators such as Myers-Briggs or CliftonStrengths (formerly StrengthsFinder), which became popular because they promised to help employers tap into human potential and productivity. The Enneagram originated as a tool for contemplation but has come to emphasize how self-growth and inner work prepare us for the outer work of building community.

daniels.enneagram.inline1.jpg

An illustration of disembodied pink and purple hands plucking and stretching crisscrossing white and purple strings across a teal backdrop.
Illustration by Mark Pernice

In their book The Enneagram: A Christian Perspective, Catholic priest Richard Rohr and Lutheran minister Andreas Ebert point to a 4th-century Christian Desert Father, Evagrius Ponticus, as the first to use, loosely, the nine-pointed symbol to highlight vices that he believed interrupted one’s inner peace and relationship with God. But it wasn’t until the 1970s that Chilean psychiatrist Claudio Naranjo, inspired by a theory originated by Bolivian philosopher Oscar Ichazo, used modern psychology to develop a theory of nine distinct personalities — or “enneatypes” — that highlighted the vices, virtues, and core motivations of each type.

The Enneagram is sometimes treated as just another personality test that can help us purchase the things that “match” our personalities, find romance, or unlock our “true potential” so we can make more money — part of our culture’s obsessive focus on self-improvement. But at its best, the Enneagram not only emphasizes making peace with yourself and a higher power, it also offers tools for learning how to be in community and build a more just society.

To help me sort through my questions, I interviewed three Enneagram experts: Chichi Agorom, an associate faculty member with The Narrative Enneagram and author of The Enneagram for Black Liberation; Jessica Denise Dickson, a life empowerment coach and Enneagram guide who uses the Enneagram in anti-racist workshops; and Abi Robins, a queer, trans Enneagram teacher, coach, and author of The Conscious Enneagram. Their responses have been edited for length and clarity. — Josiah R. Daniels

Robert L. Foster 4-27-2023
A vibrant illustration. On the left, Zechariah is portrayed with brown skin, a white beard, and yellow robes. The center shows hands reaching up. Among them, there's a scroll, bird, and three women hugging. To the right, there's a city on a tall mountain.

Illustration by Thiago Límon

IN 1991, FOUR Los Angeles police officers beat Rodney King, a 25-year-old African American man, nearly to death. It was caught on video. All the officers were acquitted of assault with a deadly weapon. The acquittals were followed by six days of rebellion with more than 50 associated deaths. At that time, I and many other white Christians fixated on our desire to see “peace” restored. Even in the face of graphic police brutality, I was unable to see the pernicious racial injustice that created the context for the riots. The white Christianity of my upbringing did not equip me with a biblical lens through which to discern the truth about racial injustice in the U.S. It would be nearly a full decade before I could finally begin to perceive it.

Nevertheless, in light of the role white Christian nationalists played in the Jan.6 riot, the number of pastors who preach against Black Lives Matter and critical race theory, and the deafening silence and stubborn inaction of many white Christians in the face of explicit cries for racial justice, I have to ask: Will this generation of white American Christians be just another in the long line to embolden racial injustice?

Where do we turn to find hope, inspiration, and guidance to help white Christians finally commit to our God-given vocation to do justice instead of holding tightly to our idolatrous commitment to white supremacy? I look to the little-known biblical prophet Zechariah and how he called a generation returned from exile to live out God’s call to do justice.

Zachary Lee 4-26-2023
The cover for the podcast 'Sounds Like A Cult' is cast against a gray-green backdrop. The cover is an illustration of an open human mouth superimposed over a multi-colored background. The podcast's name is in cursive, positioned between the teeth.

Sounds Like A Cult, hosted by Amanda Montell and Isa Medina-Maté / All Things Comedy

WHAT DO CELEBRITY megachurches, a cappella groups, nonprofits, and Trader Joe’s have in common? According to author Amanda Montell and comedian Isabela (Isa) Medina-Maté, they’re all cults. In their hilariously informative podcast, Sounds Like A Cult, launched in 2021, these are just a few of the groups they eye with suspicion. Across episodes, the duo focuses on a group, institution, or brand with a fanatical following and ask, “This group sounds like a cult, but is it really?”

Whether they are calling out the hypocrisy of Starbucks’ refusal to let their workers unionize or critiquing the ways Taylor Swift weaponizes her loyal fan base to dismantle outlets that might portray her negatively, no brand, organization, or person is safe. They often have guests who have escaped (or sometimes still are in) said “cults,” and at the end of each episode, Medina-Maté and Montell share whether that week’s subject fits under one of three categories: a “Live Your Life” cult, a “Watch Your Back” cult, or a “Get the [Expletive] Out” cult. Listening to them is akin to eavesdropping on a conversation between friends, and the tone can switch from serious to breezy in the same breath. “All billionaires are cult leaders, period,” Montell says in an episode about Starbucks. In an episode about church camps, she notes that camps are great at “weaponizing endorphins and calling it the Holy Spirit.” The hosts are alternately analytical, easygoing, and earnest, but they never belittle their subjects for the sake of laughs.

Liz Bierly 4-26-2023
An image of Beth Moore's memoir 'All My Knotted-Up Life' against a pink backdrop. The cover shows her as a child posing with her family as they stand behind and to both sides of an old navy and white van outside near a forest.

All My Knotted-Up Life, by Beth Moore / Tyndale House

“GRIEF TAKES SO much energy. I can feel it even in my fingers.”

These are the words that drew me to Christian author and speaker Beth Moore’s memoir, All My Knotted-Up Life. She posted the sentences as two separate tweets in the wake of her brother’s unexpected death, less than three weeks before her memoir’s release.

Through her Living Proof Ministries, Moore is one of the most prominent white evangelical women in the U.S. I braced myself as I entered the book, but she delivers stories of resilience with all the charm, sweetness, and humor one would expect from a memoirist with roots in Arkadelphia, Arkansas.