liberation

#SayHerName

BGM

“BLACK WOMEN AND GIRLS are killed by the police, too.” I can’t tell you how many times I’ve received a blank stare when I made this statement, even in activist spaces. Occasionally I’ll see a few affirmative nods, but overwhelmingly there is apathy. I leave with a sick feeling, wondering, “Where is the rage and protest for my sisters?” and “Who will fight for my life?”

In May, Black Lives Matter, Black Youth Project 100, and Ferguson Action came together for a national day of action for black women and girls. We wanted to shed light on the fact that black women and girls, in all our complexities, have been erased from the broader narrative of police terrorism and modern-day lynching in this country. Cities such as Oakland, Calif., New York, Philadelphia, Detroit, and Miami all participated in powerful acts of public resistance that involved reading the names of women who have been killed by police and using the hashtag #SayHerName as an awareness tool on social media.

Speaking our sisters’, daughters’, and mothers’ names at a vigil on a day set aside to acknowledge our humanity is powerful, because it says: When the world has forgotten Mya, Aiyana, Tanisha, Rekia (and so many others), we will not forget.

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Short Takes: Erika Totten

Rick Reinhard

Bio: Erika Totten is a leader in the Black Lives Matter movement in Washington, D.C., and the black liberation movement at large. She is a former high school English literature teacher, a wife, a stay-at-home mom, and an advocate for the radical healing and self-care of black people through “emotional emancipation circles.”

1) How did you get started with “emotional emancipation” work?
Emotional emancipation circles were created in partnership with The Association of Black Psychologists and the Community Healing Network. I was blessed to be one of the first people trained in D.C. I had been doing this work before I knew what it was called. My organization is called “Unchained.” It is liberation work—psychologically, mentally, spiritually, and emotionally.

I want to tell people to be intentional about self-care. Recently, we had a black trans teen, who was an activist, commit suicide. A lot of times you need to see a counselor or therapist, which is often shunned in the black community. Because of racism, we are taught that we need to be “strong.” But it’s costing us our lives. As much as we are dismantling systems, we have to dismantle anything within ourselves that is keeping us from experiencing liberation right now.

2) What does liberation look like to you?
It’s a multitude of things, and it changes every day. But mainly it is having the space to be. To just exist. To not have to perform. It is the ability to exist and live life unapologetically. You don’t have to accept me, but my life shouldn’t be in danger because of my skin. And for my children, liberation means walking down the street and not being harassed. Liberation means living.

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The Power to Heal

Daniel Beaty in "Through the Night"

“I AM A storyteller,” says Daniel Beaty, “and my purpose in the world is to inspire people to transform pain to power.”

He was first inspired to share his stories when his third-grade teacher showed a videotape of Martin Luther King Jr.’s “I Have a Dream” speech. Now as a writer, actor, singer, teacher, and motivational speaker, his storytelling is expressed in a dizzying array of different forms and outlets. The week in April that Sojourners’ editorial assistant Rebecca Kraybill interviewed him, Beaty was doing daily performances in Los Angeles of a one-person play he wrote on the life of performer and activist Paul Robeson, “The Tallest Tree in the Forest” (in which he plays 40 characters and sings 14 songs) and, during the day, taping for a Ford Foundation-funded documentary on work he does with children of incarcerated parents.

This was just a fortnight after Beaty finished a six-week speaking tour in support of his memoir, Transforming Pain to Power: Unlock Your Unlimited Potential (Penguin-Random House). He’s also the author of a children’s book released in December 2013 by Little, Brown and Company, Knock Knock: My Dad’s Dream for Me, with graphics by award-winning illustrator Bryan Collier, which is an adaptation of a poem Beaty wrote about his experience growing up with an incarcerated father. “Knock knock down the doors that I could not” is one especially poignant line the father in the book writes to the son; it carries a call to healing and liberation that is found in all of Beaty’s work.

Kraybill talked with Beaty about the effects of mass incarceration on families, the power of a “theater sanctuary,” and how the arts call us toward “the capacity to do better.”

Rebecca Kraybill: Many people were first introduced to your work through a YouTube video of the Def Poetry Jam performance of your poem, “Knock Knock.” What inspired that poem?

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Palestinian Nonviolence: Muslims, Not Christians, Are the Leaders

100216_090527-1503-palestineWhenever I give talks on the effects of the Israeli occupation on Palestinian livelihood, the status of nonviolence as a means to resisting the occupation, and how I believe nonviolence is the only way to move forward to resolve the conflict and create a lasting peace between Israelis and Palestinians, one of the first and immediate questions I get from foreign visitors to my office in Bethlehem is, What you said is good, but what about the Muslims? Do they also believe in nonviolence? Do they understand it?" Even if I don't mention religion in my presentation -- and I rarely do -- this question always seems to make its way in our discussions.

What's in a Name?: Campus Crusade for Christ Becomes 'Cru'

Shakespeare said a rose by any other name would smell as sweet. Maybe, but a Stink Rose by any other name (say... garlic?) might get more play.

On July 19, Campus Crusade for Christ announced its plan to officially change its name to Cru in early 2012.

Brown v. Board of Education had not yet been fought in the Supreme Court when Bill and Vonetta Bright christened their evangelical campus-based ministry Campus Crusade for Christ in 1951. The evangelical church context was overwhelmingly white, middle class, and suburban. The nation and the church had not yet been pressed to look its racist past and present in the face. The world had not yet been rocked by the international fall of colonialism, the rise of the Civil Rights movement, the disillusionment of the Vietnam War, the burnt bras of the women's liberation movement, the fall of the Berlin Wall, or the rise of the Black middle class (more African Americans now live in the suburbs than in inner cities). In short, theirs was not the world we live in today. So, the name Campus Crusade for Christ smelled sweet. Over the past 20 years, though, it has become a Stink Rose ... warding off many who might otherwise have come near.

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