Culture

Poetry: Picture of a Family after Cavafy

Micael Nussbaumer/Shutterstock

There’s a photo he carries for long journeys
like this one, for trips on loaded market lorries
where the passengers take their seat, perching
on top of cargo, or sitting on crude benches
inside the buses coming from Sudan with names
like “Best of Luck” or “Mr. Good Looking.”

As the road rumbles from Chad through Cameroon
to Nigeria, toward another year of medical school,
he always reaches into his inside coat pocket
and brings out the folded 4x6. Sees his brother,
with the latest jeans from the capital and a maroon
hoodie zipped half-way up, one leg placed forward
and his head tilted back—an “attitude” he’s learned
from movies and music pipelined from America.

Sees his mother, bright pink polyester swirling
around her figure, and remembers how she woke
before dawn to make him fangaso for his trip.
He sees the lines he and his brother have caused,
drawn into her face after years of worry,
fatherless years of selling produce in the market
and begging relatives for support. He sees the slight
twist of her mouth, the triumph of a mother
shining through the sorrow of leave-taking,
the promise for her child to have a better life.

Aaron Brown, author of Winnower, is an MFA candidate in poetry at the University of Maryland. He lives with his wife in Lanham, Md.

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July 2015
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Seven Deadly Sins: A Playlist

 

Wrath
Rolling in the Deep — Adele
Mama Said Knock You Out — LL Cool J
Sloth
Lazy Song — Bruno Mars
Je Ne Veux Pas Travailler — Pink Martini
Greed
Rich Girl — Gwen Stefani ft Eve
I Want It All — Queen
Gluttony
Eat It — Weird Al Yankovich
Can’t Stop — Miley Cyrus
Lust
I Want You to Want Me — Letters to Cleo/10 Things I Hate About You soundtrack
I’m Sexy and I Know It — LMFAO
Pride
I’m the Best (clean version) — Nicki Minaj
Devil Went Down To Georgia — Charlie Daniels Band
Envy
Jessie’s Girl — Rick Springfield
Dancing on My Own — Robyn

Christian Art and the 'Ministry of Imagination'

Graffiti on the wall of the abandoned building in Zelenogorsk City, Russia. TatyanaKokoulina / Shutterstock.com

Of course good art is in the eye of the beholder, but I define good art to be creations of paint, music, or stories that speak profoundly to the human condition and break open our imagination beyond what already is. Much of what is qualified as “Christian” art or music has instead done the opposite. It shuts down possibilities by offering a script to be consumed. Instead of creating space for genuine exploration of questions about God — who God is, what God does, where God can be found, etc. — Christian art supplies manufactured answers in a new marketing package. We have struggled to rise up into a prophetic imagination to speak against the dominant consumer culture. If anything, the subculture has been subsumed by consumerism.

Review: '13 Hours: The Secret Soldiers of Benghazi'

In marketing the film, Bay and the real-life men he portrays have stated that 13 Hours is not a political film. The goal, they say, is simply to show what happened, as it happened, and to recognize the courage and sacrifice of the people on the ground that day.

But it takes a more nuanced filmmaker than Bay (the creator of Bad Boys, Armageddon, and the Transformers films) to take an inherently political story like this one and truly make it free from bias. While 13 Hours doesn’t specifically call anyone out, or criticize (or endorse) the decisions of any particular leader or party, Bay and screenwriter Chuck Hogan mistake those qualities as the only ones required to make the film “non-political.”

'Brooklyn' and the Stories That Made America

Still from Brooklyn. Image via Brooklyn Movie on Facebook.

There are many reasons to recommend Brooklyn — its relatable story for one, its glowing visuals and performances for another. But Brooklyn’s commendable qualities go far beyond this, including the amount of respect writer Nick Hornby and director John Crowley give the movie’s female protagonist. Brooklyn is a movie about hard choices, and for the most part, Eilis makes those choices on her own. At different points in the film, she’s caught between romantic relationships, and familial and personal obligations. But in none of these situations does it feel like her hand is forced. The movie lets us know early that Eilis can take care of herself, and she’s never forced to compromise on that point, though she easily could have been.

Although politics aren’t really on Brooklyn’s agenda, the film also carries an unintentional point on that score worth considering. At a time when the United States is anxious about welcoming refugees and immigrants, this film reminds us that our country is made up largely of immigrants — some who look like Eilis, but also many who don’t.

'The 33' Wears Its Heart on Its Sleeve

The 33

Still from the movie 'The 33' / via The 33 Movie on Facebook

The 33, a dramatization of the 2010 San Jose mine collapse in Chile, has all the markings of a Hollywood tentpole film. Heartfelt, incredible true story: check. Touching human drama: check. Stirring score: check (it’s one of the last created by composer James Horner before his death in June, giving it extra poignancy). There are more lines about “not giving up” than there are tears in an Oscar acceptance speech. The 33 fits the end-of-year crowd-pleaser profile in every way.

The 33 tells the famous story of the collapse of the gold mine in Chile’s Atacama desert from three different perspectives. 

Stephen Colbert to Bill Maher: 'Come on Back' to the Church

YouTube / The Late Show with Stephen Colbert

Photo via YouTube / The Late Show with Stephen Colbert

Bill Maher is known for his often vitriolic rhetoric against religion, especially Islam. But the comedian was actually raised Catholic. When Maher stopped by the Late Show to chat with Stephen Colbert, America’s most famous Catholic invited him to give Catholicism another try.

Their conversation was clearly tongue-in-cheek, but you can certainly feel some tension.

Meet Dylan Marron, the Creator of 'Every Single Word'

Screenshot via 'Moonrise Kingdom' trailer/YouTube

Screenshot via 'Moonrise Kingdom' trailer/YouTube

Actor and writer Dylan Marron is the creator of Every Single Word, a popular tumblr and video series dedicated to exposing the lack of racial diversity in mainstream Hollywood films.

For the series, Marron, a biracial native of Venezuela best known for his work on the cult-favorite podcast Welcome to Night Vale, chooses a well-known, recent film and edits it down to only the lines spoken by people of color. The results are damning. None of the videos in Marron’s series last over a minute. Some, like Noahand Into the Woods, which feature no actors of color at all, simply cut directly to black.

Marron spoke with Sojourners about the origins of the project, the long-term effects of poor diversity representation onscreen, and systemic struggles facing people of color in the entertainment industry.

What Do I Do With My Confederate Flag?

confederateflagblock

Image via /shutterstock.com

I own a Confederate flag. Growing up, the flag meant little more to me than school spirit, pep rallies, and Southern pride … until I left East Tennessee. I’ll never forget the moment things began to change. I moved into my college dorm room and established my new home at Eastern University in Philadelphia. I carefully set up my desk, put my posters on the wall, and displayed my high school yearbook — with a Confederate flag on the cover — proudly on my bookshelf.

Reality TV’s ‘The Briefcase’ Looks at Line Between Need, Greed

Photo courtesy of ©2015 CBS Broadcasting Inc / RNS

The Wylie family from Rio Vista, Texas. Photo courtesy of ©2015 CBS Broadcasting Inc / RNS

If a briefcase of money fell in your lap, would you keep it, share it, or give it all away?

The new reality show The Briefcase is asking that question. But viewers and ethicists are asking more:

How could CBS put this on the air? Are there better ways to address the financial challenges of the middle class?

The hourlong show, which airs its fourth episode June 17, introduces two families each episode with the struggles of bills and not enough money coming in to achieve all their goals — whether dealing with a lost job, medical bills, or the potential costs of in vitro fertilization.

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