Radical Jesus: A Graphic History of Faith. Herald Press.
The first half of “Son of God” features an upbeat and kindly Jesus spreading the good word in familiar, if occasionally over-simplified, biblical phraseology.
Then things get bloody — thought not quite as graphic as in 2004′s “The Passion of the Christ” — when Jesus is seized, beaten, and crucified. The production values are modest and the special effects uneven in this PG-13 repurposed and condensed version of the History Channel’s miniseries The Bible. (That series drew flack for casting an actor who resembled President Obama in the role of Satan. The film sidesteps any hint of controversy by keeping the devil out of this story.)
Son of God, which opens Friday, takes no real chances, opting for a moderately involving re-telling of an oft-told story.
It seems rare these days to find an album where each song is valuable both individually and as part of the collective whole that makes up the record. Musicians are always telling us that they “don’t want to make just a few good singles with filler,” but few are able to fulfill those lofty intentions. Wilco did it on Yankee Hotel Foxtrot, where the songs were different from themselves and anything Wilco had ever done in the past, and Animal Collective did it more recently on the 2009 album Merriweather Post Pavilion with the opposite approach: each song was unified by a cohesive and consistent sonic palette. Many point to Fleetwood Mac’s 11th studio album Rumours as another example, and there are surely others depending on one’s musical tastes.
But I think a newer, much lesser known group has entered that conversation, and they’ve done it on their first studio release, nonetheless. Brooklyn-based Lucius have managed to craft an album with diverse songs, catchy hooks, and really powerful vocals and harmonies stick in your head for days. There isn’t a song on their debut, Wildewoman, I want to skip through. Bob Boilen of NPR’s ‘All Songs Considered’ perhaps says it best when describing their EP: “If it were possible to wear out a digital file, then my copy of Lucius' self-titled 2012 EP would now be scattered digital bits.”