Julie has been a member of the Sojourners magazine editorial staff since 1990. For the last several years she has edited the award-winning Culture Watch section of the magazine. In her time at Sojourners she has written about a wide variety of political and cultural topics, from the abortion debate to the working class blues. She has coordinated in-depth coverage of Flannery O’Connor, campaign finance reform, Howard Thurman, the labor movement, and much more.
She studied English literature at Ohio State University and has an M.T.S. (focused on language and narrative theology) from Boston University and an M.F.A. in creative nonfiction from George Mason University.
Julie grew up on a farm in the northwest corner of Ohio. She has been fascinated by the power of religious expression in and through culture since she can remember. Obsessively listening to her older sister’s copy of the Jesus Christ Superstar cast recording when she was 10 was an especially crystallizing experience. In addition, Julie’s mother often argued about doctrine and the Bible and took her at least weekly to the public library, both of which were useful background for Julie’s current work.
She lives in the Columbia Heights neighborhood of Washington, D.C. and is a member of St. Margaret’s Episcopal Church (where she had an unlikely four-year reign as rummage sale czarina). Her personal interests overlap nicely with her professional ones: Music, books, reading entertainment, culture, and religion writing, art, architecture, TV, films, and knowing more celebrity gossip than is probably wise or healthy. To make up for all that screen time, she tries to grow things, hike occasionally, and wonder often at the night sky.
Some Sojourners articles by Julie Polter:
Replacing Songs with Silence
Censorship, banning, blacklists: What’s lost when governments stifle musical expression?
Extreme Community
A glimpse of grace and abundance from - of all things - reality TV.
The Cold Reaches of Heaven
Nobel Prize-winning physicist Bill Phillips talks about his faith.
Just Stop It
Daring to believe in a life without logos. An interview with journalist Naomi Klein.
Women and Children First
Developing a common agenda to make abortion rare.
Obliged to See God (on Flannery O’Connor)
Posts By This Author
What This Election Season Has Obscured About the Toll of War
Charles Ommanney / Getty Images
ON NOV. 11, the world observes Armistice Day, Remembrance Day, or what we in the U.S. call Veterans Day. In the U.S. it is meant to honor anyone who served in the armed forces.
If you know Sojourners — which has a long history of anti-war activism, sharing the gospel call to nonviolence, and naming and critiquing the destruction wrought by the U.S. military-industrial complex — you may wonder where I’m going with this.
This election year I’ve been in grim awe of the many ways military service is used and twisted in political campaigns. Historically, a candidate’s military service is treated as a badge of strength and patriotism. It’s why real and false accusations of “stolen valor” (mispresenting one’s service record) are a common tactic in political campaigns, as opponents try to defuse a veteran’s “advantage.”
The Calculus of Responsibility and Complicity
Maksim Manekin / iStock
One week this spring, my Instagram feed served up: A detail from a ground-breaking cellular-level map of a cubic millimeter of the human brain, showing a single neuron connected with more than 5,600 nerve fibers. The ebullient smile of a 9-month-old relative. And the lifeless, emaciated body of a child in Gaza. Awe. Joy. Horror. I keep thinking of them all.
We hold babies we love, stare into sparkling eyes, and can almost see the wonder of their becoming, the miracle of a brain building myriad connections in a split second. We study soft faces that carry the genetic whispers of ancestors known and unknown. We become acquainted with tiny beings who are also full, unique people, revealing themselves more every day. Christians believe humans are made in the image of God. But how often do we meditate on that radical miracle? Recall holding someone in your arms who is unable to care for themselves and is utterly vulnerable, and yet blooming with infinite potential. Imagine God holding us and seeing the same thing.
In our brief moments of connecting with God, are we able to glimpse what it’s like to live as if imago dei were true? To understand for even a fleeting moment that “in the image of” is, in divine grammar, a verb, not just a noun, the signal flow between created and Creator? We are not just autonomous identities to God, who invites us to hold all human beings in that nexus of tenderness, love, and mystery that a beloved child engenders in us.
Book Bans Are Almost Never Just About Books
Malte Mueller / Getty Images
I WAS WHAT library advocate Mychal Threets calls a “library kid.” My mother, a high-school dropout who loved to read, took me almost every Saturday. One of my earliest memories is playing in the stacks while she picked out romance novels and murder mysteries. This 1903 Carnegie library, one of almost 1,700 U.S. libraries funded by industrialist Andrew Carnegie between 1886 and 1919, seemed elegant and grand to a Midwestern country kid. When I was a little older, the children’s annex became my spot — modern and sunlit, with kid-sized bookshelves and chairs.
I could check out as many books as I wanted, on any topic, with my very own library card. It was like a candy store without threat of cavities.
Public school and the library were my first experience with the commons — cultural or civic resources accessible to all. Libraries offer books, but also other media and things like board games for borrowing; meeting space; and access to computers, quiet, and air conditioning. They often house local history collections.
What’s not to love about spaces and books open to all? But attempts to ban books have also been part of the fabric of library life. A parent or a local group might challenge a book they deem risqué, biased, or ideologically dangerous. Historically these book challenges have come from both the Left and the Right.
Why Christians Should Care About Press Freedom
Journalists, relatives, and friends pray over the bodies of journalists Sari Mansour and Hassouna Esleem who were killed by Israeli bombing in the central Gaza Strip on Nov. 2023. / Majdi Fathi/NurPhoto
Editor's note: As of Jan. 10, 2024, the Committee to Protect Journalists has documented at least 79 journalists and media workers killed in Israel, Gaza, and the West Bank since Oct. 7. This article will appear in the forthcoming February/March issue of Sojourners.
IN OCTOBER, NEARLY a week after the brutal Oct. 7 attack by Hamas militants on Israeli citizens, an Israeli military tank crew at the Israel-Lebanon border fired at a group clearly identified as press. Reuters’ journalist Issam Abdallah was killed, and six others were injured. Israel denied targeting the journalists.
While the Israeli government continues to say that the incident is under review, in December, human rights groups Amnesty International and Human Rights Watch, along with wire services Reuters and Agence France-Presse, released the results of their own investigations into the Oct. 13 missile strike.
The journalists were reporting on skirmishes between Israeli forces and Hezbollah militants. They were wearing blue helmets and flak jackets, most marked “Press.” One of their vehicles had “TV” on the hood. They had been on a hilltop on the Lebanon side of the border for around an hour before the attack. An Israeli helicopter hovered above them for 40 minutes of that time. Their identity as members of the press — civilian journalists — should have been clear.
The Cutest of the Four Rodents of the Apocalypse Invaded My Attic
Illustration by Melanie Lambrick
I RECENTLY SUFFERED a home invasion by one of the Four Rodents of the Apocalypse, which are mice, rats, squirrels, and something called “roof rats” (rats tired of the climate-change-induced uptick in flooding of sewer-front properties). I was blessed with the deceptively cutest of these four: Squirrels. In. My. Ceiling.
(Reader, I want to be clear that “squirrels in my ceiling” is not a reference to my scattered thoughts but to literal bushy-tailed rodents doing tumbling runs in the crawl space above a bedroom.)
Squirrels strike a rare balance: They are both adorable and terrifying (like some toddlers I know). One day they’re hanging upside down outside the window to say hello or sitting and nibbling on a nut held just so in their wittle paws, so winsome! The next, a squirrel appears out of nowhere as I enjoy a sunny day on my front stoop, its eyes locked on mine. It skitters forward, then freezes. Forward and freeze, forward and freeze, like a glitchy squirrel robot. It is undeterred by “Shoo!” or “What do you want from meeeee?” Staring blankly, it just keeps coming — for the peanuts it imagines are in my pockets? For my soul? Or are there now flesh-eating squirrels? I run inside and lock the door.
What Song Should We Sing for the Dead?
A worker creates a custom casket for an Uvalde family. / SoulShine Industries
NUMBNESS IS GOOD for dental work and as a temporary coping skill in surviving direct traumas. But most of us are not survivors of tornados or wildfires, haven’t lost our loved one to a young man with an assault rifle, nor worked triple ICU shifts at the peak of the pandemic. Yet many of us, myself included, hunker down deeper into whatever task is at hand when another breaking news bulletin about a mass shooting pops up on our phone. We barely glance at the latest tally of U.S. COVID-19 deaths or reports on war and natural disaster.
A few things recently have cracked open my numbness and made me wonder if we owe it to the dead and the grieving to let our hearts break.
I first saw the photo of a child-sized casket decorated with princess pink and a TikTok logo in a story shared on Instagram. Trey Ganem, a man who has a business creating custom caskets, had donated his work to the grieving families in Uvalde, Texas, where 19 children and two teachers were killed in their school by an 18-year-old with an assault rifle. Ganem sat with parents and asked about their children. Then he and his team made designs reflecting the delights and obsessions of typical childhoods: TikTok. Spider-Man. Softball. Whales for the girl who dreamed of becoming a marine biologist. The colors were bright and glossy; the caskets’ handles and trims were lovingly painted to match.
In the past I might have pondered the prevalence of commercialism in both American childhood and the funeral industry, or the cultural history of how we grieve. But this was only days after the Uvalde shooting, and the juxtaposition of cheerful designs on obscenely small caskets brought a rush of feeling: I wept at a stranger’s heartfelt attempt to bring solace to the inconsolable. I was deeply agitated that we are a country where slaughtered kids are sent to their graves in candy-colored caskets while politicians and weapons manufacturers rake in power and profit.
‘If We Don't Change, the World Will Soon Be Over'
The 45-rpm single of "Living for the City."
THE OPENING IS spare, just electric piano over a gently throbbing synth bass line, and then the vocal: “A boy is born in hard time Mississippi / surrounded by four walls that ain’t so pretty.” The radio cut of Stevie Wonder’s 1973 hit song “Living for the City” is a four-verse sketch of a loving Black family who work hard, live right, and yet can’t get ahead under the racist economic and social strictures of their Southern town. The instrumentation builds quickly—drums, synthesizer, hand claps, backup vocals—all performed by Wonder. It fades out on a choir of Wonders, singing variations of the chorus: “Living just enough, just enough for the city.”
The album version, more than 7 minutes long, segues from that repeated chorus into a spoken interlude. The boy of the first verse is now a young man arriving in New York City. He is quickly arrested for unwittingly taking a handoff of something illegal and incarcerated for 10 years. The melody and vocals return, heavier, rougher, with Wonder singing from “inside my voice of sorrow” to describe a now broken man who wanders the city, homeless.
“Living for the City” is from the album Innervisions, the third of an astonishing run of five albums Wonder released between 1972 and 1976. During this period, Wonder, a self-taught multi-instrumentalist who made his recording debut in 1962 as a 12-year-old, was stretching lyrically, innovating musically, and embracing a deeper social consciousness.
Two Devotionals That Inspire Us to Connect to Creator and Creation
Becoming Rooted: One Hundred Days of Reconnecting with Sacred Earth, by Randy Woodley / Broadleaf Books
DEVOTIONALS AND OTHER daily readings can set and solidify intentions in a new year, enrich liturgical seasons, or serve as a spiritual touchpoint during hectic days. Two new books set out to root such soul work in a deepened relationship with creation. Christian theologian and scholar Randy Woodley is a Cherokee descendant recognized by the Keetoowah Band. He and his wife, Edith, an Eastern Shoshone tribal member, develop and teach sustainable Earth care based on traditional Indigenous practices in North America. Along with skill-sharing, they “hope to help others love the land on which they live.” In Becoming Rooted: One Hundred Days of Reconnecting with Sacred Earth, Woodley notes that even those of us who are not Indigenous have ancestors who likely lived somewhere for generations in community with the soil, water, plants, and animals around them.
Woodley has written 100 short daily meditations, each with a suggestion for reflection or action, to encourage all of us to “recover or discover” these values of living in harmony and balance with creation. He draws on Indigenous thought and practice, past pastoral experience, lessons from the natural world, and insightful critiques of the so-called American Dream. Through beautiful descriptions, such as how American violet seeds are dispersed by slugs and ants—“Then in the spring, another field adorns itself with food, medicine, and beauty”—and more somber reflections on the physical and spiritual toll of destructive systems, Woodley models a humble, prophetic invitation: “To accept our place as simple human beings—beings who share a world with every seen and unseen creature in this vast community of creation—is to embrace our deepest spirituality.”
Confronting the Privatized Blessing of Domestic Life
Illustration by Matt Chase
I WAS A weird kid who faithfully read the syndicated “Hints from Heloise” newspaper column and the household tips in my mom’s many women’s magazines. I loved how a mundane problem in everyday life could be cheerfully solved with vinegar and “elbow grease” or the strategic deployment of a couple of rubber bands.
This was before Martha Stewart famously built an empire providing perfection-oriented household advice, such as mopping tips that note “sparkling floors begin with the correct tools.” In contrast, the advice in my childhood was humbler, with a how-to/can-do spirit that acknowledged that making a home clean and safe, and keeping a family fed, clothed, and nurtured on a budget is difficult and time-consuming.
When I was young, this was still sometimes called “women’s work.” Religious conservatives and organizations such as Focus on the Family added a faith twist—a woman’s role in the home was sacred duty (based on Jesus’ lost parable of the submissive helpmate?). The term “women’s work” is less common now, but studies show that in households where both a male and female partner are employed outside the home full time, the woman is still more likely to do more of the domestic work.
The Art of Redeeming Our Battered Era
Photograph by Daniel Dorsa
Artist Makoto Fujimura uses materials and techniques from nihonga, a Japanese style of painting. The pigments are pulverized minerals and precious metals applied in multiple layers, in what he describes as “a slow process that fights against efficiency.” Prayer and contemplation are woven into the work. The tiny mineral particles refract light, often creating subtle prismatic effects. It is a style of art made for the type of long, unforced gaze that slowly reveals evermore depth. Deceptively simple and quietly extravagant.
Fujimura’s thoughts on art, theology, and culture are, like his paintings, many-layered and refractive, celebrating God as love, beauty, and mercy while also contending with pain and desolation. He is a mystic as well as a painter, and in his latest book, Art and Faith: A Theology of Making, he speaks out of his spiritual and his artistic practice.
But Fujimura also builds on three decades of reaching far outside his studio to evangelize on the necessity of art for human thriving and the call to shift from fighting over culture to caring for and nurturing it. He founded the International Arts Movement in 1992, which facilitates connections and communication between groups seeking to creatively and positively impact the culture, whether they are from the arts, music, business, education, or social change organizations.
Reviving Our Common Life in a World Struggling to Breathe
Illustration by Leonardo Santamaria
WE KNOW WE intertwine with one another and the rest of creation in ways both material and symbolic: through blood and law, employment and play, through the full range of physical contact and social niceties, as well as loan papers, traffic tickets, and contracts. We sing a hymn in church, and the song swells into harmony, a gift of complexity and cooperation.
Through it all we breathe: Breathe in. Breathe out. My breath out mingles with your breath in. A communion of droplets. And so clusters of COVID-19 come not just in places of forced confinement—prisons, nursing homes, meatpacking plants—but after birthday dinners and choral practice, weddings and retirement parties.
“We’re all in this together” you might have heard as stay-at-home orders spread across the country; “the virus is the great equalizer.” After all, what could be more universal than breath? A pauper or a prime minister might breathe in a sufficient viral load to become critically ill.
Labored breathing
BUT THE CONDITIONS in which we breathe, the condition of our breathing bodies, and the conditions of the facilities that treat our bodies when breathing becomes difficult are rarely equal. Some people of great wealth have died from COVID-19, but many, many more of modest or little means have perished from it.
Societal inequalities of income and race incarnate as preexisting medical conditions, including diabetes, asthma, high blood pressure, and kidney and pulmonary disease, that increase the risk of severe illness and death from COVID-19. For example, in Washington, D.C., the bottom 10 percent of income earners have a rate of diabetes nearly 74 percent greater than the median. The wealthy can pay for better food and housing; they have less stress and exposure to industrial pollutants and more access to recreation spaces and health care. The lowest-paying jobs, many of which force people into overexposure to the virus, are disproportionately filled by those with options limited by racial bias and legal status. As Adam Serwer wrote in The Atlantic, “Black and Latino workers are overrepresented among the essential, the unemployed, and the dead.”
And the pandemic did not stop the other ways we deprive people of the breath of life: A neighborhood lynch mob stalks, films, and kills jogger Ahmaud Arbery but is not charged for months; police officers shoot Breonna Taylor in her own home during a botched raid; a white cop kneels on George Floyd’s neck for 8 minutes and 46 seconds.
I breathe out. You breathe in. Before coronavirus, some people did that without a second thought. Yet every day others were struggling to breathe at all.
Lent Is Grimness You Didn't Know You Needed
Illustration by Michael George Haddad
ON ASH WEDNESDAY the dust from which we came and to which we return is daubed on Christians’ foreheads. It is an intimate reminder that the Spirit of God breathes in us and we live; without the Spirit we crumble.
To be more Christlike means facing death in all its forms—the death of reputation, the death of truth, and the bodily death of our beloveds. Lenten scriptures keep before us stories of temptation, failure, and the heavy machinery of this empire or that, always shifting into position to crush those who threaten human power and wealth. There are hints of resurrection in the lectionary readings, but the pain and destruction of dreams and life that comes before is given its full due.
We are too well acquainted with the world and its ways not to imagine what massacre or plague filled that valley with dry bones in Ezekiel’s vision. And, in John’s gospel, Jesus is confronted by Lazarus’ grieving, accusing sister. Why did you not come when called? Mary demands, while Lazarus was alive and could be healed. The story is raw with the pitch of her rage and Jesus’ own tears.
Mystic Resistance
A profile of Howard Thurman.
ONE OF THE MOST influential figures in the African-American civil rights movement did not march, organize, or speak at mass rallies. Mystic Howard Thurman found spiritual revelation in nature, championed the use of dance, theater, and nontraditional music in worship, and incorporated silence in his sermons. But his books, preaching, and teaching provided vital philosophical and spiritual underpinnings for the nonviolent resistance methods championed by Martin Luther King Jr. and other civil rights leaders.
Backs Against the Wall: The Howard Thurman Story, airing on PBS in February, is a documentary by Martin Doblmeier, the award-winning creator of films on faith including An American Conscience, Chaplains, and Bonhoeffer. In this rich, one-hour portrait of Thurman, civil rights leaders Jesse Jackson Sr., Rep. John Lewis, and others—as well as scholars such as Alton B. Pollard III, Walter Earl Fluker, Luther E. Smith, and Lerita Coleman Brown—offer insights on Thurman’s life, legacy, and the dynamic tension between contemplation and social justice.
The film’s title is from Thurman’s book Jesus and the Disinherited , published in 1949—said to have been carried by King and often cited by other civil rights leaders. Thurman wrote: “The masses of [people] live with their backs constantly against the wall. They are the poor, the disinherited, the dispossessed. What does our religion say to them?”
Thurman’s lifelong engagement with this question produced wisdom as vital for our day as it was for his.
'Even to the End of the Age'
TWO NEW ADVENT-THEMED books bring deep wisdom for this liturgical season.
Peter B. Price is a retired Church of England bishop with decades of experience advocating on the ground and in the halls of power for peace and reconciliation in conflict situations around the world. His new book, A Shaking Reality: Daily Reflections for Advent, takes its title from a mediation written by a German priest, Alfred Delp, S.J., while imprisoned by the Nazis.
Price reflects on Delp (who was later executed for being in the resistance) and the “courage and witness” of others in these graceful meditations for each day of Advent. He writes about the world’s brokenness from his sensibilities as a pastor—acknowledging structures that harm and oppress, while guiding readers toward what Delp called “God’s promise of redemption and release.”
A Whirlwind in a Wildfire
The falsehoods are so thick, the hypocrisies so outrageous, the corruption so rife, the processes so broken that you don’t know if you trust anyone anymore. The vulnerable are mocked or torn from their parents’ arms. Men in expensive suits say “Lord, Lord,” like they own air and mineral rights to the Most High. But their God, the one you thought—if but reluctantly—that you shared, is no god you recognize.
How can the pieces ever be put back together, the damage undone? What is gospel truth now?
A knot of self-righteous rage, tangled inextricably with despair, owns your gut. The accusing thought comes that you’re complicit. You’ve not done enough; you’ve saved no one. Guilt is the final straw. A voice not quite your own yet completely your own snarls: “Burn. It. Down.”
11 New Books for Your Unrequired Reading List
FEWER AMERICANS ARE reading for pleasure. According to the latest American Time Use Survey, the portion of Americans who read just for the joy of it on a given day has fallen by more than 30 percent since 2004.
I’m choosing to resist the tyranny of trends—by reading more. Lately that’s meant sinking into a sprawling novel about trees, who, it turns out, are an active force, not just part of the scenery. The Overstory, by Richard Powers, is also about community, family, conscience, love, and fighting the powers.
My editorial colleagues are also making time to read. Their stacks include sci-fi (Blackfish City, by Sam J. Miller); historical fiction ( Homegoing, by Yaa Gyasi and Pachinko by Min Jin Lee); a novel spanning Roman-occupied Jerusalem to the 21st century (Eternal Life, Dara Horn); short stories (The Largesse of the Sea Maiden, by Denis Johnson); poetry ( Don’t Call Us Dead, by Danez Smith); essays (Feel Free, by Zadie Smith); biography ( Galileo’s Daughter: A Historical Memoir of Science, Faith, and Love , by Dava Sobel); and many more.
Below are some nonfiction books that might fit in your leisure reading mix.
The Food of Love and Memory
Jason Person / Shutterstock
KARLA VASQUEZ, director of community programs at With Love Market and Café in south Los Angeles, takes a live-and-let-live approach to cooking and nutrition. In classes at the recently opened market—whose mission includes increasing access to affordable fresh food in an underserved area—she encourages people to try new foods. But the bottom line, she told Sojourners: “You don’t like kale? I will never make you eat it.”
Vasquez doesn’t teach a catechism of “healthy vs. unhealthy” foods. A community organizer with culinary training, she instead focuses on giving class participants tools for healthier, but realistic, eating: how to understand nutrition labels and cook those healthy ingredients, so they can have food that will work for them. So in a class on “guilty pleasures” Vasquez discourages the guilt, instead offering ways to gently alter beloved dishes to maximize flavor and make them more nutritious, rather than give them up completely. She calls a class on all-vegetable dishes “cooking the rainbow,” emphasizing the beauty and taste of dishes made vibrant with a variety of produce—because she knows if she used the word “vegan,” many of her students might balk. “They’d say ‘That’s not for us—that’s what hipsters eat!’” she says.
With Love Market (withlovela.com) is a for-profit business that promotes a social bottom line. Along with the food market and classes, there is a café and a community garden. With Love pays its staff an above-average wage and specifically recruits employees from the neighborhood, hoping to help long-time Latino/a and African-American residents stay despite the pressures of gentrification. And it tries to create a space where long-term and newer residents of all backgrounds, plus students from the nearby University of Southern California, feel welcome.
How to Love Like You are Dying
THE ART OF ... book series from Graywolf Press focuses on writing craft and criticism. In each compact volume an accomplished writer takes on a single element or theme. The most recent entry in the series is The Art of Death, by Edwidge Danticat.
Danticat’s reflections on a wide variety of literature that wrestles with death—from Taiye Selasi’s debut novel, Ghana Must Go, to C.S. Lewis’ A Grief Observed—offer insights for readers as much as for writers. She explores the complicated emotional landscape of death and mourning, but also the myriad ways, tangled in questions of both justice and mercy, that death comes: accident, illness, deadly disasters, suicides, executions.
Wealth and the Common Good
WRITER AND ACTIVIST Chuck Collins, the great-grandson of meatpacker Oscar Mayer, gave up his inheritance when he was 26 and has spent the subsequent decades working to address economic inequality and environmental issues. Via email with Sojourners senior associate editor Julie Polter, he discussed his newest book, Born on Third Base: A One Percenter Makes the Case for Tackling Inequality, Bringing Wealth Home, and Committing to the Common Good (Chelsea Green)—and why organizing and building community across economic lines is good for everyone.
Sojourners: What is your main message in this book?
Chuck Collins: I want to invite wealthy and affluent people to “come home”—to return from wandering in the desert of wealth and privilege, the disconnection from community and place. It means putting a personal stake in reversing the deepening ruts of extreme wealth inequality and the ecological crisis. If we read the signs of the times, we understand this is both in our selfish interest as well as strengthening the common good. These inequalities and ecological challenges are undermining the quality of life for everyone, including wealthy people. There is no wealth on a degraded planet.
By reconnecting with people and places, we come out of exile. Racial and economic advantage is a “disconnection drug”—distancing us from both the suffering and the joy of being a human.
Many of the ultra-wealthy are “placeless” and “stateless”—literally holding multiple passports with money globalized in offshore financial centers around the world. So “coming home” means bringing the wealth home too—taking it out of the offshore tax havens, out of the global financial casino (“going off the Wall Street grid,” as one of the people I interview in Born on Third Base says), and out of the fossil fuel industry.
Beyond the 'Single Story'
Monkey Business Images / Shutterstock
TO FIND BOOKS for young people by and about people from a variety of perspectives—including race, sexual orientation, gender, religion, class, and disability—the children’s librarian at your school or the public library will often be the place to start (read why we need diverse children's literature in our December issue article, "Stories for All God's Children"). If you’re fortunate enough to have an independent bookstore in your area with a robust children’s department, the staff there may also be of help.
If in-person advice is in short supply where you live, several online sites can also provide ideas. These include the website of the Cooperative Children’s Book Center at the University of Wisconsin-Madison (ccbc.education.wisc.edu/books), which has bibliographies and booklists on a wide range of topics and population groups. The We Need Diverse Books campaign website (weneeddiversebooks.org) has a variety of resources for finding diverse books for young people, including a list of other websites that focus on books featuring certain demographics or on diversity in specific genres. ThePirateTree.com features interviews, reviews, and other articles from a collective of children’s and young adult book writers interested in children’s literature and social justice issues. School Library Journal (slj.com) is a key source of reviews and other publishing information for librarians and teachers who work with children and teens.
The following are examples of recent books that break free of the restraints of a “single story.”
Families, by Shelley Rotner and Sheila M. Kelly, is a picture book for very young children that describes and celebrates all different configurations of families. Holiday House (Ages 2 to 6)
Thunder Boy Jr. is the first picture book by beloved young-adult fiction author Sherman Alexie. Illustrated by Mexican- American artist Yuyi Morales, it is the exuberant story of a little boy who is nicknamed after his father but wishes instead for a name “that celebrates something cool that I’ve done.” Little, Brown Books for Young Readers (Ages 4 to7)