THE FIRST-EVER Movies and Meaning festival recently took place in New Mexico, bringing 250 people together to experience the possibilities of the most dream-like art form for making the world better. I was privileged to host the festival, which featured a huge screen, a contemplative audience, around a dozen films, and magnificent assistance from the voices of Richard Rohr and slam poet Jessica Helen Lopez. It was a dream come true after a lifetime of loving cinema and being compelled by the idea that art can create change.
Movies and Meaning wants to challenge how movies rarely get the chance to breathe in multiplexes or be engaged with rather than merely noticed, and to promote and facilitate better conversations about, and responses to, cinema—and all art, really. It was a happy surprise that the key word that emerged from the festival was “empathy,” a concept that Rohr told us didn’t even have a name until just about 100 years ago. There’s an intriguing irony there, because cinema itself isn’t much older, and one of cinema’s most important innovations is the experience of observing stories about strangers told in a way that maximized the possibilities of actually seeing them.
What we empathized with at Movies and Meaning was what happens when we reframe our stories as ones in which human beings are capable of cooperating to heal wounds and make life better.