Race

When we consider the typical church worship service in the United States, we discover certain trends. Lament and stories of suffering are conspicuously absent. In Hurting with God, Glenn Pemberton notes that laments constitute 40 percent of the Psalms, but in the hymnal for the Churches of Christ, laments make up 13 percent, the Presbyterian hymnal 19 percent, and the Baptist hymnal 13 percent.

Christian Copyright Licensing International (CCLI) licenses local churches for the use of contemporary worship songs. CCLI tracks the songs that are employed by local churches, and its list of the top 100 worship songs as of August 2012 reveals that only five of the songs would qualify as a lament. Most of the songs reflect themes of celebratory praise: “Here I Am to Worship,” “Happy Day,” “Indescribable,” “Friend of God,” “Glorious Day,” “Marvelous Light,” and “Victory in Jesus.”

How we worship reveals what we prioritize. The American church avoids lament. Consequently the underlying narrative of suffering that requires lament is lost in lieu of a triumphalistic, victorious narrative. We forget the necessity of lament over suffering and pain. Absence doesn’t make the heart grow fonder. Absence makes the heart forget. The absence of lament in the liturgy of the American church results in the loss of memory.

Crickets chirping, a branch creaks, and a black body swings on a tree whose roots grow deep into a shared story of our American past. These are images that are floating in my mind, after watching a pre-screening of12 Years a Slave. This film was a terribly beautiful depiction of the antebellum south and the atrocity known as slavery. Its honesty was riveting, as the film portrays characters in ways never captured before on the big screen. They were characters such as Mistress Shaw (played by Alfre Woodard), the black wife of a slave master who is adored by her husband and treated as a white woman. In a panel discussion, Lisa Sharon Harper of Sojourners asked Woodard, about this character. And she responded that in the South, there were all kinds of arrangements between whites and blacks. Her character Mistress Shaw learned how to survive. I was so refreshed that 12 Years a Slave, was a new depiction of slavery instead of a rehashing of Roots orAmistad.

The panel also consisted of a plethora well-informed faith leaders. One of the panelists, Jim Wallis, while discussing the aspects of faith profoundly said, “Enslaved Africans saved Christ from the Christians.” I was immediately struck by his words as they reminded me of how I became a Christian.

I pre-screened 12 Years a Slave the same weekend I saw Gravity. The two films couldn’t be more different, although they do have some fascinating (if not immediately obvious) commonalities.

As for commonalities, they’re both powerful and both deserve to be seen. Both are about people trying to get home — one, in a harrowing adventure that takes several hours, the other in an agonizing 12-year struggle. The protagonists of both movies demonstrate heroic resilience and courage. One struggles with physical weightlessness, the other with a kind of social or political weightlessness. 

Although Gravity impressed and fascinated me, 12 Years a Slave affected me and shook me up. Now, several days later, scenes from the film keep sneaking up on me and replaying in my imagination — three in particular. 

I watched 12 Years a Slave today. The film is based on Solomon Northup’s autobiography by that name. Northrup was a free black man living in Saratoga, N.Y. He was lured away from his home to Washington, D. C., on the promise of lucrative work and was kidnapped, transported to Louisiana, and sold into slavery. He was rescued 12 years later.

Some of the questions and issues that the movie raises are: What right do people have to own others? Do money and might make right? Unjust laws — such as slave laws — exist. It just goes to show that something can be legal, yet morally wrong. Still, laws come and go. We must not confuse laws with rights, which are universal and enduring truths that do not change. What is true and right and good is always so. So, too, that which is evil is always evil. Even if unjust laws are overturned and abolished, evil can still return in other guises.  

I asked myself as I watched the movie, “Could it happen again?” Some of us may think, “Surely, something like this could never happen in our day.” And yet, people are abducted and sold into various forms of slavery here and abroad on a daily basis. Granted — people are not publicly bought and sold on the slave block in America today because of skin color; however, people are enslaved based on race and class divisions.

In my lifetime I’ve driven on three roadways named after Martin Luther King, Jr. One was a street, another a boulevard, and the third a highway. And whether by cosmic irony or human design, each of these roadways passes through communities of significant poverty and color, namely black. Around these roadways are boarded up storefronts, crack and heroin dens (think The Wire), condemned row houses, and inevitably, always – public schools.

From 2001 to 2006 I left the safety of the pulpit to teach in the schools of Baltimore and Washington, D.C., pursuing a call to care for the proverbial least of these (it’s always pained me to think how I might feel to be called this, as in hey, you least of these, can I help you with anything? – but that’s a reflection for another time). I left also the safety of a suburban megachurch, where all you needed to do to understand the socioeconomic standing of its members was to walk through the parking lot, and the familiar cultural context of my Korean-American upbringing.

This article, however, is not about me. It’s about beautiful, creative, energetic, and intelligent children — kids who, as the least of these, are too often treated as such. There is no limit to blame: from the mother who comes to school drunk, a prostitute, publically shaming her son (who loves her nonetheless and gets beaten by the other boys defending her honor); to the worn-out teacher who drags a “difficult” child into the bathroom, bruising her arms and threatening her with verbal vitriol and rage; to the administration that promotes student after student, knowing they are years behind, but too old to remain; to the system that maintains, protects, and worships a biblical truism, that for to all those who have, more will be given, and they will have an abundance; but from those who have nothing, even what they have will be taken away (Mt.25:29).

I GREW UP in rural Mississippi, a black girl who lived “out in the booneys,” fairly isolated from peers outside school. My God-fearing parents brought me up in an African Methodist Episcopal church that stood just beyond the edge of the woods. At the right age, I waded into a muddy watering hole, only recently vacated by the cows who drank there, and got dunked by the preacher and welcomed into the church and the kingdom of God.

That was my baptism, but I wouldn’t call it a conversion experience. I felt very innocent then, and would until I left home for college in Massachusetts. There I got my first taste of diversity. Most of my classmates didn’t believe as I did. Most of my African-American friends felt as if my faith was some kind of relic from our slave heritage, a white-supremacist trick that I had bought into.

Yesterday was the 50^th anniversary of a day that changed America, changed the world, and changed my life forever. I was fourteen years old on Aug. 28, 1963, in my very white neighborhood, school, church, and world. But I was watching. The Rev. Dr. Martin Luther King, Jr., became a founding father of this nation on that day, so clearly articulating how this union could become more perfect.

He didn’t say, “I have a complaint.” Instead, he proclaimed (and a proclamation it was in the prophetic biblical tradition), “I have a dream.” There was much to complain about for black Americans, and there is much to complain about today for many in this nation. But King taught us that day our complaints or critiques, or even our dissent will never be the foundation of social movements that change the world — but dreams always will. Just saying what is wrong will never be enough the change the world. You have to lift up a vision of what is right.

The dream was more than the Civil Rights Act and the Voting Rights Act, which both followed in the years after the history-changing 1963 March on Washington for Jobs and Freedom. It finally was about King’s vision for “the beloved community,” drawn right from the heart of his Christian faith and a spiritual foundation for the ancient idea of the common good, which we today need so deeply to restore.

Editor's Note: The following is a transcript of President Barack Obama's speech from the Lincoln Memorial on the 50th Anniversary of the March on Washington.

We rightly and best remember Dr. King’s soaring oratory that day, how he gave mighty voice to the quiet hopes of millions; how he offered a salvation path for oppressed and oppressors alike.  His words belong to the ages, possessing a power and prophecy unmatched in our time.

But we would do well to recall that day itself also belonged to those ordinary people whose names never appeared in the history books, never got on TV.  Many had gone to segregated schools and sat at segregated lunch counters.  They lived in towns where they couldn’t vote and cities where their votes didn’t matter.  They were couples in love who couldn’t marry, soldiers who fought for freedom abroad that they found denied to them at home.  They had seen loved ones beaten, and children fire-hosed, and they had every reason to lash out in anger, or resign themselves to a bitter fate.

As people stepped on our toes and stood anxiously in front of us, waiting to exit the crowded theater, three of us sat weeping at the close of Lee Daniels’ The Butler. Even now, as I recall that moment, it brings tears to my eyes.

How do I describe the movie? Utterly intense. Remarkable. Heartbreaking. Inspiring. A genius capturing of the complexities of the Civil Rights Movement, of the history of race in America in the 20th and early 21st centuries, of presidential decision making, and of family.

I sat next to my colleague, Lisa Sharon Harper, who sobbed at the violence, tragedy, and passionate courage displayed on screen. It was a challenge. To be a white woman sitting next to an African-American woman as she wept over the suffering of her people — often at the hands of my people. It was neither her nor I who had perpetrated these specific acts, but we are certainly still caught in the tangled web of systemic racism and the histories that our ancestors have wrought us.

Even as we had waited in the theater prior to the movie's start, we spoke of serious subjects. She shared some of her lineage and the challenges of legal records that simply do not exist when ancestors are slaves or perhaps a Cherokee Indian who escaped the Trail of Tears in Kentucky and suddenly appears on the U.S. Census in 1850 as an adult. We spoke of her leadership in the church, and I encouraged her to continue speaking even though she is one of the lone women who graces the stages in front of national audiences. I told her, "You must do this so that other women who come after you can do this. You must do this for women right now. You must do this so that I can do this." We bonded over being women in ministry.

And then the separation came. I do not know Lisa's shoes — the road that she walks due to the color of her skin. I see her in all of her glory — passion, intelligence, creativity — and not in all of her blackness. Our world sees her with racial eyes.