Coming to a theater near you: the Vicar of Christ. The charismatic Bishop of Rome is set to play himself in the movie Beyond the Sun, reports Variety. This will be Pope Francis’ first time acting — not to mention the first time a pope has ever appeared in a feature film.
In marketing the film, Bay and the real-life men he portrays have stated that 13 Hours is not a political film. The goal, they say, is simply to show what happened, as it happened, and to recognize the courage and sacrifice of the people on the ground that day.
But it takes a more nuanced filmmaker than Bay (the creator of Bad Boys, Armageddon, and the Transformers films) to take an inherently political story like this one and truly make it free from bias. While 13 Hours doesn’t specifically call anyone out, or criticize (or endorse) the decisions of any particular leader or party, Bay and screenwriter Chuck Hogan mistake those qualities as the only ones required to make the film “non-political.”
For the second year in a row, every Academy nominee in an acting category is white.
Forget Idris Elba in Beasts of No Nation. Or Michael B. Jordan in Creed. Or Bernicio Del Toro in Sicario. Or Will Smith in Concussion.
The 93% White, 76% Male Academy wasn't interested.
Straight Outta' Compton was also lauded as a potential best picture nominee, but was only nominated for Best Original Screenplay, which was written by two white writers. Similarly, only Sylvester Stallone was nominated for Creed, a film with a black lead actor and a black director.
Director Haynes and writer Phyllis Nagy (working from Patricia Highsmith’s novel The Price of Salt) understand that cinema, just like all forms of storytelling, is a window into someone else’s personal life. They tell the story of Therese and Carol’s relationship in such exquisitely realized detail, down even to the smallest carpet-fiber, that you almost feel as if you’re there yourself. When the world the characters inhabit feels so real, their experiences and emotions feel real, too — helped in large part by perfectly-pitched performances by Blanchett and Mara.
Spike Lee didn’t plan Chi-Raq’s release to coincide with a year in which the number of mass shooting on record surpassed the number of days in the year thus far . Nobody could have expected that days before the film’s release, the shooting in San Bernadino, Calif., would push the gun debate to (another) boiling point, with cries for legislative action in addition to the frequent “thoughts and prayers” of politicians.
That most people are Chi-Raq with the shootings in California fresh in their minds is a coincidence — one which makes the film’s message all the more immediate.
Chi-Raq is a satirical drama, a modern retelling of the ancient Greek Lysistrata. In Lee’s version of the story, Lysistrata (Teyonah Parris of Dear White People) is the girlfriend of Chi-Raq (Nick Cannon), a rapper and gang leader on the south side of Chicago. He’s also in the midst of a war with Cyclops (Wesley Snipes), the leader of a rival gang. When a young girl in the neighborhood is killed by a stray bullet, Lysistrata rallies women affiliated on both sides of the gang war to demand peace by denying their men sex.
What starts as a protest becomes a movement, taking the city of Chicago and the world by storm.
Starring Michael Keaton, Mark Ruffalo, Rachel McAdams, Liev Schreiber, John Slattery, Brian d’Arcy James, and Stanley Tucci, SPOTLIGHT tells the riveting true story of the Pulitzer Prize-winning Boston Globe investigation that would rock the city and cause a crisis in one of the world’s oldest and most trusted institutions. When the newspaper’s tenacious “spotlight” team of reporters delves into allegations of abuse in the Catholic Church, their year-long investigation uncovers a decades-long cover up at the highest levels of Boston's religious, legal, and government establishment, touching off a wave of revelations around the world.
Pixar, the computer animation studio beloved for its kid-friendly fare such as Finding Nemo and Inside Out, is not known for taking on religious themes.
But its newest short film tells a personal story about a boy who learns to appreciate his religious heritage by envisioning the Hindu gods as superheroes.
Sanjay’s Super Team, directed by artist Sanjay Patel, is based on Patel’s relationship with his father and his experience growing up in California as the son of Indian-American immigrants.
“This is a very personal story; it’s the truth about how I grew up,” Patel said.
“It’s about how difficult it is for different generations to see eye to eye.”