To my mind, all of Wes Anderson’s films are masterpieces in the truest sense of that word. But his most recent creation, Grand Budapest Hotel, is, perhaps, his chef d’oeuvre.
Anderson’s eighth feature-length film, which opened in limited release last week, Grand Budapest Hotel is a whimsical, hilarious, and surprisingly touching tale laden with nostalgia for a world and way of life most of us (including the 44-year-old director himself) never have experienced.
Set in the fictional Eastern European mountain region known as the “Republic of Zubrowka,” the plot centers around the character and adventures of Monsieur Gustave H. (Ralph Fiennes), the concierge of the eponymous Grand Budapest Hotel, one of Europe’s palatial “grand hotels. Gustave is something of a dandy, a throwback to a bygone era even in his heyday of the 1930s on the cusp of World War II.
Son of God is Hollywood’s take on the life and teachings of Jesus of Nazareth. While the producers clearly tried hard to use modern filmmaking techniques to bring scripture to the big screen, the attempt fell flat somewhere between the use of action-sequences, swelling music reminiscent of old Westerns, and unconvincing acting — Jesus is played by Portuguese actor Diogo Morgado, who managed to look irritatingly self-satisfied for most of the movie.
Since faith is such a personal, spiritual experience, it begs the question: Is it possible to make the life and ministry of Jesus into a film that accurately reflects Christianity, or does such an effort cheapen beliefs?
Actor Russell Crowe is using social media to try to cajole Pope Francis into seeing his latest film, the controversial “Noah,” which stars Crowe as the waterlogged biblical patriarch.
The $125 million film, which will go into wide release next month, already has some religious groups upset over a story line they say takes too many liberties in director Darren Aronofsky’s adaptation to the silver screen. Crowe says he’d like Francis to see the film to make up his own mind.
Crowe — who won an Oscar 14 years ago for “Gladiator,” which was set in ancient Rome — tweeted an invitation to the pope, reading in part, “The message of the film is powerful, fascinating, resonant.”
The words “Christian” and “horror movie” rarely appear in the same sentence, much less in the same film’s promotional material.
Yet that’s exactly what Tim Chey, writer and director of “Final: The Rapture,” does to promote his picture in its city-by-city rollout.
As the movie’s poster promises: “When the Rapture strikes … all of hell will break loose.”
In an interview outside the Orlando, Fla., multiplex where his film is playing on a Sunday afternoon, Chey said he’s comfortable with the Christian horror movie label, or even “Christian disaster movie.”
The writers of Parenthood, the popular NBC family drama, use an interesting device to dramatize conflict. When two characters have a difference of opinion their exchange begins in measured, even tones. One person talks, while the other listens. Then the second person talks, while the first one listens. But as their disagreement heats up, the exchange gets faster and faster until no one is listening and both characters are talking over each other so loud and fast that it’s difficult to understand exactly what they are saying. This clip is typical. It’s an argument between Sarah and her boyfriend, Mark, over whether or not she will be able to keep her promise to attend a weekend getaway with him.
Tired of cursing the darkness, my husband Mark and I wanted to shine a light. To do this, we set up a production company called LightWorkers Media. The Bible miniseries, born out of this intention and released last year, grew so popular that we were able to make it into our Jesus film, Son of God.
The Bible series was in its third week when Jesus began to appear on the big screen. There was great excitement that Jesus was coming, with our trailers, various talk shows and even Twitter buzzing with anticipation.
He was beautiful and strong and kind and compassionate. His presence uplifted and encouraged people. It was everything we had hoped for.
"Did you think I’d forgotten you? Perhaps you hoped I had. Don’t waste a breath mourning ... For those of us climbing to the top of the food chain there can be no mercy. There is but one rule. Hunt or be hunted." - Francis Underwood
So ends the Shakespearean soliloquy at the end of the first episode of House of Card's highly anticipated second season.
Underwood lives by a very clear code of ethics: Get to the top and do whatever is necessary to achieve that goal. For him, the end always justifies the means. And so, although it certainly made me wince to see what happens in Season 2's opening episode, I was left in awe at the show’s brutal honesty of what a life purely committed to power potentially looks like.
Some scenes perhaps strike us viewers as far from reality (Washington can't really be that bad, can it?!?), but other vignettes are far more plausible. Consider Underwood’s commendation of a congresswoman for making the cold, calculated decision to “do what needed to be done” by wiping out entire villages with missile strikes.
Her “ruthless pragmatism” merely makes Underwood smirk.
Christian leaders, including megachurch pastor Rick Warren, plan to rent every screen in numerous multiplex theaters across 10 cities for the premiere of Mark Burnett and Roma Downey’s upcoming Jesus film Son of God, on Feb. 27.
The unusual move reflects the confidence Christian leaders have in Burnett and Downey’s work in the wake of The Bible, a hit miniseries on the History channel.
The Son of God, an adaption from The Bible series, opens in theaters nationwide Feb. 28.