“One of the things I really see happening is as Christians in America, evangelicals are losing their cultural dominance, and I see a lot of fear associated with that. I see a lot of anger. I guess that’s almost like a god of dominance,” Midgett said. “And that’s in contrast to the god of suffering, the god who comes as a servant to die for us. Those two things are really two completely different paradigms.”
The image of a tenured African-American political science professor at an evangelical college wearing the hijab in solidarity with Muslims caught the attention of filmmaker Linda Midgett. A Wheaton College alumna, the Louisiana-based Midgett decided the controversy that erupted from former Wheaton professor Larycia Hawkins’ Facebook photo had all the elements of a good documentary.
The film Know How, a musical written and acted by foster-care youth, tells interwoven stories of coming of age within a dysfunctional system, the losses and dangers these young people face, and their against-the-odds struggle to persevere. First Run Features
Beyond the Food Drive
In Charity Detox: What Charity Would Look Like If We Cared About Results, Robert D. Lupton asserts that poverty must be addressed “through development, not through one-way giving.” With anecdotes and examples, he explains development strategies such as fund reallocation, reciprocal exchange models, and neighborhood reconciliation. Harper One
Peaceful Neighbor: Discovering the Countercultural Mister Rogers by Michael G. Long / The Mask You Live In by Representation Project / Undivided: A Muslim Daughter, Her Christian Mother, Their Path to Peace by Patricia Raybon / Leave Some Things Behind by the Steel Wheels
Witnessing: Prophecty, Politics, and Wisdom;edited by Maria Clara Bingemer and Peter Casarella / Forward Together: A Moral Message by Chalice Press / Waging Peace: Global Adventures of a Lifelong Activist by David Hartsough / The Salt of the Earth directed by Wim Wendres and Juliano Salgado.
Dear White People by dearwhitepeoplemovie.com / Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis," by Nonesuch / Disquiet Time: Rants and Reflections on the Good Book by the Skeptical, the Faithful, and a few Scoundrels by Jericho Books / Food Chains by foodchainsfilms.com
Radical Spirituality: Repentance, Resistance, Revoluton by Jason Storbakken / Dorothy Day for Armchair Theologians by Elizabeth Hinson-Hasty / Rich Hill directed and produced by Tracy Droz Tragos and Andrew Droz Palermo / Black Bear by Andrew Belle
“God has to be busy with everyone else. And hopefully he will come into my life. I hope it happens. It’s going to break my heart if it don’t.”
So says Andrew, one of the three teenage subjects of the documentary Rich Hill, currently playing in theaters across the country. While film refrains from any sermonizing on poverty, or any direct call to action from its audience, it’s mighty hard for socially minded Christians to hear these words and not feel compelled to react. Tracy Droz Tragos and Andrew Droz Palermo’s documentary is an unflinching portrait of poverty in rural America, and its sympathetic portrayals give heartbreaking examples of neighbors in need.
The film follows a year in the lives of three boys: Andrew, Harley, and Appachey. They don’t know each other, but they have much in common. Besides living in the small town of Rich Hill, Mo., all three come from troubled families living well below the poverty line. Andrew is the most hopeful of the group. He’s got a family he loves, and a father who means well, but whose unrealistic dreams keep the family moving from place to place and dodging unpaid bills. Thirteen-year-old Appachey and 15-year-old Harley, however, come from darker situations. Harley is a victim of sexual abuse (his mother is in jail for attempting to kill the man responsible), while Appachey’s violent behavioral issues are simply too much to handle for his single mom, overwhelmed with his siblings and a dilapidated house filled to the rafters with junk.
Yoruba Richen’s documentary “The New Black” airs this month online and on television through the PBS series “Independent Lens.” The film, which explores the intersection of race, religion, and sexuality, also has been screened at Chicago’s Trinity United Church of Christ and New York’s Union Theological Seminary. An African-American lesbian, Richen talked to Religion News Service about the new openness she sees in black churches around the issue of same-sex marriage.
"Here's how you bring light into the world," says a scruffy-bearded man in shirtsleeves and a knit cap on a Brooklyn rooftop. "First, you get up in the morning and you scream!" His mischievous grin melts into something more ethereally content as he screams. At length.
He's had plenty of practice screaming — he does it for a living.
The man is Yishai Romanoff, lead singer of the hassidic punk band Moshiach Oi and one of the half-dozen artists, activists, and culture-makers profiled in the documentary Punk Jews.
The phrase can seem like an oxymoron: The essence of punk is to challenge inherited convention, yet adherence to rich traditions of convention is the common through-line of all of Judaism's myriad flavors.
A new film charting Charles Darwin’s passage from Christian to nonbeliever propelled its maker on a similar journey.
“Questioning Darwin,” a new, hourlong documentary airing on HBO throughout February, juxtaposes the story of the 19th-century British naturalist with looks into the lives of contemporary American Christians who believe the world was created in six days, as described in the Book of Genesis.
Antony Thomas, the 73-year-old British filmmaker behind the camera, said while his goal was to highlight the way his subjects answered big questions about the origins of life, a loving God, and the purpose of suffering, he found his own answers to those questions changing.
“This is a personal feeling, but I do believe the two [a belief in God and in evolution] are not compatible,” Thomas said by telephone from New York, where he is working on another documentary. “And that is what made this worthwhile for me.”
Sister Churches: American Congregations and Their Partners Abroad by Janel Kragt Bakker / The State of Arizona by Catherine Tambini and Carlos Sandoval / Walking the Disciple's Path: Eight Steps That Will Change Your Life and the World by Linda Perrone Rooney / Being Both: Embracing Two Religions in One Interfaith Family by Susan Katz Miller
Muslim stand-up comedy is nothing new. But what makes “The Muslims Are Coming” different is that it portrays what happens when a troupe of comedians performs before red state Americans in such places as Tennessee, Georgia, Alabama, Mississippi, Florida, Arizona, Utah and Idaho.
The documentary by Negin Farsad, an Iranian-American, and Dean Obeidallah, of Palestinian-Italian roots, opened in Chicago yesterday.