The March by PBS / Secular Days, Sacred Moments edited by David Cooper / One True Vine by Mavis Staples / The Israeli-Palestinian Conflict by Dale Hanson Bourke
Educating All God's Children: What Christians Can—and Should—Do to Improve Public Education for Low-Income Kids by Nicole Baker Fulgham / Bidder 70 / Just Spirituality: How Faith Practices Fuel Social Action by Mae Elise Cannon / Courage to Think Differently by George S. Johnson
We started making our new documentary “Redemption of the Prosecutor” for the same reason we always do: someone told us a story.
Bill Mefford works in the social justice office of the United Methodist Church, and he called us last August to say he’d just seen an amazing talk. The talker was one Preston Shipp, a devout Christian and former prosecutor from Nashville who went into a local prison to teach. When Preston heard the inmates’ stories, he began to realize how unjust the system was. He was especially torn up about an inmate named Cyntoia, who was Preston’s star student and had received a life sentence as a juvenile. Preston underwent a spiritual crisis that boiled down to a fundamental question: “How can I reconcile the job I was being asked to do as a prosecutor with my faith in Jesus, who proclaimed release for prisoners?” We won’t give away the ending, but there’s a surprising twist that left us saying this is a story that needs to be told in churches across America.
At the Full Frame Film Festival in Durham last week, I saw Marco Williams’ new documentary, The Undocumented, which tracks migrants as they hike into the United States across the border between Mexico and Arizona, trying to escape the detection of border patrol agents, and trying to survive the deadly heat of the Sonoran desert.
The documentary follows a young man, Marcos Hernandez, as he tries to find his father, Francisco, who was last seen in the desert walking for days in the 120-degree summer heat. Francisco left their home in Mexico with a coyote — man he paid $2,000 to lead him across the border — to make enough money to pay for his son’s expensive dialysis treatments. But he never called; he never returned. The coyote reported that he left Francisco in the desert because he was sick and couldn’t keep up with the other migrants in the group. Marcos fears the worst — that his father died of dehydration, of heat exhaustion. But to confirm the death he has to find the body.
The filmmaker focuses on the morgue in Tucson, Ariz., where the medical examiner investigates human remains, looking for clues that would help identify the dead in order to return whatever is left to family members and friends, to provide some kind of closure, to honor the dead with a burial.
In the film, Marcos won’t believe his dad is dead until he can see his dead body, or whatever is left of his body — a skull, teeth, his rib cage. He will not believe unless he can see.
“Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe” (John 20:25). That’s what Thomas says to the other disciples about the resurrected Jesus; and what Thomas says about needing to see the body reminds me of the story of Marcos, about the need to see in order to believe.
Gilbert and Eleanor Kraus lived a comfortable life in 1930s Philadelphia, where he made a good living as a lawyer, and she kept a stylish house.
They were secular Jews who sent their children to a Quaker school, and unlikely candidates for the mission they assigned themselves. Gilbert revealed the plan to his wife as he was shaving in the bathroom, so their young son and daughter would not hear.
He wanted to go to Vienna and save 50 Jewish children from the Nazis.
Tomorrow night is the first presidential debate. It will undoubtedly be an important moment in the campaign for the highest office in the land. But, whose lives will it be important to?
Certainly, there will be a lot for pundits to discuss and dissect. They will analyze phrases and statements, and will compare them to polling data and focus groups in swing states. Super PACs will record gaffes by either candidate, ready to turn them into multi-million dollar commercial buys.
But, as a person of faith, what I want to know is: how will the words that are said and the positions that are staked out affect the 46 million people in our country living in poverty? What does it mean for the hardworking families who can't put food on the table? Or the 1 in 5 children for whom poverty is an everyday reality and opportunity seems to be an illusion?
Tonight is the world premiere of a film that puts those questions front and center. The Line is a new documentary film from Emmy award-winning writer and producer, Linda Midgett. It tells the stories of real people struggling to make ends meet but still falling below the poverty line. These are stories far too common in our country today and should be a central topic of this debate.
Neighborhood Film Company reaches out to homeless people in Philadelphia --- interview with The Book's founder Nick Zammuto --- This American Life's "The Convert" --- Pixar's new short film "Partysaurus Rex" --- musicians Silversun Pickups vs. the Romney campaign --- Stride gum parodies Apple --- Over the Rhine documentary from Nowhere Farm in Ohio. See these and more in today's Links of Awesomeness...
When people who have immigrated to another country through methods other than the official legal system are discussed, we hear quite a few words bandied about: “illegal,” “undocumented,” and “alien” just to name a few. The terms are often used interchangeably, but are these terms interchangeable? On NPR’s, Tell Me More, Professor Kevin Johnson, Dean of the law school at the University of California at Davis says no.
“I fear that ‘illegal immigrant’—the term—is a loaded term. It is not as loaded as some of its predecessors like ‘illegal alien’ or ‘wetback,’ but it still is a loaded term,” says Johnson.
In Mandela: An Audio History, the voices of activists, artists, and ordinary citizens unite to tell the powerful narrative of overcoming apartheid through strength and solidarity in South Africa. In this five-part audio documentary, hosted by Desmond Tutu, the weaving of personal interviews, newsreels, and found sounds from Mandela and those around him (both for and against) are highlighted to showcase the watershed story of a 50-year struggle.
CLICK HERE TO LISTEN TO THE FULL SERIES OF AUDIO DOCUMENTARIES
Take a listen to Part One: 1944 –1960
The film picks up on the recent media buzz generated by Rob Bell's controversial bestselling-book Love Wins, taking that debate into new levels of intelligence and depth.
Like any good documentary, we have the entertaining attention grabbing parts, which aren't hard to find when your topic is Hell and damnation:
We meet people at a death metal concert, take a tour through "Hell House" where actors attempt to traumatize teens into the kingdom by reenacting scenes from Columbine. Then there are the street interviews with the rather obviously mentally unstable and angry folks from Fred Phelps' church, holding their "God Hates Fags" signs and screaming at anyone who passes by.
The movie quickly moves beyond this however, delving into the deeper issues at hand. Unlike so many other Christian films, Hellbound? is neither sentimental nor sensationalist. The word that comes to mind instead is depth.
An outspoken supporter of a planned mosque that has sparked opposition in Murfreesboro, Tenn., has switched sides and joined the anti-Islam movement.
Eric Allen Bell, a documentary filmmaker, was a fixture at court hearings and protests over the Islamic Center of Murfreesboro in 2010. Back then, he was making a movie called Not Welcome, which depicted mosque critics as Southern Christian bigots.
Now he says the mosque is part of a plot to destroy America. He claimed the mosque is "built on a foundation of lies" in a recent op-ed piece at the anti-Islam site Jihadwatch.com.
“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.” ~President John F. Kennedy
Twenty-five years after the release of Paul Simon's Graceland album, the singer-songwriter returned to South Africa to visit the musicians who worked with him on what many believe is his musical masterpiece. A new documentary film, Under African Skies, which premieres tonite (Friday, May 25) on A&E, chronicles Simon's journey and the role that music — and artists — may have played in bringing about the end of apartheid.
This masterful film, which debuted earlier this year to wide acclaim at the Sundance film festival, makes a convincing argument for the important role that artists play in changing the world for the better.
This week I came across a dynamic outlet for new forms of storytelling. MAKERS is a documentary project where dozens of short reflections and dreams are gathered to promote the ways a diverse collection of women are transforming the planet into a more holistic and habitable place. While most of these stories are non-fictional, rooted in a place that may not extend too far beyond their origins, the opportunity to zoom in on an impassioned way of living, thinking, and acting, is an encouragement for all people to continue acting out the worlds we desire. These many narratives of change and engagement craft a large and resounding story of the power of women.
When Sojourners CEO Jim Wallis departed on his three-month sabbatical at the beginning of January, I sent him a list of books, films and music that I thought would nourish his mind and spirit in, perhaps, different ways than the media he normally consumes do.
Jim's sabbatical — a true Sabbath in the literal sense — is designed to be a time of rest and, more importantly, rejuvenation. It will also be a creative time when he will be working on a new book.
Jim is a creative. A writer. A visionary. He regularly digs deep into his heart and soul, breaks himself open and pours out his passion, hope and faith for the edification of others. If creatives aren't diligent, though, we can work ourselves into the ground. Our wells can run dry.
In sending Jim this list of what I like to think of as "soul food," I hoped to inspire his imagination and give him new fuel for the fire, if you will.
Art in the streets and in the windows of dirty cars, photography hot spots around the world and how it's bringing healing to victims of sexual abuse, Leonard Cohen, David Lynch, Mitt Romney, and a guide to discovering what type of worshipper you are.
Last weekend, I had the privilege of spending some time at the End Genocide Action Summit, which brought people from all over the world to Washington, D.C., to learn about and fight against genocide, particularly the ongoing genocide being waged by Omar al-Bashir against the people of Darfur, Sudan.
When I applied for a job at CNN in the 90s, and told the interviewer that I had interned with an evangelical magazine called Christianity Today, his response was, "If it's Christian, it isn't journalism."
Over the years that expanded to, "If it's evangelical, it's Republican. Or Jerry Falwell. Pat Robertson. The Tea Party. Wrapped in a Patriotic Flag. White People. Derivative, cheesy music. Big Money. Big Hair." Fill in the rest of the blanks.
Are those labels a distortion of what it means to be an evangelical? Of course they are. Yet they are how evangelicals are perceived, rightly or wrongly (I personally think it's a mixture of both), in our society.