Yoruba Richen’s documentary “The New Black” airs this month online and on television through the PBS series “Independent Lens.” The film, which explores the intersection of race, religion, and sexuality, also has been screened at Chicago’s Trinity United Church of Christ and New York’s Union Theological Seminary. An African-American lesbian, Richen talked to Religion News Service about the new openness she sees in black churches around the issue of same-sex marriage.
"Here's how you bring light into the world," says a scruffy-bearded man in shirtsleeves and a knit cap on a Brooklyn rooftop. "First, you get up in the morning and you scream!" His mischievous grin melts into something more ethereally content as he screams. At length.
He's had plenty of practice screaming — he does it for a living.
The man is Yishai Romanoff, lead singer of the hassidic punk band Moshiach Oi and one of the half-dozen artists, activists, and culture-makers profiled in the documentary Punk Jews.
The phrase can seem like an oxymoron: The essence of punk is to challenge inherited convention, yet adherence to rich traditions of convention is the common through-line of all of Judaism's myriad flavors.
A new film charting Charles Darwin’s passage from Christian to nonbeliever propelled its maker on a similar journey.
“Questioning Darwin,” a new, hourlong documentary airing on HBO throughout February, juxtaposes the story of the 19th-century British naturalist with looks into the lives of contemporary American Christians who believe the world was created in six days, as described in the Book of Genesis.
Antony Thomas, the 73-year-old British filmmaker behind the camera, said while his goal was to highlight the way his subjects answered big questions about the origins of life, a loving God, and the purpose of suffering, he found his own answers to those questions changing.
“This is a personal feeling, but I do believe the two [a belief in God and in evolution] are not compatible,” Thomas said by telephone from New York, where he is working on another documentary. “And that is what made this worthwhile for me.”
Muslim stand-up comedy is nothing new. But what makes “The Muslims Are Coming” different is that it portrays what happens when a troupe of comedians performs before red state Americans in such places as Tennessee, Georgia, Alabama, Mississippi, Florida, Arizona, Utah and Idaho.
The documentary by Negin Farsad, an Iranian-American, and Dean Obeidallah, of Palestinian-Italian roots, opened in Chicago yesterday.