Opinion
Attending church was the beginning of my faith journey, when I began to understand myself, the world, and God. The racism, discrimination, and xenophobia embedded into my daily life were normalized, swiftly decreasing my self-worth as well the worth of other Korean, Chinese, and Vietnamese kids I grew up with. Helplessly, we tried to see ourselves reflected, but especially in each other, we found only mere echoes of insecurity.
I remember the flood of emotions I felt almost a year ago when I heard that the major news networks were calling the 2020 election results: overwhelming relief and renewed hope. Far beyond a victory for then-to-become President Joe Biden, it felt like a victory for our democracy — and an imperative to resuscitate, revitalize, and reinvent that democracy.
Fast forward a year: I’m filled with a festering weariness and escalating heartache.
Gratitude is far more radical than slapping a #blessed hashtag on a social media post. When we give thanks, we are invited to build a beloved community that aligns with our enduring moral values of justice, peace, and love for our neighbors.
In keeping with the Black radical tradition and the story of the Israelites plundering the Egyptians before they fled Egypt (Exodus 12:35-38), I see my job as a library fellow to be transgressive insofar as I encourage students to "steal Egyptian gold." Libraries are not just places to check out books but spaces where transformative visions can be cast, organizers and students can meet, and institutional knowledge can be turned upside down. Much like the late Black Mennonite, Vincent Harding, or modern Black intellectual Fred Moten, I believe it is the work of scholar-activists to figure out ways to be in but not of institutions. In other words, we must figure out ways to redistribute Pharoah’s spoils for the sake of the mixed multitude.
Have you ever noticed how certain things seem to have a life of their own? Let me explain: From time to time, a piece of art, a song, a book, or even a face unexpectedly receives universal approval and then there seems to be no end to how it can be referenced, advertised, TikToked, or memed.
Starting Oct. 31, world leaders will gather in Scotland to negotiate the terms of our future. This United Nations climate change conference, called COP26, is an opportunity for leaders to flaunt their climate actions ambition — no leader more so than President Joe Biden, who plans to attend with nearly half his cabinet. This is a show of force from the White House, an indication that political winds have shifted and the United States is prepared to be a global climate leader.
Communities of faith should be an intentional place for survivors of domestic violence to find healing, refuge, and safety. However church can also be an unsafe place that hinders the process of healing. The steps, responses, and practices offered in this article are meant to be a beginner’s guide to what congregations — including lay members — need to know about preventing, recognizing, and responding to domestic abuse in their midst.
The six-episode series available to stream on Oct. 29 is the co-creation of Kaepernick and celebrated director Ava DuVernay (Selma, 13th, When They See Us). The series tells the story of Kaepernick’s teen years, when he grew both as an athlete and an individual. Kaepernick must repeatedly decide if he’s going to be true to himself or to who others want him to be, whether it’s how he wears his hair or what sort of future he pursues. It’s a relatable coming-of-age story, but the racial dynamics that Kaepernick confronts make for a more complicated high school narrative.
Speaking with an Argentine accent, amplifying the voice of the poor, indicting the rich, and betting it all on grassroots movements, we might even ask, do we finally have a liberation theologian in St. Peter’s chair?
Capitalism and racism are united in their reliance on hierarchies of social difference; these hierarchies act as sites of exploitation where conflicts surrounding race, gender, or even borders all reinforce our current political economy. Also, the very acts of living and working, which are structured by capital, place you in conflict with yourself and others. Everyone is impacted by the relational flow and material forms of racial capitalism. And while it is true that everyone is impacted, it cannot be understated that those who are disproportionately impacted by this system are Black and brown people.
I’ve never been a fan of Halloween. I’ve always been more of an All Saints’ Day kinda guy. Just joking; truth is I try to resist the impulse to constantly make distinctions between “the world” and “the church.” The lines between sacred and profane, monster and human, are not easily distinguishable.
As Christians, we are citizens of the kingdom of God. But a common roadblock to dedicating our lives to the kingdom of God by loving our neighbors to the best of our ability is the temptation to allow our allegiance to the country in which we live supersede our allegiance to the kingdom of God — to succumb to nationalism.
Amanda 'Butta P' Small is a hip-hop music maven combining her faith, business prowess, and heritage to change the culture.
Pastor Bert Bocachica and his wife lead a church called El Santuario, a Spanish congregation in the Bronx borough of New York City.
Vanessa Martinez Soltero is an activist bridging her Christian faith and Indigenous traditions to sustain herself and community.
The latest headlines are filled with news of worker shortages, delayed supply chains, and labor strikes. Cornell University’s School of Industrial and Labor Relations strike tracker reports more than 181 strikes so far this year, with 38 of them taking place in the first two weeks of October, spurring the AFL-CIO to name this month “Striketober.” These strikes span all kinds of industries, from hospital workers to whisky makers.
Should Christians have anything to do with horror? Is there anything commendable or worthy of praise in the genre?
As a pastor whose love of horror has only deepened over the years, I offer a resounding yes. Horror is a genre uniquely able to invite us into spaces of confession and lament, if only we have ears to hear.
In Lauren Groff’s newest novel, Matrix, monastic life in the High Middle Ages serves as a stunning backdrop for the story of Marie, a nun who feels “her greatness hot in her blood.” Marie arrives at an English abbey as a reluctant teenager, at the appointment of her queen, Eleanor, who expects Marie to become abbess and save the Crown from the public shame of a royal abbey where nuns die of starvation and disease.
The most incredible part of landing on the moon is not the making it there, but the safely making it back. NASA’s missions to the moon and back were feats of engineering, math, and creativity. The stories are oft retold from a variety of angles and perspectives, and I will never tire of it.
Some people may not know that when we went to the moon, we left a lot of junk there. Lighter space crafts can escape gravity easier, so anything that didn’t need to come home didn’t. Included on the list of things that didn’t need to come back from Apollo 11 through Apollo 17: Twelve Hasselblad camera bodies and lenses. (Another fun fact: Until recently, one of the cameras that was supposed to return had been missing for nearly 50 years.)
What kind of parent raises a mass murderer? What would the aftermath of a school shooting be like for the parents of the child who shot his classmates and then took his own life. Unimaginable? Mass, Fran Kranz’s writing and directorial debut, immerses viewers in these questions, challenging us to consider our capacity for forgiveness.