This year I have been trying something new to me. I’m trying my hands at a little music or concert review. It’s a chance to experiment with this nascent methodology I’m developing. The posts have been some of the most commented upon on Facebook and even on the blog. Thanks for everyone’s engagement!
Though not the beginning, certainly the central review is this duo about Mumford and Sons and eschatological banjos. Cathleen Falsani was in town and we had a great time at these shows. These concerts are all about the eschaton, transcendence, immanence, and banjos. There are always banjos. I know.
It’s the end of the year and, as always, a great time to reflect on what has happened over the past 12 months. I’ve been blessed to have so many talented and diverse writers share their voices and views alongside me on the God’s Politics blog. I want to take this opportunity to share some of my favorite posts from this past year with you, in no particular order.
We had so many great posts this year that explored the different facets of our faith. If you haven’t read them yet, make sure you look at:
What Good is a Ph.D. for reading the Bible? by Rev. Dr. Guy Nave
Five Things That Are Holding Christianity Back by Christian Piatt
10 reasons Why Men Should Not Be Ordained For Ministry by Eugene Cho
Women and Girls
Since the 1970s, Sojourners has been committed to resisting sexism in all its forms, while affirming the integrity and equality of women and men in the church and in the larger world. This year we’ve been even more intentional about looking at these topics through our blog and magazine.
As you make your winter reading list or shop for gifts, consider these 2013 books from Sojourners magazine staff and contributors. Or, buy yourself a gift for 2014.
The Native American narrative remains largely unknown in U.S. majority culture. It is glaringly absent in most school curriculums, and remains unheard in modern dominant politics. One crucial stream of Native culture I’ve recently come to learn about is the destructive legacy of Christian-run Indian boarding schools.
What began with genuinely good intentions (in those days, “European” norms were viewed as superior, “sameness” seemed like a good idea, and the threat of legitimate genocide lingered over tribes) rapidly deteriorated, with Christian boarding schools becoming institutions of forced assimilation and abuse.
Beginning in the 1800s and lasting into the 20th century, Native children were forcibly removed from their families and sent to live in boarding schools. Finding the task of “civilizing” Native adults beyond its ability, the federal government delegated the task of “normalization” to churches, which could educate, or, inculcate, children from a young age.
One of the downsides of a theological education (and/or an overactive theological imagination) is an inability to sing some favorite old hymns with naive gusto. During this Christmas season in particular, we simply know too much about the biblical story (and the reality of childbirth and babies in general) to fully believe all of the touching words in some of the most popular Christmas carols.
So as a public service, I have written historically accurate versions of three of the most beloved holiday hymns. Without personally endorsing any of the theology below, I also offer some alternatives to those who don't theologically jive with the current version of "Joy to the World."
Sister Churches: American Congregations and Their Partners Abroad by Janel Kragt Bakker / The State of Arizona by Catherine Tambini and Carlos Sandoval / Walking the Disciple's Path: Eight Steps That Will Change Your Life and the World by Linda Perrone Rooney / Being Both: Embracing Two Religions in One Interfaith Family by Susan Katz Miller
While sitting listening to a musician pour out her heart through music at a show the intern house hosted, I was challenged. The emotions in her voice communicated her story and as I sat there pleasantly soaking in the music and admiring her vulnerability, I also realized I wouldn’t want to put myself out there like that. At that same moment, I stopped and thought, is that how I view church? Do I put up those same walls with God?
Vulnerability is difficult, when our culture thrives on individualism. Television shows, books, and movies tell us that we can create the world we desire through our own strength. This culture tells us that we are the creators of our reality, a societal standard that has seeped into the church, creating a standard of self-reliance and individualism.
Brennan Manning stated, “the church is not a museum for saints but a hospital for sinners.” The church “hospital” should be the place where we come ready for healing and treatment. As such, people generally do not go to a hospital hiding their wounds and disease expecting to get better. This self-medication can only cover the symptoms while never combating the true source of the ailment. The truth is that in life, we are all terminally ill patients with different pains in desperate need of a doctor. In this, we are not alone in the fight.
At the heart of the Vatican’s new “Metamorphosis of Space” exhibit featuring the works of Spanish architect and artist Santiago Calatrava is the first-ever public display for the model of New York’s St. Nicholas Greek Orthodox Church.
The exhibit’s curator, Micol Forti, said the relationship between the project and the Vatican is casual — “It’s not even a Catholic Church,” she said of St. Nicholas — yet the magnetism of the model is immediately apparent.
“This exhibit is part of a dialogue with contemporary culture, and this particular piece is a large part of it,” Forti said. She pointed out an adjacent series of watercolor paintings Calatrava made to show a kind of evolution between the design of the church and a classic portrait of the Madonna and Child.
Two of the world’s great libraries — the Vatican Library in Rome and the Bodleian Library at Oxford University — have scanned and loaded the first of 1.5 million pages of ancient Hebrew, Greek, and early Christian manuscripts online Tuesday.
The project brings rare and priceless religious and cultural collections to a global audience for the first time in history.
The website is the first step in a four-year project and it includes the Bodleian’s 1455 Gutenberg Bible — one of only 50 surviving copies.
The $3.3 million project is funded by the Polonsky Foundation, which aims to democratize access to information. Leonard S. Polonsky is chairman of Hansard Global PLC, an international financial services company.
Lots of people like movies; Gareth Higgins loves movies. But the founding director of the Wild Goose Festival and long-time peace activist engages popular culture with a different eye than most of us. And he’s used that keen eye for deeper meaning to create his latest book.
I asked Gareth about his new book on American film, his peace work, and what it’s like considering American culture both as an insider and as a non-native. Here’s what he had to say.
“Gray” Thursday, Black Friday, Small Business Saturday, Cyber Monday — and Giving Tuesday? For the second year in a row, nonprofits, businesses, and individuals are coming together to create a national day of giving on the Tuesday after Thanksgiving.
Why a national day of giving? Last year, New York’s 92nd Street Y, with the support of the United Nations Foundation, catalyzed the idea of adding a national day of giving to kick off the holiday giving season. The goal was to drive donations of time, money, or services to charities with the same enthusiasm that shoppers have on the shopping days surrounding Thanksgiving.
How do you get kids to read one of the world’s oldest books? Ask Sally Lloyd-Jones, whose The Jesus Storybook Bible recently passed the critical mark of one million copies sold.
The British ex-pat and now proud New Yorker has never married or had children of her own, yet aims to retell the Bible to something that comes alive for young people.
One of her editors told her once that there are two types of children’s books authors: the ones who are around children, and the ones who are children inside.
“It kind of freed me, because I think I know I’m that second one,” she said. “And I can still write from that place, because my childhood is so vivid.”