Poetry
Alamy
Crossing a river in Africa the spider
shooting her blacksmith’s thread
of melted-down swords and armor
the world’s molten madness bridging
dangling over the water
The creature moves frantically
and to an observer miraculously
like some stressed-out downtown commuter
levitating to work
surely this is a phantasmagorical
outpouring of mighty engineering
Golden Gate sprung from a thimble
that you would never believe
if it hadn’t bored you in second grade
like the kindness of Jesus Christ
Illustration by Ric Carrasquillo
I mispronounce my body as if
the architecture of the spine
were soft, as if this poem could
start here,
in the space between open lips,
even though it resists a title.
To be means to exist
with a name. To be means
to have a body worth defining.
Illustration by Terran Washington
I rub my hand across the stone font
Where Jon Meacham took on the water
Of baptism and signed on to the cross
In an olive oil signature made for words.
The empty sanctuary now quiet for prayer echoes
With last night’s lecture on the future of democracy.
Light pours through the stained glass window
With a narrative of Saul, struck down blind
Illustration by Jia Sung
I reckon it was the girl,
not more than fourteen. Those eyes.
Something made him stop his talk,
hoist down the lantern and mutter out with them.
And that was one sour night—
dust and wind, things banging;
Illustration by Ric Carrasquillo
We shudder at the inhumanity,
the crafted cruelness of that sickening show:
the stripped humiliation, blasphemy
of beaten flesh, death’s agonies stretched slow
by fellow men created in God’s image,
turned terrorists, enslaved to sin’s strange fruit.
How could they mock the marred and lifeless visage
of God’s own child? His axe is at the root!
Illustration by Jia Sung
Call this hair crazy.
but watch as it grows
outside of your gates
and beyond the walls
you’ve made to contain
me. See as it reaches
higher than anything you
ever thought of me,
shedding every lie of
inferiority.
“Tabletop Mountain” 2015 / Laura Wetter / laurawetter.com
The field, still and breathless,
colored in thirsty hues of yellow,
sits beneath hills just as bleak,
the whole land scoured in disinfectant
Illustration by Tim Goffe
The later it gets, the more nothing.
—Woman at the register
Yeah, we’re open ’til midnight,
but few customers come after 9:00.
I like when it’s slow and quiet—
just me and the store lights.
I don’t like the sirens
racing along Main Street.
I always worry it’s my kid hurt
or my best girlfriend with another
black eye or busted rib.
When I’m here by myself, I draw
dress patterns for my daughter.
Illustration by Dante Terzigni
(“Oh I’ll leap up. Who pulls me down?”—
“Doctor Faustus,” by Christopher Marlowe)
Now can I join this dance?
See, I am thinner than vacuum.
I can kneel toward the sun
at the very angle of prayer
and feel the counterpoint
pulse through my veins.
Illustration by Shin Yeon Moon
Some mornings I drive to the duck pond
instead of writing poems. I can’t remember
how to keep words coupled to the truth.
So much lying has torn words loose
from what they stood for. Remember,
back when we agreed on their meanings?
I’d say honey for instance, and you could
taste it. Once you said freedom
and I saw doves rising from your shoulders.
We shared language so we were not alone.
We both loved words as if we could see them:
like ducks bobbing on a pond, dipping,
scooping, swabbing insects from the air.
Illustration by Ric Carrasquillo
I can tell from the way
they are staring at shadows on the ground
that the voice-bearers have come
from that place where
trees are not life-giving.
Two nights ago, One was here with them
Whose longing, love, and pain woke my soul,
deep-buried,
which sleeps through winter,
moth-like.
He is not here with them now.
Illustration by Mary Haasdyk
A veteran slumped in a midnight
doorway was trained to kill, so killed,
and killing banished sleep.
A hurt child, now thirty-two, who
never had the food he needed, haunted
by his father’s blows, shoots meth.
Photo by Steve Halama on Unsplash
1. I knew, but didn’t know—extent, sprawl,
continent-wide bird with great shadow-wings
hovering over a whole nation’s knife-opened birth—
talons and curved-hook raptor’s beak coming
for my heart, which is history,
which shields itself and hungers
as though truth were a flock of season-following geese
from whom I choose how many to bag,
how many a season requires. So many
moments sound like gun-shot—
sound cracking the ear with its own hammer,
pummeling some dark priest-hole in every mind,
fists on doors, slammed hatches on ships,
iron coming down so hard on a deck it loses its clang,
a skull punched against echoing wood, snapped branches,
snap of a jaw-trap around leg bone.
An eagle cannot feed its young its young.
Illustration by Livia Falcaru
I am the border agent who looks
the other way. I am the one
who leaves bottled water in caches
in the harsh borderlands I patrol.
I am the one who doesn’t shoot.
I let the people assemble,
with their flickering candles a shimmering
river in the dark. “Let them pray,”
I tell my comrades. “What harm
can come of that?” We holster
our guns and open a bottle to share.
Illustration by Livia Falcaru
Save for the sun, the nearest star
is more than twenty-five million
million miles away.
What has a single star
shining in Bethlehem
to do with us?
Ground cochineal insects used for dye.
Darling of Mayans, Incas, and Aztecs, cochineal
conquered the ever-expanding world—
borne of female coccids boiled, dried, and ground
fine as dust, then woven with water, coaxing color
vibrant as any pink peppercorn, dye so prized,
long before Spain came, natives bred the prickly pear
on which the insects fed to bear fewer spines,
so, horsetail in hand, they could brush the parasites
Illustration by Ric Carrasquillo
I am Peter at Gethsemane
where I wake to oak
branches suspended,
spinning like hair in water.
Flora’s night
blanched, a prophet’s
chanting, every caesura’s
quiet steeping, transfiguring
grief to alms.
Illustration by Jon Krause
Why wouldn’t they drop by, stare up
approvingly at the point of the minaret?
Perpetual connoisseurs of the loving work
of centuries, the stacked stones, nails pounded
until synagogues, temples, shrines
little houses of worship rise from the land.
Illustration by MUTI
This seep of droplets sponged by moss leaked
from a cleft in the rock; the waters in the cleft
rose osmotically from earth:
the aquifers of earth rained down
from cloudburst skies;
A white blossom, purpled
at the edges like penance,
lies under an unbloomed tree.