Arts & Culture

As I remember it, I was first introduced to Jamie Grace’s career while listening to a Christian radio show in 2011. At the time, she was a 19-year-old college student majoring in child and youth development, recently signed to a major Contemporary Christian Music (CCM) label, and was less than a year away from being nominated for the 2012 Grammy Award for Contemporary Christian Music Song. She was a Black woman in an industry largely made up of white men; she was open about her diagnoses of Tourette syndrome, attention-deficit/hyperactivity disorder, and obsessive-compulsive disorder at a time when I wasn’t aware of many people who were; and she was a very skilled guitar player, songwriter, and singer. As such, it seemed obvious that she had a bright future in an industry that needed new energy.

Early in his adult life, Lau-Lavie is outed in a news article as gay, prompting him to move from Israel to New York in search of a spiritual life that makes more sense than his Orthodox heritage.

“ONE OF THE TRADITIONS of St. Patrick is an old prayer that he wrote called ‘St. Patrick’s Breastplate,’” explained Father David Rose of St. Luke’s Episcopal Church in Rincon, Ga., to the half-dozen men who’d gathered around him. “It’s more like an epic poem, like an old epic Celtic poem, but it’s a prayer.”

“I bind unto myself today / the strong Name of the Trinity,” he continued, reciting stanzas of the 1,500-year-old prayer. “By invocation of the same / The Three in One and One in Three / Of Whom all nature hath creation / Eternal Father, Spirit, Word: Praise to the Lord of my salvation / Salvation is of Christ the Lord!”

Father Rose wasn’t addressing his fellows from the pulpit, however, nor were they gathered in the basement or rectory of St. Luke’s. Instead, he was speaking to a group of Dungeons & Dragons players at Savannah Lion Games in Pooler, Ga., at a table covered in rulebooks and dice rather than Bibles and hymnals.

Welcome to Game Church.

When Girls Govern

The documentary Girls State follows a group of dedicated high school girls as they participate in an immersive mock-government program. At a time when civic norms are being eroded, the film is a fascinating, hopeful, and human portrait of American democracy’s future. Apple TV+

IN PEACEBUILDING AND THE ARTS, practical theologians Theodora Hawksley and Jolyon Mitchell ask readers to imagine peace: “It is all too easy to reach for clichés” — doves or peace signs come to mind — or “to think of peace as a sort of absence, a not-happening.” In our violent world, we readily picture conflict and injustice, but not peace or conflict transformation. The arts help us fill this empty space, revealing the true nature of peacebuilding as “an ongoing, dynamic process, a journey that sets human relationships on the road to life.” Through bolstering the moral imagination, the arts rehumanize dehumanized contexts.

Mitchell explains how the arts give us “realistic visions of how to create peace” and foster “an environment in which the ‘moral imagination’ can be cultivated.” He shares the example of Mozambican Anglican Bishop Dinis Sengulane, who, in the mid-’90s, established the Transforming Arms into Tools project after the end of Mozambique’s long civil war. This project asked local artists to “glorify peace” through refashioning decommissioned weapons into art. Compelling works such as “Throne of Weapons” (2001) and “Tree of Life” (2004) emerged: metallic sculptures made from assault rifles welded together in a way that preserved the outlines of the weapons. The “Throne of Weapons” has a back, arms, seat, and legs made clearly from the barrels, triggers, and heels of AK47s. The viewing experience is a dance between the parts and the whole, which underscores the meaning of the project itself. The sculptures represent the specific horrors of the past and broader hope born from peacebuilding. Displayed in public places in the U.K., these works have served as a caution against gun violence and an inspiration to activist-artists across the globe.

AFTER MY GRANDMA died, I began to pay attention to cardinals. She loved watching birds through her kitchen windows, and the memorial cards at her funeral displayed an illustration of a cardinal. After that, every cardinal I saw felt like a message sent by my grandma from heaven, reminding me that she was looking out for me, and that she wasn’t really gone, not fully.

So, when I listened to “Cardinal,” the first track on Kacey Musgraves’ latest album Deeper Well, I felt like Musgraves wrote the song for me.

“Cardinal,” she sings, “are you bringing me a message from the other side?”

With songs about finding peace and falling in love, growing up and maturing, Deeper Well is spiritually grounding. A reminder to slow down, go outside, and appreciate what we have.

A WILL IS an important document that protects your family and ensures financial security for children who have yet to pay back the 300 grand you spent on each of them growing up. You definitely should not wait until you’re 73 to write one. In my case, I was waiting for the wisdom that comes with age. Failing that, I was also waiting for the lawyer we chose to grow up and go to law school. Because, when we first met him, I thought he was a teenager.

It’s like when I go to the doctor these days and she looks like she’s just been dropped off at soccer practice by her mom. Nothing like the white-haired doctor who used to frighten me with dire predictions of the health problems that every aging man confronts. But now that all those predictions have come true for me, I need to make my will.

In ABC’s workplace comedy Abbott Elementary, Barbara Howard (Sheryl Lee Ralph) provides one example of what it looks like for Black Christian women to live out their faith in their everyday lives.