Magazine

Illustration of a man standing on top of a hill looking off into the sunset

We Are / Getty Images

I WROTE MY first “Eyes and Ears” column in January 1987 when I was a Sojourners staff editor. Over the ensuing years, I’ve changed from Protestant to Catholic, from full-time journalist to full-time teacher, and from city mouse to country mouse. I’ve been married to Polly Duncan Collum and helped raise four children. Through all that, I’ve kept this column going, but now I’m pulling the plug to make way for whatever’s next.

In my first column, I set out a twofold purpose for this space. I intended to track the merger of politics and popular culture that began in earnest with the 1980 election of a movie star president. I noted then that our public life was largely being reduced to an “ephemeral community of shared media experience,” by which, at the time, I meant mostly Hollywood movies and various televised spectacles.

By the time we elected a reality TV star as president, the convergence of politics and popular culture was already long complete, except that, in a world of microtargeted messaging, there is no longer even much “shared media experience” from which to forge a community.

My second rationale for starting the column, however, has held up a little better. I noted way back then that, in both politics and popular culture and in the intellectual netherworld of think tanks and commentary journalism, the very definitions of terms such as “America,” “democracy,” and “Christianity” were up for grabs. In 1987, I called this a “war of ideas” and it continues with a vengeance, though often degenerating into an emotional war of identities.

However, “stuff happens.” And in these 35 years, two big things have happened that exploded many of my expectations and drastically altered the cultural landscape.

Isaac S. Villegas 3-28-2022
Illustrated quilt-like collage of people of many races helping each other

Illustration by Jam Dong

IN THE EARLY months of the pandemic, the “Care Bears” team of my local chapter of Southerners on New Ground (SONG), a Black, queer-led community of carceral abolitionists, reached out to members of the SONG family by phone. A small box arrived in the mail a few weeks later. The Care Bears had decided I’d benefit from a “a gift of love in a trying time”—tangerine tea, a candle, colored pencils, a notebook, and a tiny bottle of dandelion tincture made by the resident SONG herbalist.

I was drawn into the extended SONG family in 2017 when I joined the Black Mama’s Bail Out Action campaign. For Mother’s Day, SONG members paid the bail of mothers and caregivers held in the Durham, N.C. county jail because, like tens of thousands of people imprisoned in the U.S., they couldn’t afford their release. As a minister familiar with the jail’s protocols, I was called on to help obtain consent from the women being held. SONG raised the funds as part of a practice of mutual aid through paying off bail debt. “Money kept you in,” Pat Hussain, a co-founder of SONG said. “Black love got you out.”

My involvement with SONG has taught me the interconnections of Black feminism, prison abolitionism, and mutual aid—all as part of movements to create everyday institutions that nurture life. Abolitionism is about undoing the violence of incarceration, Angela Y. Davis writes in Abolition Democracy, “but it is also about building up, about creating new institutions.” And abolitionist Ruth Wilson Gilmore asserts that “abolition is about presence, not absence.”

Both Davis and Gilmore center the need for organized community to sustain life in a destructive world. They call for the creation of new institutions of mutual care while eroding the carceral system’s grip on society. With exceptional clarity, organizer and educator Mariame Kaba recently reissued this call: “Our work isn’t just a movement against cages and cops. It’s a movement for different ways of living together.” In this movement for a shared life where everyone can experience wholeness, “mutual aid exposes the failures of the current system and shows an alternative.”

Illustration of round, flat stones in the shape of a question mark

Illustration by Matt Chase

SEVENTY-FOUR YEARS AGO, scholar, mystic, and pastor Howard Thurman gave a lecture series at Samuel Huston College (now Huston-Tillotson University) in Austin, Texas. The series would become the basis for his seminal book Jesus and the Disinherited. One of Thurman’s students, Martin Luther King Jr., reportedly traveled with a copy of Thurman’s book. Through his writings and teachings, Thurman was a mentor and chaplain for many activists during the civil rights movement.

Jesus and the Disinherited continues to inspire many contemplatives and activists and has profoundly shaped my own approach to ministry. The main inspiration comes through a question Thurman posed to American Christianity: “What, then, is the word of the religion of Jesus to those who stand with their backs against the wall?” Thurman’s question confronted the fact that American Christianity was, as historian Vincent Harding put it, a “strange mutation” away from the teachings and ethics of Jesus. Jesus, who was raised in the poor village of Nazareth out of the mainstream of Roman culture. Jesus, who was Galilean, which meant that even among the Jews, Jesus and his people were considered outcasts. Jesus, who spent many of his days moving from town to town touching lepers, transgressing boundaries, befriending Samaritans, and turning over the tables on corrupt economic practices in the temple. In light of Jesus’ ministry, Thurman was challenging an American Christianity that was rampantly materialistic and segregationist, looming above the daily experiences of the disinherited. Thurman’s writings demonstrated how a path-altering question can help inoculate our faith from harmful (American) mutations and point us back to the integrity of Jesus’ Way.

Rose Marie Berger 3-23-2022
Illustration of a nightingale singing on top of a missile against a red background

Illustration by Matt Chase

THE RUSSIAN BEAR has once again swatted the Ukrainian nightingale.

In response to Russian President Vladimir Putin’s bloody adventurism in Ukraine, thousands of Russians defied harsh anti-protest laws to hold anti-war demonstrations. Even before rockets exploded over Kyiv, his pro-Kremlin proxies took over eastern Donbas in 2014, killing 13,000 people, a quarter of them civilians, and displacing more than 850,000. Human rights abuses in the breakaway regions skyrocketed. There is no free and independent media. Journalists are targeted. Religious persecution against Catholics, Protestants, Jews, Muslims, and other religious minorities is constant and harsh. Both Ukrainian and pro-Russia armed groups detained hundreds of civilians charged with “espionage” and held them in undisclosed locations, often subjecting them to torture. The slow unraveling of the fragile ceasefire brokered in 2020, in addition to COVID-19 restrictions, left Ukrainians gasping and afraid.

Churches too are caught in the literal crossfire as well as the crossfire of contested histories. As the hot war started, Valery Antonyuk, head of the All-Ukrainian Union of Evangelical Baptist Churches, called on all congregations to prepare to open their churches to the displaced. “Our churches must become centers of service to our people in times of adversity,” he said, emphasizing that his pastors were not leaving.

Jonathan Kuttab 3-23-2022
Illustration of a Cypress tree with a bulldozer coming up behind it

Illustration by Michael George Haddad

TENT OF NATIONS, a 100-acre farm southwest of Bethlehem in the West Bank, Palestine, has been in the Nassar family since their grandfather bought it more than a century ago. The family’s attempts to hold onto their land and prevent settlers from taking it over has been an ongoing battle—not only within the realm of the legal system. The Nassar family has had to physically defend their land, nonviolently, from repeated encroachments and attacks, which have included the burning and uprooting of their olive trees, the bulldozing of their plants, harassment and intimidation, and constant attempts to destroy the few physical structures they set up. The family’s persistence in remaining on the land has been one of the most remarkable examples of Palestinian sumud (or steadfastness) I have seen.

The story of their resistance is not just a political story of one Palestinian family’s assertion of its ancestral rights. The Nassar family members are devout Lutherans, deeply committed Christians who attempt to live out their faith in practice. They have used their property as a tangible example of their Christ-centered commitment to peace, reconciliation, and nonviolence.

Illustration of an eye where the pupil is an empty tomb with the stone rolled back

Illustration by Michael George Haddad

AFTER THE SOLEMN journey of Lent, through which we embrace the mystery of the death of Jesus Christ, we enter the mystery of Easter, a new life. And as we celebrate Easter, we cannot remain in the feelings of fear and anxiety, which merely lead us into inaction. All the gospels’ Easter narratives include the empty tomb. Our standing in front of the empty tomb symbolizes our standing at the threshold to new life. For example, in John’s gospel we imaginatively encounter Mary Magdalene, who runs to the grave with spices to prepare for Jesus’ funeral while continuing to be sad. However, at the dawn of Easter she hears Jesus say, “Do not hold onto me.”

At the very familiar space of death, representing deep feelings of despair, Jesus’ voice introduces a cut or prohibition and indicates that the old way cannot continue to operate beyond this point. Upon hearing this, Mary must face the empty tomb, which signifies a lack or a hole. The starting point, then, from which to walk into the paschal mystery, can be the acknowledgment that the lack of full wisdom, perfection, and completeness is the reality of the self and the world. Often, we experience resistance to moving or walking onto a new or unknown path, while still fully knowing a new life is waiting. The life of resurrection commands us to step into the resurrected body of Jesus Christ. In this pandemic-ridden time, what does it mean to walk into the new life of the Risen Christ?

Hannah Estabrook 3-23-2022
Illustration of a small red umbrella in the arch of a yellow stiletto

Illustration by Michael George Haddad

A WOMAN I know was arrested on her birthday for the crime of solicitation for prostitution—agreeing to a sex act for money. She spent 18 days in jail, enough time for a brutal detox from the synthetic opioid fentanyl.

Tara (name changed to protect her identity) is not an empowered sex worker, at least not in the way that sex worker rights activists would like to describe her in their vehemence against her arrest. Nor does Tara identify as a sex trafficking “victim” or “survivor.” She would tell you that she chose the street life and all that comes with it.

Though I am constantly learning from my friends in the sex trade, here is what I understand after spending 10 years with this population:

Illustration of a multiracial group of people with their fists raised

Illustration by Poan Pan

ON MAY 1, tens of millions of people across the globe celebrate International Workers’ Day, often called May Day or International Labor Day. Countries around the world have made May Day a major holiday, but its origin as a day to fight for and honor the rights of workers has strong roots in the United States and the struggle for the eight-hour workday. During the Great Depression, Dorothy Day and Peter Maurin chose May Day 1933 to launch the first issue of The Catholic Worker, a newspaper dedicated to the proposition that it is “possible to be radical and not atheist”—an idea that has also been central to Sojourners these past 50 years. In fact, a radical commitment to labor rights and economic justice is because of our faith, not in spite of it.

The dedication and sacrifice of labor activists has led to hard-won rights—including the eight-hour workday, the weekend, safe working conditions, an end to most child labor, and more—rights far too many of us can take for granted. And yet standing up for the dignity and rights of workers remains incredibly important because these rights are not enjoyed by everyone equally and have been relentlessly eroded over the past four decades. The struggle for labor rights has shifted amid an evolution in the nature of work, with many workers exercising greater agency in the COVID-19 pandemic, leaving behind jobs that are often underpaid, unsafe, or underappreciated.

Jim Rice 3-23-2022
Illustration of Dean Spade with quote "Elite solutions to poverty are always about managing poor people and never about redistributing wealth."

Dean Spade is a lawyer, trans activist, professor at Seattle University School of Law, and author of Mutual Aid: Building Solidarity During This Crisis (and the Next) / Illustration by Becki Gill

IN OUR COVER article, Mennonite pastor Isaac Villegas looks at communities of people taking care of one another in examples of “mutual aid.” As Villegas explains, Anabaptists—the ethnic and spiritual forebears of several Christian denominations, including Mennonites—have a long history of such mutual care, tracing back not only to the Radical Reformation of the 16th century but to the earliest Christian communities, as portrayed in the New Testament book of Acts.

Jenna Barnett 3-01-2022
Illustration of blond child leaning his body through an Ikea bag to grip an Ichthys

Illustration by Melanie Lambrick

ALLOW ME TO introduce myself: I’m IKEA, an expert in DIY construction and deconstruction, here to explain a recent religious phenomenon. According to a 2021 Relevant magazine article, Christianity is in “the age of deconstruction.” “Through deconstruction,” explains writer Kurtis Vanderpool, “we are able to find the good and the helpful parts of our faith upbringing, while reshaping or throwing out the unhelpful.” But there is a problem! While the exvangelicals on Twitter are obsessed with deconstruction, “most people you will find in church are uncomfortable with deconstruction,” says Vanderpool.

You may be thinking, “Is an enormous warehouse full of good-enough furniture really equipped to explain a sensitive theological process? No offense, IKEA, but did you even go to seminary?” No, I didn’t. But nondenominational churches often pay me thousands of dollars to host massive lock-ins and I overhear A LOT of really bad theology as youth pastors, groggy chaperones, and sugar-faced youth groups play hide-and-seek in my showrooms. (I’m pretty sure I didn’t dream this.)

T. Denise Anderson 3-01-2022
Illustration of silver coins and valuables floating in front of a window. The central coin bears Caesar's image.

Illustration by barbarian flower

WE TEND TO approach Lent passively. Some of that is appropriate. After all, we start Lent by putting ashes on our heads to symbolize our grief, and grief often makes us more still. But Lent is a season of intentional activity. To repent is to shift course. We continue to move, but in a different direction. We walk with God, following where God leads, no matter what we must leave behind.

This journey eventually leads to the cross, and later to resurrection. That’s when we find the journey has just begun. We were made to seek God, to question, to be in tension with mystery, to wrestle with God like Jacob, and to eventually find what we’re looking for. And when we come into contact with God in whatever ways are possible, we realize we cannot serve this God as one would serve an idol. We cannot operate out of empty ritual or rote adherence to any custom. We can’t appease or bribe this God. This God is not confined to our shrines, nor does God thrive off our material gifts and sacrifices. What this God wants is much more profound: repentance, trust, and a complete reorientation of one’s heart away from self and toward companionship with God. Many who’ve prepared to walk the Camino de Santiago pilgrimage did so by training on their own trails for months before making the trek. Lent similarly trains us for a lifelong journey of resilience, trust, and resistance to the forces of evil and despair.

Alfonso Sasieta 3-01-2022
Illustration of a hand holding a needle above Psalm 46; in an inset, a line of sheet music is threaded through the eye of the needle

Illustration by Aldo Jarillo

My stanzas do not resemble marimbas
after all. These lines are the warmed
rank of organ pipes, droning & melting
their millennia into my shoulders.

Yes, yes, my God is heavyset & broad
& not a week of childhood passes
without Bach or Luther or a collect
that echoes the grungy psalmist

Forever in Thy Path: The God of Black Liberation, by Harry H. Singleton III / Orbis Books

Used with permission from Orbis Books (orbisbooks.com)

TO ITS CREDIT, the Black church seeks to instill a sense of “somebodyness” through positive reinforcement in conversion. But it seeks to do so without deeply immersing the convert in the true history of his/her culture. Consequently, the Black church falls prey to the universalism of the white church by naïvely thinking that one can be a true child of God while possessed of a deformed racial self-image. In so doing, the static conservatism of the Black church is at odds with freedom movements and prophetic leaders who are able to judge rightly that the freedom of Blacks cannot come through a rejection of one’s history, whether intentional or not.

 

Olivia Bardo 3-01-2022

Time Is a Mother by Ocean Vuong / Penguin Press

IN OCEAN VUONG'S latest collection Time Is a Mother, the T.S. Eliot Prize-winning poet reaches for depths of what was lost.

We encounter Vuong submerged in profound and compounding grief after the death of his mother. The book’s epigraph from César Vallejo reads, “Forgive me, Lord: I’ve died so little,” touching on the guilt that can accompany those left behind after a death. These poems hold the tension between looking back and moving forward, with the awareness of someone acquainted with feelings “that made death so large it was indistinguishable / from air,” as Vuong writes in “Not Even.” Those grieving search for comfort, while also examining life before loss—sometimes recognizing that grief was always present.

Time Is a Mother is full of questions that reckon with these past experiences. One of the first poems asks, “How else do we return to ourselves but to fold / The page so it points to the good part.” Other verses ask, “What if it wasn’t the crash that made us, but the debris?” and “How come the past tense is always longer?”

Get Untamed: The Journal by Glennon Doyle

WHEN I PICKED up Get Untamed—a journal based on Glennon Doyle’s best-selling memoir Untamed—at a secondhand bookstore, I was, as the kids say, down bad. Real bad. A year of overscheduling, overcommitting, and underhydrating had turned me into the caretaker of a creative and existential abyss. In that bookstore, I was reaching for more than a how-to book. I was reaching for a lifeline. And I found one—just not in the way I expected.

Doyle emerged onto the nonfiction scene with Carry On, Warrior in 2013, followed by Love Warrior in 2016. The latter book was raw and vulnerable, detailing the dissolution and resurrection of Doyle’s first marriage. Acclaimed by Oprah, Brené Brown, and Elizabeth Gilbert, Love Warrior celebrated love’s ability to overcome all obstacles—from addiction to internalized misogyny—in a marriage. Then Doyle met retired professional soccer player Abby Wambach. Doyle and her husband divorced. Now Doyle and Wambach are, by all accounts, happily married. The events leading to this form the basis for Untamed.

Abby Olcese 3-01-2022
A white man wearing a suit blows smoke into the mouth of a young white woman

From The Worst Person in the World

IN A 2001 lecture titled “Devotional Cinema,” filmmaker and film editor Nathaniel Dorsky broadly described devotional practice as “the interruption that allows us to experience what is hidden and to accept with our hearts our given situation.” Dorsky connected this definition to the experience of watching a movie, claiming, “It is alive as a devotional form,” allowing viewers to uncover truths about themselves and the world by watching someone else’s story. A movie doesn’t have to be experimental art, a heavy drama, or a religious epic to be a devotional experience. Often, the most profound stories are about the subtle changes of the soul over time and the experiences and relationships that define a person. We relate to them because, like a devotional practice, they help us reflect on our own lives and consider how we live in relation to others.

Joachim Trier’s The Worst Person in the World is one such film, following its protagonist, Julie (Renate Reinsve), from her late 20s to her early 30s. Trier places Julie as the main character of her own story, narrated to us as she lives it, changing careers, falling in love, breaking up, experiencing loss, and becoming wiser and more comfortable with herself as a result.

Zachary Lee 3-01-2022
A robed figure stairs through a bright opening in the trees of a dark forest

From The Green Knight

WHEN I FIRST read Gwendolyn Brooks’ poem “truth” early last year, I did a double take to make sure it wasn’t written in 2021. The 1987 poem personifies its titular subject as a living being that can knock its “firm knuckles / Hard on the door,” whose arrival brings an equal mix of anticipation and apprehension. Brooks describes multiple responses one can have to the arrival of truth. For those who have made peace with lies, the truth can be threatening: “Shall we not dread him, / Shall we not fear him / After so lengthy a / Session with shade?” Even for those who have longed for truth’s arrival, blissful or willful ignorance seems to be a better alternative than the terror of having to engage truth head on: “Shall we not shudder?— / Shall we not flee / Into the shelter, the dear thick shelter / Of the familiar / Propitious haze?” Regardless, Brooks makes one thing clear: The question is not a matter of if truth will come, but when. The most important question of our lives then becomes, how are we to greet it?

In the poem, Brooks doesn’t name the truth that haunts her—although since she first published it in 1949, as the stage for the civil rights movement was being set, one possibility might be the systemic mistreatment of Black people and white people’s willful obliviousness to it. I found the poem to be a peculiar comfort in this time as we try to adjust to an ever-shifting landscape of new realities and reckon with truths about ourselves we might otherwise prefer remain hidden.

Similarly, several films offer insight into how people receive truth’s advent.

Carol Kuruvilla 3-01-2022
A senior Black woman stoops to lay orange flowers at the base of a plaque

Joyce Salter Johnson, a descendant of lynching victim Frank Johnson, places flowers on the EJI historical marker in Newton County, Miss. / Bianca Moorman / The Meridian Star

THERE ARE TWO churches in Newton County, Miss., that bear the name “Good Hope.” The first, Good Hope Baptist Church, was founded by white slaveholders in the 1850s. At least 20 African Americans were members of that church, forced to worship God alongside those who kept them enslaved. After the Civil War, Black members of the church banded together to form an independent community, the Freedman Settlement of Good Hope. One of their first goals as emancipated people was to establish a church of their own. Against immeasurable odds, they founded Good Hope Missionary Baptist Church in 1908. But that same year, terror threatened to rip the nascent community apart. Three congregants—William Fielder, Dee Dawkins, and Frank Johnson—were brutally tortured and lynched by a mob of at least 50 white men. The three were targeted for being associated with a Black sharecropper accused of killing his white employer. The mob went on to wreak havoc on Black neighborhoods. Traumatized by the violence and faced with restrictive Black codes that preserved white supremacy in the South, many members of the Freedman Settlement of Good Hope fled north.

But their families’ connection to that sacred ground didn’t waver. For more than 100 years, on the first Saturday in August their descendants have travelled from across the U.S. to the church for a revival. They sing, pray, and gather for a fish fry and soul food. They share news about marriages, births, and deaths. They listen to sermons and care for the cemetery where their ancestors are buried. And most importantly, they remember.

Last August, descendants gathered at Good Hope Missionary Baptist Church in Newton County for another reason: to unveil a historical marker honoring the memories of Fielder, Dawkins, and Johnson. The marker describes the terror that was unleashed on their community and the failure of local law enforcement to hold anyone accountable for the deaths and the destruction of Black property. Darrell Fielder, the great-great-grandson of William Fielder, told Sojourners he believes Good Hope Missionary Baptist Church was the appropriate space for “resurrecting” the legacies of these three victims. “It is the one space where Black people could practice a liberating faith and speak in frank terms about injustices,” Fielder said. “In placing these markers on church ground, we are honoring these martyrs and letting them know that God was always with them.”

The Editors 2-28-2022
The actress playing Mamie Till-Mobley embraces her son, Emmett Till

From Women of the Movement

Moved by Love

The limited ABC series Women of the Movement follows Mamie Till-Mobley as she grieves the murder of her son Emmett Till and fights for justice. Directed by four Black women, the show tells the true story of the woman who helped fuel the civil rights movement. Two Drifters

Chuck Collins 2-28-2022
Illustration of an industrial plant with a shadowy figure raising a flag with a money symbol

Illustration by Ibrahim Rayintakath

TWO YEARS OF living through a pandemic has given us deeper insight into how extreme inequalities of income and wealth matter—and in some cases dictate who lives and who dies.

The pandemic economy supercharged existing inequalities, worsening the economic circumstances of the already precarious while further concentrating wealth and power in the hands of the already wealthy. In the first 21 months of the pandemic, roughly 700 U.S. billionaires saw their combined wealth increase by $2.2 trillion, even as millions lost their lives and livelihoods. A few hundred U.S. billionaires now have a combined wealth of $5.2 trillion, while the bottom half of all U.S. households—165 million people—have a combined $3.4 trillion.

It’s easy to see these inequality trends as invisible or remote forces without agency, or as failures of government policymakers to write the rules of the economy to ensure greater shared prosperity. However, there are private actors who function as “agents of inequality” whose daily work inflames existing divisions. These include what social scientists call the “wealth defense industry”—the veritable professional army of accountants, tax lawyers, wealth managers, and family office staffers that facilitates the hiding and sequestering of wealth.

These enablers serve the ultrawealthy—those with wealth upward of $30 million—and are paid millions to hide trillions. They labor to ensure that there is a two-tier tax system, with one set of rules for their ultrawealthy clients and another set of rules for everyone else. They also facilitate the creation of inherited wealth dynasties and monopoly power, directly exacerbating the existing racial wealth divide and entrenching concentrations of wealth and power.

The role of these enablers is in plain sight as nations around the world try to recover from the pandemic and find revenue to pay for it.