Culture Watch
I met Eliza Griswold in a Starbucks round the corner from her apartment on Manhattan’s Upper West Side. Thrumming with nervy energy, she comes off as smart, ambitious, charismatic, and intensely interested. Griswold has published one book of poetry, Wideawake Field (Farrar, Straus and Giroux). Her poetry and award-winning journalism have been published in The New Yorker, New York Times Magazine, The Atlantic Monthly, The New Republic, and Harper’s. Now in her mid-30s, Griswold grew up in various parts of Pennsylvania and moved to Chicago in 1987, when her father, Frank Griswold, an Episcopal priest, was consecrated as a bishop. (He would later serve as presiding bishop of the Episcopal Church in North America from 1997 to 2006.)
Eliza Griswold’s first full-length prose work is The Tenth Parallel: Dispatches from the Fault Line Between Christianity and Islam (Farrar, Straus and Giroux). In it she recounts her journeys within Nigeria, Sudan, Somalia, Indonesia, Malaysia, and the Philippines. The text, although nicely larded with statistics and historical background, focuses particularly on her encounters with the men and women most vigorously engaged, on one side or the other, in the frequently violent clashes between Christians and Muslims in those countries. Where the book shines is in the way it allows you to take tea with a Jihadi leader and notice his odd habitual gestures, or the fact that he laughs less than the first time we met him. The big picture is illuminated through such exquisitely detailed miniatures.
Nonviolent Power
Hands on the Freedom Plow: Personal Accounts by Women in SNCC gathers powerful oral histories from 52 women, "northern and southern, young and old, urban and rural, black, white, and Latina" who were on the front lines of the civil rights movement in the 1960s. University of Illinois Press
Tell Me, Tell Me
In a Winnipeg, Manitoba, high school where 58 languages were spoken among the student body, a teacher started an after-school storytelling project to bridge the gaps between immigrant and Canadian students. The documentary The Storytelling Class tells of the students' experience. Bullfrog Films
In Blessed Are the Organized, Princeton University's Jeffrey Stout argues that democracy is imperiled: "The imbalance of power between ordinary citizens and the new ruling class has ... reached crisis proportions." He means crisis in the medical sense—the moment when the patient will either get better or die.
Stout's prescription? "[M]any more institutions and communities [must] commit themselves to getting democratically organized." We need to do a lot more old-fashioned, face-to-face organizing. More broadly, we need to engage the basic practices of democratic citizenship -- voting, but also listening to one another as we describe our struggles and our deepest concerns; peacefully assembling; and petitioning for redress of grievances.
Stout offers portraits of effective grassroots organizing in places as diverse as post-Katrina New Orleans and Marin County, California. Stout finds a marvelous example of the democratic practice of assembly among Katrina survivors gathered in the Houston Astrodome. The scene there was "surreal." The PA system was dominated by celebrities such as T.D. Jakes, with his apolitical message about God's provision. Organizers realized that they needed to get microphones into someone else's hands. Eventually, a less famous pastor took a microphone and preached a different kind of sermon: "I believe God expects us to do our part of the work too ... So if you've been a leader in New Orleans ... come forward and have a conversation ... about what's happening, and about doing something." In that moment, the PA system was transformed into a means of genuinely public address. Here, Stout argues, "we see ... a motley collection of displaced citizens reconstructing the rudiments of a democratic culture on the fly."
In the documentary Earth Made of Glass, director Deborah Scranton weaves together the stories of Rwandan President Paul Kagame and Jean Pierre Sagahutu, two men who struggled to seek the truth about what really happened in Rwanda during the 1994 genocide. How could thousands of people die every day for three months while the Western world stood silent? At the 2010 Tribeca Film Festival, Becky Garrison, author of Jesus Died for This?, sat down with Deborah Scranton (director/producer), Reid Carolin (producer), and Jean Pierre Sagahutu to dicuss how this film can shed light on a story that has gone underreported in the United States.
Becky Garrison: Why do you feel the Rwandan genocide received so little attention in 1994?
Reid Carolin: We had just come off Mogadishu [the "Black Hawk down" incident in October 1993], and that was a colossal disaster for the U.S. Some responsibility should fall on the media for generally misreporting what was actually going on in Rwanda. The real tragedy is to go back there 15 years later and look through all the reports and see what isn't true. The coverage was so poor that this story has not been understood correctly.
For a while it looked like the battle for "Net neutrality" was won when President Obama appointed his own chair of the Federal Communications Commission (FCC).
The most significant DVD release of 2010 is America Lost and Found, packaging seven films produced between 1968 and 1972, including Easy Rider and The Last Picture Show.
Bio: Youth pastor and organizer with Neighborhood Ministries in Phoenix, Arizona
Website: www.nmaz.net
Digital Jesus: The Making of a New Christian Fundamentalist Community on the Internet, by Robert Glenn Howard. New York University Press.
Gareth Higgins reviews Submarine, Project Nim, and Uncle Boonmee Who Can Recall His Past Lives.
It happens every summer. Newsmakers go on vacation, real news gets slow, and novelty stories rush in to fill the vacuum. One summer it's child abductions; the next it's shark attacks.