When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.
This past weekend, Christians around the world celebrated one of our holiest holi-days: Pentecost. Pentecost, which means "50 days," is celebrated seven weeks after Easter (hence the 50), and marks the birthday of the Church, when the Holy Spirit is said to have fallen on the early Christian community like fire from the heavens. (For this reason, lots of Christians wear red and decorate in pyro-colors. This day is also where the fiery Pentecostal movement draws its name).
But what does Pentecost Sunday have to do with just another manic Monday?
What does a religious event a couple of thousand years old have to offer the contemporary, pluralistic, post-Christian world we live in? I'd say a whole lot. Here's why:
Let me start by confessing my bias. Not only am I a Christian, but I am a Christian who likes fire. I went to circus school and became a fire-swallowing, fire-breathing, torch-juggling-pyro-maniac as you'll see here. So naturally, I like Pentecost.
Whether it was a brilliant marketing strategy or just a sad reflection of the charged atmosphere of Christian dialogue these days, one cannot deny that Rob Bell's latest book http://www.amazon.com/gp/product/006204964X?ie=UTF8&tag=sojourners-20&li...