There are so many people that have gone before me, people that have sacrificed their lives in pursuit of justice and equality. Because of this, I feel a deep sense of commitment to honor them by standing for some of the same things that they did. I am in complete awe of two things that connect deeply for me. The first is the cross and how Jesus gave his life for us all. The second is my ancestors who somehow understood Jesus’ sacrifice and passed it onto me through intense persecution.
I can’t say that I know persecution like my parents, grandparents, and great-grandparents knew. I have been back to southern Alabama many times for family reunions and visited slave graveyards where relatives are buried. This compels me to be and do more with my life. I can’t say I understand why Jesus would choose to become human, walk this earth as a human being, and then die at the hands of his own creations to save those who were crucifying him. However, I do know it pushes me to be and do more with my life. I feel like I would let them down somehow if I didn’t take responsibility for addressing injustice with my life.
My life is not my own. I am the product of sacrifice. I am here because of those who saw beyond themselves and thought personal sacrifice was worth giving up to allow justice to take hold. I am here because Jesus modeled something completely illogical on the cross and then some of my ancestors took that example seriously and repeated it. I have no real right to the life I live. My only recourse is to continue the tradition handed to me in the same way.
Exodus and Community
The peacemaking bomber pilot (and son of the evangelical church) offers a model political vision for young Christians today.
The Dividing Wall in America
When racism is tolerated, the reconciling work of Christ on the cross is contradicted.
Before I saw the new film 12 Years A Slave, I knew nothing about Solomon Northrop or his astounding story of courage, forbearance, and faith.
I’d never heard of Northrop, an African-American freeman, who was born and reared in upstate New York in the early 1800s, well before the abolition of slavery in the rest of the nation. I’d not known of the historical practice of kidnapping freeborn black Americans in the North and selling them into slavery in the South.
I’d never heard about how Northrop, an accomplished violinist, was bamboozled into traveling from his farm in Hebron, N.Y., where he lived a prosperous life with his wife and three children, to Washington, D.C., for work, but was drugged, kidnapped, and sold in Louisiana. I’d never heard how he remained for a dozen years before heroically regaining his freedom in 1853 — one of a very few kidnapped freemen and freewomen ever to regain their freedom.
The most controversial sentence I ever wrote, considering the response to it, was not about abortion, marriage equality, the wars in Vietnam or Iraq, elections, or anything to do with national or church politics. It was a statement about the founding of the United States of America. Here’s the sentence:
"The United States of America was established as a white society, founded upon the near genocide of another race and then the enslavement of yet another."
The comments were overwhelming, with many calling the statement outrageous and some calling it courageous. But it was neither. The sentence was simply a historical statement of the facts. It was the first sentence of a Sojourners magazine cover article, published 26 years ago titled “America’s Original Sin: The Legacy of White Racism.”
An extraordinary new film called 12 Years a Slave has just come out, and Sojourners hosted the premiere for the faith community on Oct. 9 in Washington, D.C. Rev. Otis Moss III was on the panel afterward that reflected on the film. Dr. Moss is not only a dynamic pastor and preacher in Chicago, but he is also a teacher of cinematography who put this compelling story about Solomon Northup — a freeman from New York, who was kidnapped and sold into slavery — into the historical context of all the American films ever done on slavery. 12 Years is the most accurate and best produced drama of slavery ever done, says Moss.
In her New York Times review, “ The Blood and Tears, Not the Magnolias,” Manohla Dargis says, 12 Years a Slave “isn’t the first movie about slavery in the United States — but it may be the one that finally makes it impossible for American cinema to continue to sell the ugly lies it’s been hawking for more than a century.” Instead of the Hollywood portrayal of beautiful plantations, benevolent masters, and simple happy slaves, it shows the utterly brutal violence of a systematic attempt to dehumanize an entire race of people — for economic greed. It reveals how morally outrageous the slave system was, and it is very hard to watch.