You can add Nathan Evans Fox to the list of artists who are in the country music scene without entirely being of it. Or maybe it’s better to say Fox is operating in a purer, livelier stratosphere of country music that neither needs nor wants the approval of the Nashville ruling class. So far, he’s doing just fine. His “Hillbilly Hymn (Okra and Cigarettes)” made a viral splash; a rich tune in the tradition of old Appalachian spirituals that envisions a cop-free Heaven where “the rich get scared” and “the guns are all for shootin’ clays.”
On July 7, the IRS made waves when it reversed its longstanding guidance that churches must avoid partisan speech under the Johnson Amendment of the U.S. tax code.
What does this new IRS guidance mean for political engagement among progressive churches?
The Bible has a lot to say about gender.
Of course, there are innumerable instances when the Bible has historically been used to enforce the idea that gender is a divinely ordained binary, with male and female genders that are distinct, complementary, and assigned at birth.
But by going back to the original languages of the Bible and examining modern translations more closely a much more complex spectrum of biblical gender is revealed. At some rabbinical colleges, scholars have identified as many as eight genders represented in the original Hebrew.
When Democratic Socialist Zohran Mamdani defeated Andrew Cuomo in New York City’s mayoral primary, the political establishment didn’t quite know what to do.
Headlines described Mamdani’s win as “stunning,” “electrifying,” an “upset,” and even a “miracle.” Right-wing critics responded with predictable vitriol, labeling Mamdani a “communist,” “terrorist,” and a “little Muhammad.” These attacks were aimed both at his politics and his identity as an Indian American, a Muslim, and a socialist.
But what was most remarkable about Mamdani’s successful campaign wasn’t necessarily Mamdani himself. Rather, it was the working-class support behind his campaign that captured people’s attention.
Some may want me to stay quiet, but I want to be loud. I want to scream. I want to cry. I want to embrace the full spectrum of my humanity, the same way that author Austin Channing Brown has learned to embrace herself. In her upcoming book, Full of Myself: Black Womanhood and the Journey to Self-Possession, she details this journey.
If asked to pick one Lady Gaga song to encapsulate who she is and what she stands for, you’d be hard pressed to come up with a better choice than “Born This Way.” Released in 2011, the song is a vibrant, full-body dance anthem that calls on listeners to celebrate who they are. “God makes no mistakes,” she sings in the refrain. “I’m on the right track, baby / I was born this way.” The song was immediately embraced upon release, particularly by the LGBTQ+ community.
As it turns out, this wasn’t the first time a song by that name made that kind of impact. In 1977, Motown Records released the disco anthem “I Was Born This Way,” an upbeat tune featuring a largely unknown Black gospel singer who responds to critics with a refrain that was a head-turner for its time: “I’m happy. I’m carefree. And I’m gay. I was born this way.”
On Monday, the Department of Homeland Security shared a propaganda video on the social media site X.
The one-minute video opens with footage of helicopters taking off, and a man with a thick Southern accent says, “Here’s a Bible verse I think about sometimes. Many times.” As people in military fatigues don masks and ready weapons inside the helicopter, the man quotes Isaiah 6:8: “I heard the voice of the Lord, saying: ‘Whom shall I send, and who will go for us?’”
Superman has always reminded me of Jesus.
In director James Gunn’s latest interpretation, Superman, Clark Kent is once again the heroic savior — thrust into battles against villainous forces and multi-dimensional threats. But this time, the stakes are political.
Released five years ago, Kristin Kobes Du Mez’s Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation is no orindary history book. Since it published, the treatise on militant Christian masculinity has shaped conversations about Trumpism in both Christian and secular spaces. A surprise New York Times bestseller, the book resonated with many readers who found that it clarified their own experiences of growing up in the American evangelical subculture — and it drew criticism from others who found it to be an unfair takedown of conservative Christianity.
Now, it has a theme song.
Everyone loves the story of Jonah and the whale. It’s got it all: drama, danger, whales — or at least “a big fish” as any Bible nerd will point out. And a tidy little lesson at the end about the importance of obeying God.
But the story’s post-whale coda is where things get really interesting. After Jonah finally reaches Nineveh — albeit by a very roundabout route — he obeys God’s command to call the city to repentance. Mission accomplished, he finds a spot outside the city walls with a good view, settles in, and waits for God to smite them. He’s hoping for fire and brimstone and is disappointed when none come. God spares the Ninevites.