racial justice

The first time I really got it, I was 16 years old.

I had traveled by myself to visit distant relatives in Paris, with the hope of improving my French. Somehow, a weekend visit to the beach ended up with me on an unaccompanied trip on a train from a lazy seaside town back to the city. “I’m lonely here, God,” I thought. “Would you show me you are with me?”

Looking out the train window, there was a brilliant sunset hanging over the fields of canola flowers. There was my reminder of God’s love! As the train curved away from the sunset and it fell out of view, I sat back in my seat, satisfied with the gift I had been given …  only to start up again as the train took a sharp curve to the left, the sunset back in full view.

“Oh,” I thought, “that’s what they mean by love being abundant and our cups overflowing. I get it.”

The first time I really got it, I was 18 years old.

On my first winter break back from college, I was driving in my parents’ car, listening to the radio. On air was a county executive discussing why a curfew might be a good idea for the county’s youth. According to him, instituting the curfew would help police arrest young people they suspected of other crimes. The implication was that it would only be enforced against those people who looked suspicious. Another voice on the show expressed concerns that what this meant was that the curfew would only be enforced against black teenagers.

“Oh,” I thought, “this is what they mean when they say the police target people they instinctively assume to be suspicious, even if they haven’t done anything wrong. I get it.”

Could it be that the crescendo of dissention is divinely synched to yet again heighten disruptive unease among the status quo? Could it be that the promise of Emmanuel — "God is with us" — as proclaimed by the heavenly host, but feared by powerful elite, is unavoidably linked through the eternal truth — such that even the Church universal cannot celebrate one and avoid the other? Could it be that through Advent, we are called to acknowledge the humanity and parity of personhood, rather than rest in the laurels of privilege? The anger of youthful Ferguson protests was marginalized and dubbed as riots, but could it be that this Advent response manifested in expanded multiethnic solidarity is of divine intent to raise challenge to elitism and to demand respect for people of color as equals rather than as patronized subordinates? Could it be that whether or not the media chooses to ignore the connection, the Advent message for those with ears to hear is that perpetrators of brutality, the comfortable protectors of privilege, and the self-serving pundits of power that tried to nullify the everlasting promise were unsuccessful then and now? Could it be by divine design that unknown names, stolen lives, are now divinely lifted to eternal and global recognition as sacrificial symbols so that truth could come to light?

In a township called Khayelitsha, a woman wakes well before dawn to catch a bus that will carry her to the beautiful home in Cape Town where her employer/boss/master wants his tea in bed by 7 a.m. That is what “post-apartheid” South Africa still looks like today.

I just returned from a remarkable month in South Africa—the country that changed my life. I’ve often said that I learned my theology of hope from South Africa, during the anti-apartheid struggle I was thrust into as a young man. South African church leaders invited me in years ago. I got to see and experience the costly movement for freedom in the 1980s, witness the miracle of the inauguration of Nelson Mandela’s rainbow nation in 1994, and later join a wonderful reunion of South African activists, many of whom had been in exile or in prison, along with some of us international allies. So when I set out on a South African speaking and book tour 20 years after the new democracy, I didn’t know what to expect.

This time, I brought my family so they could see the country that had meant so much to me. What I discovered was a new generation of South African leaders ready to define their own vocation and mission as they help build a new nation. I quickly came to understand that making a deep connection with them was the real reason that I had come back. It’s tough to be in the shadow of a heroic generation of leaders like Desmond Tutu whose agenda has been the political liberation of South Africa—accomplished to the amazement of the world. On this trip, 20 years later, I saw the incredible freedom of movement now for all the former racial categories—but also how the systemic geography of apartheid was still painfully evident.

Economic inequality in South Africa is now greater than it was even during the days of apartheid, and gender violence is rampant. So these are the new agendas of a new generation: economic liberation and gender equality, with a commitment to lead on both in the churches. The rainbow of young people who turned up in such great numbers at all of our events truly want a new South Africa— a society yet to emerge.

In my pastoral counseling class in seminary, the professor played a video of a counseling session of a black couple. He intended for us to learn some lessons on marriage counseling from it, but it turned out to be a laugh fest for the mostly white class. Repeatedly the husband and wife cut each other down with witty insults. My sense is that the couple reminded the students of George and Louise Jefferson from the TV show The Jeffersons. I sat next to an African American student that day and during the break I turned over to him and asked, “Do you find this funny?” He said, “I’m glad you asked,” and proceeded to tell me that he witnessed this kind of behavior firsthand in his own home since his parents are divorced. Needless to say he did not find the video amusing. I encouraged him to voice this to the class, which he courageously did when we returned from break. It seems while the professor intended to communicate one thing from showing the video, it communicated another because of the manner in which the students were racialized. 

I share this story as an analogue to the recent controversy surrounding the production of the Seattle Gilbert and Sullivan Society’s The Mikado — a comic opera written in 1885 as a critique of British politics and institutions, set in distant, mysterious, and mostly made-up Japan. It began with Sharon Chan writing an editorial to the Seattle Times, calling the current production of it by an all-white cast as “yellowface” and “open[ing] old wounds and resurrect[ing] pejorative stereotypes.”  Since then, Jeff Yang has also written an editorial for CNN.com entitled, “Yellowface staging of ‘The Mikado’ has to end.”  I will not rehearse their arguments here; I write to address why this incident matters to North American evangelicals. 

My sister has one of those plastic playhouses in her backyard for her two boys. When she hosted a garage sale a few years ago, children accompanying their shopping parents would see the playhouse and join in.

I remember looking over at one point and seeing five children playing together. Different ages, different sexes, different races. All strangers. All playing together.

When they looked at each other, they saw a playmate.

In his autobiography, Nelson Mandela noted that children have an innate openness that tends to get closed off as they spend more time in the world.

“No one is born hating another person because of the colour of his skin, or his background, or his religion,” Mandela wrote in his autobiography. “People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”

There is a moment in John Steinbeck’s classic, East of Eden, when readers witness the transformation of a stereotype into a human being.

Set in Salinas Valley, Calif., around the turn of the 20th century, Samuel Hamilton picks up Lee, his friend's Chinese servant. Lee wears a queue and speaks Pidgin English. Moments after meeting him, Hamilton learns that Lee was born in the U.S. and asks why he still can’t speak English.

Lee’s face and eyes soften and he speaks perfect English, explaining that he speaks Pidgin for the whites in town to understand him. Lee says, “You see what is, where most people see what they expect.”

Did you catch that? Lee plays the role of the foreigner in order to be seen and understood.

ONE RECENT WINTER day, Nora Howell stepped out of her house in the Sandtown neighborhood of Baltimore and took a walk down the street. People in the predominantly black community did double takes as this white woman promenaded past them in a sundress made of saltine and oyster crackers. Some stared in disbelief. One man doubled over laughing. In the corner coffee shop, one of the regulars warned Howell not to walk by any homeless people because they might just eat her up.

Later Howell, a community artist and director of the neighborhood Jubilee Arts program, set the video footage taken during her walk to Mister Rogers’ classic refrain, “Won’t You Be My Neighbor?” The piece, which emerged out of Howell’s ponderings on what it means to be white living in a black neighborhood, became another part of her answer to a call: to use art to address systemic racism and bring about the kingdom of God.

From Race Riots to White Suburbia and Beyond

In 2001, Howell was an eighth grader living in a biracial community in urban Cincinnati. When race riots erupted after a young black man was shot fatally by a white police officer (sound familiar?), her family took to the streets on a prayer walk through the riots. Howell remembers being shocked and terrified, thinking, “Why do we still have race riots? Cincinnati is so far behind the times.”

In the aftermath, Howell talked with peers at school on the reality of racial tensions and observed with curiosity how white and black churches throughout the city responded. She realized race riots weren’t just a relic of the ’60s. “When you lived in a place where different racial groups interacted daily, [racial tensions] could no longer be denied or ignored,” she said.

Yet when Howell moved to suburban Chicago to attend Wheaton College, conversations on race were largely absent. “I found that very odd,” she said. She got involved in a campus group to promote awareness of racial injustice.

In the short three months that I have been at Sojourners as the director of individual giving, I’ve been humbled and inspired by the countless social justice activists who make up our community.  In these three months, I have witnessed activism for immigration reform, a vigil for those most affected by congressional dysfunction, organizing for climate change, a prophetic stand for racial justice, the launching of a new campaign to empower women and girls, and much more.