Faith

The Evangelical Renaissance Is Over

A similar cycle occurred in the political arena, which (fairly or not) shaped popular impressions of American evangelicalism more than megachurches or The Purpose Driven Life. One can thank Jerry Falwell for this. Yet without a Carter to oppose, Falwell never would have received so much air time. The political turn in modern American evangelicalism was a bipartisan phenomenon, as the electoral strategies of Barack Obama and, before him, Bill Clinton, demonstrated. Each protected his right flank by cultivating ties with progressive evangelicals, such as Tony Campolo or Jim Wallis.

Moral Mondays' William Barber To Speak At WNC Festival

The four-day event hosts more than 75 discussions, conversations and explorations from provocative speakers such as William Barber, organizer of Moral Mondays protests; Sara Miles, author of "Take this Bread" and "City of God: Faith in the Streets;" Jim Wallis, editor-in-chief of Sojourners and author of "The Uncommon Good;" and Noel Castellanos, CEO of the Christian Community Development Association.

Dynasties and Birthrights

THE CHILDHOOD UNDERSTANDING of the familiar tune about climbing Jacob’s ladder needs a reset. The Genesis narratives aren’t just about heaven—they yield epiphanies into the ordinary life of faith. The household of Abraham and Sarah, even in its ancient context, is atypical. In family dynamics, without the miraculous moments, epiphanies subvert our expectations of whom and what God can utilize to reveal the faithfulness of divine promises. Sometimes the testimony is evident in ordinary lives—even ours. You’ve heard it said, “Our greatest weakness is our strength.” The episodes in Jacob’s life provide sufficient demonstrations of how passions both energize and blind us: Passion or anger; leadership or arrogance; emotion or intuition; determination or stubbornness.

Despite Jacob’s inconsistencies, the second half of Genesis encompasses his story, as the son of Isaac, grandson of Abraham. Here we find an unfolding drama. Characters display human nature at its extremes: conniving relatives, loving couples; creative entrepreneurs, dishonest contractors. All, somehow, used by God to form a people with whom the Spirit so evidently abides.

Even when we go our own way, God’s purposes are not thwarted. The challenge for the church in this Pentecost season is to trust that God is planting seeds in good soil—and the seeds that won’t sprout also have a purpose in this garden. Remember that the actions of justice, grace, and faithfulness we practice at home are as much a witness to God as our public proclamations and protests.

Joy J. Moore is associate dean for African-American church studies and assistant professor of preaching at Fuller Theological Seminary in California.

[ JULY 6 ]
'I Will Go,' says Rebekah
Genesis 24:34-38, 42-49, 58-67; Psalm 145: 8-14; Romans 7:15-25a; Matthew 11:16-19, 25-30

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The Power to Heal

Daniel Beaty in "Through the Night"

“I AM A storyteller,” says Daniel Beaty, “and my purpose in the world is to inspire people to transform pain to power.”

He was first inspired to share his stories when his third-grade teacher showed a videotape of Martin Luther King Jr.’s “I Have a Dream” speech. Now as a writer, actor, singer, teacher, and motivational speaker, his storytelling is expressed in a dizzying array of different forms and outlets. The week in April that Sojourners’ editorial assistant Rebecca Kraybill interviewed him, Beaty was doing daily performances in Los Angeles of a one-person play he wrote on the life of performer and activist Paul Robeson, “The Tallest Tree in the Forest” (in which he plays 40 characters and sings 14 songs) and, during the day, taping for a Ford Foundation-funded documentary on work he does with children of incarcerated parents.

This was just a fortnight after Beaty finished a six-week speaking tour in support of his memoir, Transforming Pain to Power: Unlock Your Unlimited Potential (Penguin-Random House). He’s also the author of a children’s book released in December 2013 by Little, Brown and Company, Knock Knock: My Dad’s Dream for Me, with graphics by award-winning illustrator Bryan Collier, which is an adaptation of a poem Beaty wrote about his experience growing up with an incarcerated father. “Knock knock down the doors that I could not” is one especially poignant line the father in the book writes to the son; it carries a call to healing and liberation that is found in all of Beaty’s work.

Kraybill talked with Beaty about the effects of mass incarceration on families, the power of a “theater sanctuary,” and how the arts call us toward “the capacity to do better.”

Rebecca Kraybill: Many people were first introduced to your work through a YouTube video of the Def Poetry Jam performance of your poem, “Knock Knock.” What inspired that poem?

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Why I Stay in the Church

A QUESTION ASKED of me 100 times in the last 10 years: Why do you stay in the Catholic Church? How can you stay in a church where thousands of children were raped around the world? Where men in power covered their ears to the screams of children and moved the rapists around from parish to parish so that smiling welcoming parents presented their awed shy children to the rapists like fresh meat? Where women have been marginalized and sidelined for centuries and their incredible creativity diluted and wasted and left to rot? Where power and greed and cowardice so often trumped the very humility and mercy and defiant belief in the primacy of love on which the church was founded and for which it claims to stand today?

Because, I said haltingly, in the beginning, when I was unsure of my honest answer in the face of such rapacious crime and breathtaking lies, because, because ... because how could I quit now? What sort of rat leaves the ship when it is foundering and your fellow passengers need help? Why would I quit now, of all the times to quit? How could I leave the ship in the hands of the men who nearly sank her? How could I abandon the brave honest mothers and priests and nuns and teachers and bishops and dads and monks and children who are the church, who compose the church, who sing the deepest holiest song of the real church?

Because, I said more and more energetically as the years went by, because there are men like my archbishop in my church, men who stood up to lies and crime and accepted the lash of public insult without a word, though the sins were not theirs.

Because there are people like my mom and dad in my church, who refuse to let the sweet wild idea of the church die in their souls or their lives or their parish, and refuse to let someone else define the church they know to be a continual verb, and endless possibility, the most revolutionary idea in the history of human beings, not merely a noun, a castle, a council of cassocks.

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No Longer the 'Best Kept Secret'

SINCE HIS ELECTION as the 265th successor of St. Peter, Pope Francis has provided a refresher course on Catholic social teaching to the world’s 1.2 billion Catholics. “Catholic social teaching is no longer a secret,” says Jean Hill, director of peace and justice for the diocese of Salt Lake City. “Everything Pope Francis is saying comes from social doctrine and is about social justice.”

Through his various homilies, speeches, and meetings, Francis is “reading the signs of the times” and making practical application to the issues of the day. Some of his most powerful statements to date were made in his first pastoral document, “The Joy of the Gospel,” including this declaration: “I prefer a church which is bruised, hurting, and dirty because it has been out on the streets, rather than a church that is unhealthy from being confined and from clinging to its own security.”

Pope Francis is calling the faithful to be more merciful, compassionate, joyful, and centered upon the needs of the poor and vulnerable. He wants a church that sees the human person before the law and one that does not “obsess” about a narrow set of issues, but affirms both human life and human dignity. He invites

Catholics to pray, reflect, and embrace the beauty and breadth of Catholic social teaching—a rich tradition that is predicated on the dignity of the human person.

The United States Conference of Catholic Bishops (USCCB) defines Catholic social teaching as “a central and essential element of our faith. Its roots are in the Hebrew prophets who announced God’s special love for the poor and called God’s people to a covenant of love and justice.” This teaching is also founded on the life and words of Jesus. It posits that “every human being is created in the image of God and redeemed by Jesus Christ, and therefore is invaluable and worthy of respect as a member of the human family.”

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An Iconic Faith

FRANCISCAN BROTHER ROBERT LENTZ is a contradictory blend of traditional and tradition-challenging. That same surprising mix could be said to typify his contemporary approach to the ancient art of iconography.

Brother Robert’s work adorns cathedrals, churches, and homes of many faiths, though his name may not ring a bell, even among his fans.

But describe his icons of Martin Luther King Jr. or César Chávez, his portrayals of Jesus as black, Korean, and Navajo, and his non-Christian subjects including Mohandas Gandhi and the Sufi mystic Rumi, and the response may be “Oh, yes! I have one of those.”

Icons—religious paintings used as aids in Christian prayer—have been called a “doorway into the kingdom of heaven.” Brother Robert’s icons are striking, often for the contemporary twists in classically structured images, such as the army canteen held by St. Toribio Romo, a 20th century Mexican priest who is revered as the patron of migrants crossing the border. His Chávez image carries a copy of the Constitution and wears a sweatshirt with the United Farmworkers logo. “Icons may contain anachronisms,” he said, “when there is a great truth at stake.”

Brother Robert’s work—and his life—seem often to focus on such anachronisms in pursuit of truth. At 67, he is a Roman Catholic Franciscan brother in the New York-based Holy Name Province, living and working in a studio created for him in the order’s seminary near Washington, D.C. A religious brother is not a priest, though he lives by the vows of poverty, chastity, and obedience and dedicates his life to charitable service. It’s Brother Robert’s second stretch as a Franciscan, the order founded by St. Francis of Assisi. But it’s his third stint in religious life, having also come close to ordination as a priest in the Russian Orthodox Church Outside of Russia.

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