I Told My Soul to Sing: Finding God with Emily Dickinson by Kristin LeMay / Grace and Mercy by Jonathan Butler / Gather at the Table: The Healing Journey of a Daughter of Slavery and a Son of the Slave Trade by Sharon Leslie Morgan and Thomas Norman DeWolf / We Are Not Ghosts by Mark Dworkin and Melissa Young
Betsy Shirley talks to author Francisco X. Stork about helping young adults ask the hard questions.
Stephen Colbert, a practicing Catholic and sometimes CCD teacher, does a "liturgical dance" number to the hymn, "King of Glory." You're welcome.
There are some artists whose work leaves you walking away thinking, “How in the world did they do that?” The Yeasayer performance at the 9:30 Club in D.C. on Nov. 15 was one such performance.
The psychedelic electro pop group hailing from Brooklyn pumped out a wholesome set of favorites from its older releases as well as songs from its recent — and divisive — album Fragrant World, all to the backdrop of what looked like a chunk of the Epcot ball from Disney World.
But the elaborate — and frequently trippy — back drop and light show seamlessly augmented the synth-laden songs, morphed electric guitar, and catchy hooks. It was truly and audiovisual experience. Had their performance included some neon gummy worms or something, it would have engaged nearly every sense.
VATICAN CITY -- Their lives steeped in intrigue, treason and lust, and set against a backdrop of luscious Italian landscapes and Renaissance masterpieces, the Borgias are probably the most famous -- or infamous -- family in the long history of the papacy.
Now, a new Italian book wants to dispel, at least in part, the “black legend” surrounding a dynasty that bore two popes as well as cardinals, poets, and warriors.
Journalist and historian Mario Dal Bello drew on documents from the Vatican Secret Archive to write his new book, I Borgia: La leggenda nera, or The Borgias: The Black Legend.
For five centuries, the Borgias have attracted writers, painters and playwrights. They have been the subject of hundreds of movies and TV productions, most recently Showtime's popular series, The Borgias.
“It's easy to understand why: sex, blood, poison, power,"" Dal Bello said. "This is already fiction material."
In search of a story that will “make you believe in God?”
It’s a heavy undertaking. Kind of like trying to adapt that story to film, as screenwriter David Magee and director Ang Lee did brilliantly in Life of Pi, which opens nationwide today.
The film, adapted from Yann Martel’s moving book, takes on massive questions — who is God, how do we find God, and why do bad things happen to us — as we follow Pi, a zookeeper’s son shipwrecked on a lifeboat with a Bengal tiger.
“I think we’re humble filmmakers — I don’t think we can answer why bad things happen to people,” Magee told Sojourners Tuesday. “But I do think it puts into perspective the fact that within every ordeal there is a lesson.
“This is very much a story about storytelling,” Magee added. “It’s very much a story about how those different narratives help us get through. It can’t promise to answer why we go through the things we do, but it can say what we take away from them.”
Editor's Note: Trevor Scott Barton wrote this poem after reading Subtle Is The Lord: The Science and the Life of Albert Einstein by Abraham Pais.
experiencing a miracle
trembling with excitement
creating a world of thought
Euclidian Geometry in a small book
flying certainly away from the miraculous
finding the miraculous in clarity and certainty
Rydberg's Constant = 2π2em/h3c
landing uneasily in chaos
wandering and wondering in the quantum universe
God playing symphonies on strings
Among my must reads are the Sunday New York Times Book Review and other book reviews I come across in various media outlets. There are too many books being published that I would love to read, but just don’t have the time. So, I rely on reading book reviews as one way of keeping in touch with what’s being written. Here are my picks from this week’s books.
It’s not unusual to hear someone rapping about clothes — and how expensive theirs are — on the radio these days. Consider Jay Z and Kanye West’s collaboration “Otis,” where Jay Z belts, “Photo-shoot fresh, looking like wealth / I'm 'bout to call the paparazzi on myself.”
And if you don’t hear about their diamond studded jewelry and designer clothes, some rappers aren’t shy about showing them off in music videos.
But Seattle-based hip hop group Macklemore and Ryan Lewis, who recently hit number one on the iTunes album charts and stopped by D.C.’s 9:30 club on Nov. 13, chose a different approach to the whole clothing concept and, for the most part, hip hop in general.
If you were overwhelmed by all that election business, you might have forgotten that October just happened, and with it came a new release from one of my personal favorite musicians, Andrew Bird.
Hands of Glory, Andrew Bird’s latest record and companion to March’s Break it Yourself, is the product of a pair of recording sessions prompted by an immense response to Bird’s “old-time” sets on recent tours.
Reinterpreting songs from Break It Yourself and featuring covers of classic country tunes, these “old-time” performances find Bird and his full band playing to a single microphone with an entirely acoustic setup.
Drawing inspiration from these sets, Hands of Glory features two brand new original tracks, a new interpretation of “Orpheo Looks Back” from Break It Yourself and covers of Van Zandt, the Handsome Family, Alpha Consumer and others.
The results are fantastic.