Sacred Acts: How Churches are Working to Protect Earth's Climate. New Society.
Unto Us the Sun by Aimee Wilson. Self-released.
ReFocus: Living a Life that Reflects God's Heart. Zondervan. / Faitheist: How an Atheist Found Common Ground with the Religious. Beacon Press.
Here's my list of the best films released in 2012.
Landing on a Hundred by Cody ChesnuTT / After Kony: Staging Hope by First Run Feature / Kind of Kin by Rilla Askew / The Last Segregated Hour: The Memphis Kneel-ins and the Campaign for Southern Church Desegregation by Stephen R. Haynes
For Life of Pi screenwriter David Magee, stories help light the way through chaos and despair.
Deep with one savior’s death, how many more?
In observance of which, the Dresden burghers
as usual held Shrove Tuesday circuses
around Our Lady’s Church, the Frauenkirche,
eating pancakes before their fast for Easter.
At midnight, Allies drew ash from their firestorm
on a hundred-thousand heads. Remember,
the Good War’s firesticks on Dresden’s timbers
in revenge for Coventry, where in embers
Ash Wednesday passion plays were once performed,
I know this sounds totally bizarre, but I had a moment of clarity about the value of human life in, of all places, a kid-themed pizza joint yesterday. No, they don’t exploit their workers (that I know of, short of submitting them to overstimulated kids all day). It took a few steps for me to get there, so bear with me.
Yesterday, my daughter, Zoe, turned four years old. It’s a crappy time of year to have a birthday party, since lots of people are out of town, and those who are around are more or less partied out from the holidays. On top of that, we just moved here a few months ago and hardly know anyone. So to try and make up for all of that, we let her pick anywhere she wanted to go for dinner.
Not surprisingly, she picked John’s Incredible Pizza Company, which is like Chuck E. Cheese on steroids. Not high on my list of choices, but hey, it wasn’t my birthday. Zoe’s grandparents are in town and they invited a couple other family members who live nearby to join us. One of Amy’s distant cousins brought along her husband or boyfriend (still not sure which), and I remarked after the dinner to amy that he bore a striking resemblance to the alt-rock front man Perry Ferrell, of Jane’s Addiction fame.
“What ever happened to Perry?” Amy asked. Short of founding the Lollapalooza Festival and hitting every Coachella festival ever held, I had nothing. So I Googled him.
This week’s episode was recorded in the youth group room at First Christian Church in downtown Portland, Ore. To start things off, Jordan talks about being the Marv Marinovich of comedy by relentlessly pushing his daughter to be funnier while Christian embraces the black magic that is naturopathic medicine.
This week’s guest is Wm. Paul Young, author of the wildly popular novel The Shack, which has sold 18 million copies to date. Paul talks about the creative process, about trusting God rather than trying to please, and the development of his latest book, Crossroads. Basically, it’s just an interesting conversation with a fascinating person who’s also incredibly gracious and humble.
For many centuries Christmas Day worshippers have been hearing these words as their New Testament reading: “For the grace of God has appeared, bringing salvation to all” (Titus 2:11). Grace, everyone used to know, is foundational to the Christian Gospel.
But this Christmas I’m noticing the surprising version of grace in Les Miserables, already seen by 60 million people as a musical and now as a film. Victor Hugo’s novel may be seen as a story of grace transforming in the life of the common man Jean Valjean and grace rejected in the life of the rigid functionary Javert.
As the story begins, Jean Valjean is being released from 19 winters of imprisonment for having stolen some bread to save his sister’s son from starving. But in the eyes of Javert, Valjean will always be a thief, which is his nature, because he has not learned the meaning of the law. Crushed under this ideological overlay, Valjean sees himself as a slave of the law — in a way remarkably similar to that of St. Paul, who makes grace and law antithetical. The chorus confirms it: “Look down, you will always be a slave.”
In his first job after prison, Valjean is deliberately underpaid. When he objects, the boss says: “Why should you get the same as honest men like me?” (Jesus once told a parable about laborers in a vineyard to open people’s eyes to grace.) Valjean concludes that society has closed every door to him. When he is refused lodging, the innkeeper says: “We’re law-abiding people here. Thanks be to God.” The conservative identification with the law is commonly made in alliance with God, while Victor Hugo seems to understand that the Christian vision identifies grace, not law, with God.