Comedy

WATCH: New Key and Peele Skit Imagines a World Where We Glorify Teachers Like We Do Athletes

Comedy Central / Youtube

Photo via Comedy Central / Youtube

The Comedy Central duo has long been using comedy to challenge injustice. Now they’re tackling education.

The new skit portrays Keegan-Michael Key and Jordan Peele as primetime anchors of “TeachingCenter,” a show meant to mimic ESPN’s flagship athletic program, SportsCenter. The two hosts obsess over new teaching trades, a live draft for teachers, and an in-depth analysis of pedagogical technique. We even get a glimpse at a BMW commercial starring an educator.

Muslim Funny Fest: Using Comedy to Combat Hate

Doha Film Institute / RNS

Dean Obeidallah and Maysoon Zayid. Photo via Doha Film Institute / RNS

“Muslim Funny Fest,” billed as the first-ever American Muslim comedy festival, kicks off July 21 in New York City and runs for three nights.

The fest aims to challenge misperceptions about Muslims and combat hate. It features 15 Muslim comedians — from Dubai native Ali Al Sayed to “America’s Funniest Muslim” Azhar Usman — and there are more than a few familiar names on the marquee.

Co-organizers/comedians Dean Obeidallah and Maysoon Zayid are hoping it will be an annual event, and they may take the show on the road. Their successful annual New York Arab-American Comedy Festival, which features comedians from a range of faiths, enters its 12th year this fall.

Jim Gaffigan's Catholic Comedy

Image via TVLand/RNS

Image via TVLand/RNS

Jokes about somebody’s religious beliefs are often duds.

But jokes about your own religious beliefs somehow push the line between funny and offensive, making room for laughter and, occasionally, sharp commentary.

That’s the philosophy behind The Jim Gaffigan Show, a new series premiering on TVLand on July 15 featuring Jim Gaffigan — the popular stand-up comedian known for his Comedy Central special and the books Dad Is Fat and Food: A Love Story — and his wife, Jeannie.

The husband-and-wife team say their Catholicism — with its daily prayer, weekly Mass, and rosary recitation with their five kids — is such a part of their own lives that not including it in their work would be dishonest.

“It’s part of the story,” said Jeannie Gaffigan, an executive producer of the new show and Jim’s frequent collaborator.

Amy Schumer’s Feminism: And Then What?

Schumer’s strong, emphatic, and well-intended words once again have reduced the feminist cause to the act of sex and a woman’s appearance. She rails against sexual restrictions on women, male sexual dominance, and that weight and beauty define a woman’s worth, all worthwhile topics. But in this extremely powerful and culturally influential speech, I wonder: where is any mention of actual equality?

Why Comedians Can Be Prophets, Too

Photo via Elisanth / Shutterstock.com

Photo via Elisanth / Shutterstock.com

We tend to feel like we really know them when they share so much through their various media. Marc Maron got choked up and started to cry at the end of his interview with Terry Gross. And it felt real. I’m not saying it wasn’t real, but we know only as much as he wants us to know. He has created an artifice of authenticity in his work that feels real enough to us to suggest real intimacy, and this is what we lack so profoundly in today’s culture.

We’re too busy, too scared, too incapable, or maybe all of the above, simply to sit down and have “real conversations” with friends and loved ones like the ones Marc has on his shows. We find something wildly cathartic about the outrage Jon Stewart expresses about current events, and about the depths of apparent vulnerability Louis C.K. offers in his comedy routine and in his T.V. show, Louie. Amy Schumer takes the teeth out of human sexuality by helping us laugh at it, robbing it of some of its power.

Charlie Hebdo: Comedy As an Act of Courage

phipatbig / Shutterstock.com

phipatbig / Shutterstock.com

I love Jon Stewart. I mean, like “maybe jump the fence” love him. His presence on The Daily Show has spoken to and with my generation through some of our most formative years.

And yes, he tells fart jokes (which I also love). And yes, he editorializes, (which is nearly ubiquitous in “legitimate news” streams anyway). But he also often names what people are thinking, feeling, or what they can’t even put into words.

And then he helps us laugh about it, and at ourselves.

On a recent episode of The Daily Show, however, he took a more sober tone when talking about the slaughter in the headquarters of the French satire magazine, Charlie Hebdo. One comment in particular that he made stuck with me, not because it was funny or witty. Rather, it pointed to something we all need to consider more seriously, I think.

'Dear White People:' A Satire of Injustice

A poster for 'Dear White People.' Image courtesy dearwhitepeoplemovie.com.

A poster for 'Dear White People.' Image courtesy dearwhitepeoplemovie.com.

It might be tempting for some viewers to see Dear White People as over-the-top. To see some of its characters as caricatures, or the offensive party that makes up its climax — with white students dressed in blackface — as unrealistic. But it’s not. For evidence, you only need to look as far as the credits, which show photos from similar events at other schools across the country. And when the president of Winchester claims that “racism is over in America,” it doesn’t sound too different from Bill O’Reilly’s similar claim on The Daily Show just last week.

Dear White People is clever, loving, angry satire. It’s a multi-faceted exploration of race in a time when such portrayals are needed, like peroxide on a deep cut. The film sometimes falters in its process, but delivers the goods when it matters most. The fact that it comes so stingingly close to reality is stunning. It’s funny. It’s sad.

Joan Rivers: Wicked Humor with a Jewish Touch

Joan Rivers in 2010. Photo courtesy David Shankbone/Wikimedia Commons.

Joan Rivers in 2010. Photo courtesy David Shankbone/Wikimedia Commons.

Joan Rivers, 81, the acid-tongued survivor of popular comedy and entertainment, died Sept. 4. Who could possibly find it funny?

Joan would have.

Humor, she said, was how she dealt with all life’s triumphs and defeats.

She once said, “I knew I was funny and I knew it was powerful” as early as 8 years old.

Born Joan Alexandra Molinsky in Brooklyn, the daughter of Russian immigrant Jews, she graduated Phi Beta Kappa from Barnard. (“My mother wanted M.D. to stand for Make Dollars.”)

But she couldn’t get a door opened to the stage until she started making the gatekeepers — the agents’ secretaries — laugh.

She worked her way up through New York comedy clubs, over into TV and finally, after seven auditions, onto a stand-up stint on Johnny Carson’s “Tonight Show.” By 1983, she was Carson’s regular guest host until a bitter feud over her competing TV endeavors brought their friendship to an end.

Rivers’ first marriage ended in divorce; her second ended in tragedy when her husband killed himself. Even so, she said, “I enjoy life when things are happening. I don’t care if it’s good things or bad things. That means you’re alive.”

 

New Comedic Documentary Explores Muslims in the U.S.

“The Muslims are Coming” tells the story of a group of comedians who take their

“The Muslims are Coming” tells the story of a group of comedians who take their show to the Bible Belt. Photo via show website.

Muslim stand-up comedy is nothing new. But what makes “The Muslims Are Coming” different is that it portrays what happens when a troupe of comedians performs before red state Americans in such places as Tennessee, Georgia, Alabama, Mississippi, Florida, Arizona, Utah and Idaho.

The documentary by Negin Farsad, an Iranian-American, and Dean Obeidallah, of Palestinian-Italian roots, opened in Chicago yesterday.

God Won’t Mind If We Laugh at Ourselves

Photo by Karen Tapia/Orange County Register.

Director and screenwriter, Tom Shadyac, right. Photo by Karen Tapia/Orange County Register.

“I find hypocrisy all over our lives – especially mine – and certainly in the church. … I think Jesus loves everybody. Everybody. The second we call somebody a ‘nonbeliever,’ we have put a wall up between us and them. They are all children of God.”

With a wink and a crazy-eyed smile, Shadyac was, ostensibly, calling the crowd on its own … uh … baloney.

“Forgive me, I’m personally a little tired – God’s not, but I am – of khaki-wearing, Docker-delivering, Christianity,” he said. “If you’re out there in Dockers or khakis: God loves you, but I’m still a work in progress.”

And, when given the chance, Shadyac gently corrected the tacit implication that Hollywood is Babylon.

“You know what I would say to the church, to you guys, if I had to? ‘Come on. Let’s stop it,’” the director began. “We have become so whitewashed that when I literally say the word ‘ass’ – which is actually in the anatomical dictionary – because we are so born of the Puritan fear [you freak out]. Guess what? God made the ass. He made the ass.

“You’ve just gotta get over that. I don’t believe the world is godless. Because if I believe in omnipresence and omniscience, and I take the Word at its word, that God is in EV-ERY-THING,” he said. “When another person is loving another person, God is all over their lives. I don’t need to judge them and to tell them where God is in or out or what words they need to say. That is not up to me.”

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