Two of the world’s great libraries — the Vatican Library in Rome and the Bodleian Library at Oxford University — have scanned and loaded the first of 1.5 million pages of ancient Hebrew, Greek, and early Christian manuscripts online Tuesday.
The project brings rare and priceless religious and cultural collections to a global audience for the first time in history.
The website is the first step in a four-year project and it includes the Bodleian’s 1455 Gutenberg Bible — one of only 50 surviving copies.
The $3.3 million project is funded by the Polonsky Foundation, which aims to democratize access to information. Leonard S. Polonsky is chairman of Hansard Global PLC, an international financial services company.
How do you get kids to read one of the world’s oldest books? Ask Sally Lloyd-Jones, whose The Jesus Storybook Bible recently passed the critical mark of one million copies sold.
The British ex-pat and now proud New Yorker has never married or had children of her own, yet aims to retell the Bible to something that comes alive for young people.
One of her editors told her once that there are two types of children’s books authors: the ones who are around children, and the ones who are children inside.
“It kind of freed me, because I think I know I’m that second one,” she said. “And I can still write from that place, because my childhood is so vivid.”
Nearly every home has at least one Bible, although few read it.
But 16 percent of Americans log on to Twitter every day. And that’s where author Jana Riess takes the word of God. A popular Mormon blogger at Religion News Service and author of “Flunking Sainthood,” Riess spent four years tweeting every book of the Old and New Testaments with pith and wit.
Now, the complete collection — each chapter condensed to 140 characters — is on sale as “The Twible,” (rhymes with Bible) with added cartoons and zippy summaries for each biblical book.
Her tweets mix theology with pop-culture inside jokes on sources as varied as ”Pride and Prejudice,” “The Lord of the Rings,” and digital acronyms such as LYAS (love you as a sister). To save on precious character count, God is simply “G.”
Experienced as the Butlers were in suffering and loss, they were not prepared for the technologically enhanced torments of old age.
Knocking on Heaven's Door tells what can happen when a person's mind and body endure a series of shocks that would naturally lead to decline and death — except that, through various technological interventions, the body is not allowed to decline along with the mind.
In Professor Butler's case, a major stroke wiped out most of his ability to function independently and set him on the road to dementia. At the same time, his heart was slowing down. A year after his stroke, over the opposition of his primary care physician, Butler was fitted with a pacemaker. His cardiologist strongly recommended it. He needed hernia surgery, the doctor said, and his heart was not likely strong enough to survive the operation. So he had the pacemaker installed, he had the surgery, and he was rewarded with another six years of increasingly hellish existence — not only for himself, but also for his wife and his daughter. His mind was shot. His body would not do what he wanted it to do. But his artificially assisted heart kept relentlessly ticking away.
Author Malcolm Gladwell may not be known for writing on religion. His New York Times best-selling books “The Tipping Point,” “Outliers,” “Blink” and “What the Dog Saw” deal with the unexpected twists in social science research. But his newest book, “David and Goliath: Underdogs, Misfits, and the Art of Battling Giants,” also includes underlying faith-related themes, and not just in the title.
Gladwell said that while researching the book, he began rediscovering his own faith after having drifted away. Here, he speaks with RNS about his Mennonite family, how Jesus perfectly illustrates the point in his new book and how Gladwell’s return to faith changed the way he wrote the book.
The books of Tom Clancy, who passed away this week, contain some of the most detailed description of military weaponry and procedures the public is likely to see. And people want to believe it: Clancy’s world is one in which technology can provide security and the so-called experts can be trusted to protect us. He takes a complex world and doesn’t merely simplify it, but rather creates super humans and super machines that can manage the world’s complexities.
We live in a church context where so many embrace unbiblical either/or understandings of Christianity: Either evangelism or social action, either inward journey or outward journey. And on and on.
It is the widespread onesidedness that makes Rich Nathan’s new book so exciting.
Every so often a fiction book makes a splash in the swamp of Christian literature, which is predominately ruled by non-fiction reads. The Shack by Wm. Paul Young would be one modern example and, reaching back just a bit more, In His Steps by Charles M. Sheldon would be another.
It's happened again.
Frank Schaeffer's And God Said, “Billy!” is a work of Christian fiction that just barely fits into the “Christian” sub-category of fiction. That's not to say it doesn't come with a heavy dose of Christian characters and culture (it does) as much as it is to say, unlike the other must-read fictions of the past that I just mentioned, this book could and should have a much broader appeal. So much so, I almost titled this review, “The Book Everyone Needs to Read ...”.
One of my favorite stories is about the interview I wanted most, but didn’t get.
It was 2005 and I had just signed a contract to write what would be my first book — a collection of profiles of mostly well-known people about their spiritual lives. Artists. Writers. Thinkers. Scientists. The odd rock star.
Sitting in my publisher’s office, she asked me to dream out loud: If I could interview anyone for the project, who was No. 1 on my wish list?
I answered without hesitation: Seamus Heaney.
Reza Aslan begins of his book, Zealot: The Life and Times of Jesus of Nazareth, with a prescient warning: “Scholars tend to see the Jesus they want to see. Too often they see themselves—their own reflection—in the image of Jesus they have constructed” (xxxi).
I don’t think Aslan had himself in mind when wrote that statement, but you should be warned: the Jesus in Zealot is Aslan’s own false construction.
His central thesis is that the Jesus of history, and the God Jesus believed in, demanded violence in the face of political and religious oppression. Here’s one of the relevant passages:
[F]or those seeking the simple Jewish peasant and charismatic preacher who lived in Palestine two thousand years ago, there is nothing more important than this one undeniable truth: the same God whom the Bible calls a “man of war”(Exodus 15:3), the God who repeatedly command the wholesale slaughter of every foreign man, woman, and child who occupies the land of the Jews, the “blood spattered God” of Abraham, and Moses, and Jacob, and Joshua (Isaiah 63:3) the God who “shatters the heads of his enemies,” bids his warriors to bathe their feet in their blood and leave their corpses to be eaten by dogs (Psalm 68:21-23)—that is the only God that Jesus knew and the sole God that he worshipped. (122, emphasis in the original.)
The problem that I have with this passage is indicative of the problem that I have with the way Aslan constructs his Jesus. He constantly picks and chooses which verses from the Bible he uses to support his claim that Jesus was a warrior messiah whose goal was to violently overthrow the Roman and religious establishment. He peels away all passages that conflict with his construction so that he can show us what Jesus was truly like.
Well, what Aslan thinks Jesus was truly like.
I really did not like Michael Pollan's newest offering, Cooked: A Natural History of Transformation. Here are three reasons why:
1. The premise feels phony and staged.
Pollan has said that he is “more at home in the garden than the kitchen” (In Defense of Food), but this modesty about his cooking skills is less than convincing to those who read The Omnivore’s Dilemma, in which he prepared a highly local meal of wild pork cooked two ways, bread leavened with wild yeasts he captured himself, and a sour cherry galette with fruit from Pollan’s own trees.