Commentary

Trump’s trip, then, is the epitome of this unique, sales-based approach that characterized his campaign and administration — a move toward achieving personal, political, and even religious victory, simultaneously. But to what end? The only clear motivation to which I can point is the uncannily vague promise to “Make America Great Again.”

In many conversations I’ve had with my friends who are people of color, it’s clear the church has set itself up in America to mostly benefit a certain kind of person. The white American church is a Western version of the gospel that often manifests as a top-down model that benefits the wealthy. And the more that I learn about my own Native American identity tied to the church, the more I see that truth throughout our nation’s history.

Film critic Alissa Wilkinson writes that “Christian theology is rich and ... full of imagination that's broad enough to take up residence among all kinds of human cultures. It contains within itself the idea that art exists as a good unto itself, not just a utilitarian vehicle for messages.” The Wedding Plan is a prime example of this kind of religious art. It’s a message movie, a window into a culture that makes the specific and personal universally relatable, and still manages to tell a good story. 

Without any input from the centralized government, the Afghan Peace Volunteers build community and share resources. Within Kabul, they arrange inter-ethnic activities and projects, distribute food, educate children, and manufacture heavy blankets to help families survive the harsh winters. They risk their lives to relate with people whom they are told are their enemies.

It is striking to come across a spare, sharp, faith-constructed word like mercy in a discussion of the Constitution by those who wrote and shaped it. It shouldn't surprise us, though — despite their deist tendencies, the framers of the Constitution lived in a culture linked by Christianity as a common bond and area of shared knowledge. The first Chief Justice of the Supreme Court John Marshall furthered this theme by referring to a pardon as "an act of grace."

I barely slept the night of the stabbing. It was a hot night, and I could hear the train tracks through our open windows. The last time I slept (or didn’t sleep) like that was election night. It was freezing, the windows closed, but the same nauseating dread kept my head buzzing, my jaw locked, my eyes open. Except that on election night it was the fear of the world I would wake up to that kept me awake. Now we know exactly what that world looks like.

Power can be transformative, but only if power is suffused with love. As Andy Crouch has written, “Power at its worst is the unmaker of humanity—breeding inhumanity in the hearts of those who wield power, denying and denouncing the humanity of the ones who suffer under power.… Power, the truest servant of love, can also be its most implacable enemy.”

For many Asian immigrants and refugees, coming to the United States wasn’t fully voluntary, but a result of war and poverty. Just as the Hebrews needed to learn to live as exiles, Asian Americans needed to find a way to make a new home in a new land. While their hardships reflect the difficulty of exile, Jimmy’s and Mary’s familial love and corporate responsibility also model for me how we Christians are to follow Jesus in the midst of this empire.

At first glance, the meaning behind this tagline for Wonder Woman feels obvious, it is the next step on the DC franchise road to November’s Justice League movie. But of course, there’s more to it than that. Wonder Woman marks a feminist milestone, too, one that feels like artistic justice: it’s the first major superhero movie to feature a female hero, and the first to use a female director, Patty Jenkins.