When this book was published, the Committee to Protect Journalists had just named the West Bank as "the worst place to be a journalist."
Culture Watch
I don't usually read memoirs. There are just so many of them out there, and the whole genre seems to have become self-indulgent or uninspired.
Since Sept. 11, country music stations have blared songs like Lee Greenwood's "God Bless the U.S.A." and Aaron Tippin's "Where the Stars and Stripes and the Eagle Fly"
Mohandas K. Gandhi, political liberator of India and Hindu spiritual master, sought to translate Jesus' Sermon on the Mount into a practical political philosophy.
A propensity toward evil within religious communities always provides warning signs, says Charles Kimball, professor, Baptist minister, and expert analyst on the Middle East.
Leaving out my all-time favorites Carlos Santana and John Coltrane, whom I've written about for Sojourners, here are a few cultural artifacts I'm currently excited about.
John H. Timmerman's incisive look at poet Jane Kenyon could use a snappier title because, more than a "literary life," it is a quintessential modern American spiritual journey.
I'm reluctant to mouth off about something like the 30th anniversary of the Watergate break-in and all that followed. It makes me feel old.
Chris Rice, a former columnist for Sojourners, chronicles in Grace Matters: A True Story of Race, Friendship, and Faith in the Heart of the South his years living in Antioch...
Spokane Indian Sherman Alexie often snaps "that's personal" during interviews, yet the characters in his books and films closely follow his own life growing up on the Spokane Indian Reservation...
When Sojourners' CultureWatch editor asked me to write about my "favorite things," I gave a quick "Sure!" It's not often that I get to talk about McDonalds' new "Tangy Cajun Chicken Parts" and that delightful way the flavor seems to stick to the roof of your mouth, even though you'd rather it didn't.
But the editor pointed out that, no, she was more interested in the cultural aspects of my life, the books I'm reading, the films I've seen, what particular collections of poetry I walk past in the bookstore as I hurry to the magazine section that contains lots of easy-to-read photographs. So, culturally speaking, here are some of the more literary aspects of my life, printed in bold face, so if you just skim through it looks like I'm really smart:
Theological Ethics, Helmut Thielicke's brilliant three-volume series on the implied dialectic of freedom and bondage, occupies by far the largest amount of space on my bookshelf. Which is why I moved it the other day when I dropped my slinky. I occasionally use this device to entertain the pets—since my family has developed a keen lack of appreciation for my skills—and I was shocked to distraction by the sight of our rabbit attempting to "be romantic" with one of the cats. That's when I lost control of the slinky and it dropped onto the bookshelf behind several other books that I have never read but which also look good in boldface, including New Testament Greek for Dummies, John Calvin: Years of Laughter, and A Bunch of My Wife's College Textbooks.
The books I have read reflect a broad range of interests. So I won't mention that the last three are all by Tom Clancy, a frothing-at-the-mouth militaristic simpleton who should be ashamed for writing such great stories. His view of our nation's role in history is the exact opposite of Sojourners' worldview, which, while consistently taking the moral high ground, has never once produced a great action novel. (Yes, Sojourners' perspective on globalization is important, but would it be that hard to throw in a little air-to-air combat?)
Washington, D.C. activist, punk rocker, and subversive knitter Jenny Toomey croons Cole Porter's "Miss Otis Regrets" on The Executioner's Last Songs, a new collection of eerie, gruesome songs from Bloodshot Records. In Toomey's rendition, it's easy to imagine yourself as Miss Otis's forgotten lunch date: Waiting at a table for two, you've already ordered tea, straightened your linen napkin, and read every line of the menu. "Where is she?" you wonder.
It's as if Toomey has entered the restaurant to tell you the news herself: "Miss Otis regrets she's unable to lunch today, madam/ She's sorry to be delayed." Hers is a prim voice for delivering such chilling news in a tearoom: "Last evening down on lover's lane she strayed/ When she woke up and found that her dream of love was gone/ She ran to the man that had led her astray/And from under her velvet gown/ She drew a gun and shot her lover down." It's a sparse, matter-of-fact revelation of lust, lost honor, fury, murder, and vigilante restitution, delivered in a quiet, deadly voice.
Like "Miss Otis Regrets," the tunes on The Executioner's Last Songs—a benefit album for the Illinois Death Penalty Moratorium Project—subtly disturb lunch dates and complacent music listening. They also undermine America's cultural acceptance of capital punishment as a civilized and appropriate form of justice. The 18 "death" songs—written by the likes of Hank Williams, Johnny Cash, Merle Haggard, and Bill Monroe—are sung by Steve Earle, the Waco Brothers, Rosie Flores, and Neko Case, among others.