China is experiencing “one of the great religious revivals of our time,” Johnson writes. “Across China, hundreds of temples, mosques, and churches open each year, attracting millions of new worshippers. … Faith and values are returning to the center of a national discussion over how to organize Chinese life.
“This is not,” he continues, “the China we used to know.”
Melissa Grajek was subjected to all kinds of taunts for wearing the hijab, but an incident at San Marcos’ (Calif.) Discovery Lake sealed the deal.
Her 1-year-old son was playing with another boy when an irate father saw her and whisked his son away, telling Grajek: “I can’t wait until Trump is president, because he’ll send you back to where you came from.”
The man then scooped up a handful of wood chips and threw them at Grajek’s son.
A GRIZZLED LAW enforcement officer, days from retirement, looking for one last challenge. A team of bank robbers, one with noble(ish) motivation, the other psychopathic. Great American vistas to enforce the notion that what we’re watching is Important. So far, so clichéd.
But Hell or High Water, Taylor Sheridan’s script directed by David Mackenzie, brilliantly transcends such hokum in favor of utterly honest dialogue, a plausible plot, and real settings. The drama, as embodied in career-highlight performances from its leads, takes on an almost-Shakespearean gravity. Two brothers steal from a bank that’s been stealing from them. People get hurt, but they were hurting already, so who cares? And the Old Man of the West experiences the lack of resolution that may result from even the most dogged pursuit.
Marcus (Jeff Bridges) and Alberto (Gil Birmingham), Texas Rangers chasing bad guys, have known each other for years. Marcus ignorantly throws racial insults at Alberto, believing them to be affectionate, while Alberto quietly winces. The memory of land theft and genocide is in Alberto’s bones, his half-Mexican, half-Comanche personhood betrayed by the forebears of the very authority he seeks to uphold.
Meanwhile, Toby (Chris Pine) and Tanner (Ben Foster) rob branches of the bank that’s been trying to manipulate their family. Like all families, it’s a family with secrets, but the lack of healthy community bonds has allowed those secrets to wreak havoc on the lives of its members. There’s no support for moving beyond the trauma of a violent upbringing, just resignation to things as they are and belief that maybe a bit of money could get them out of it. A bleak Texas standing in for a bleak America, one in which the aching desire to connect is buried under economic desperation and get-rich-quick schemes. Even the church is in on it—a televangelist merely replicates the system of social inequality and betrayal of trust. People need help, but no one shows them how to ask for it.
Whenever I give talks on the effects of the Israeli occupation on Palestinian livelihood, the status of nonviolence as a means to resisting the occupation, and how I believe nonviolence is the only way to move forward to resolve the conflict and create a lasting peace between Israelis and Palestinians, one of the first and immediate questions I get from foreign visitors to my office in Bethlehem is, What you said is good, but what about the Muslims? Do they also believe in nonviolence? Do they understand it?" Even if I don't mention religion in my presentation -- and I rarely do -- this question always seems to make its way in our discussions.
In recent weeks, Facebook and other social media have clearly demonstrated their capacity to do far more than just allow us to keep in touch with our family and friends. They have proven to be powerful organizing tools, capable of assisting in the creation of broad international movements for social change. Social media has proven to be a particularly powerful tool in countries in which basic democratic rights such as a free press and the right to assembly are severely restricted. At the same time, Facebook and YouTube are increasingly rendering international borders as meaningless. Western media coverage of the recent popular uprising in Egypt consistently emphasized the catalytic role of Facebook in galvanizing youth and young adults to take action against an entrenched regime that had long been viewed as impenetrable. In the days after Mubarak's departure, both the New York Times and The Los Angeles Times published lead stories describing the role of certain Facebook pages in not only serving as a call to action, but as a space in which emerging activists in Tunisia and Egypt were able to share lessons with each other. These young activists had not only managed to evade the reach of both nations' security police, they had also sidelined older opposition parties such as the Muslim Brotherhood in Egypt.