The Mark of True Faith
Truth Speaks to Power: The Countercultural Nature of Scripture. Westminster John Knox
What will it take to push back climate change? A Spirit-driven 'power shift' might be a key.
The Economy for Desire: Christianity and Capitalism in a Postmodern World. Baker Academic
The need for the common good has never seemed so timely.
Like the masses, we flocked this past weekend to the megaplex for the opening of another would-be blockbuster, pleased to discover that the much-heralded and sometimes-maligned Oz prequel is even more good and wonderful than it is great and powerful.
Acting, plot, intrigue, color, mystery, and special effects: all these measure-up under the fantastic mastery of director Sam Raimi. But beyond the eye-candy, sensitive audience members might be as mesmerized by the movie’s deeper myth and redemptive meaning as by its cinematic technique.
Of course, if we remember the original movie and its myth, the wizard has issues, for there’s a man behind the curtain who is much more about a confession of subdued humility than a profession of supernatural agility. The prequel takes us back before the main myth — to see the man inside the man behind the myth.
Somewhere in the magical middle of this movie, the not-yet-wizard Oscar Diggs (James Franco) makes his confession: “I'm not the wizard you were expecting, but I may be the wizard you need.” We can apply this maxim everywhere. This truth uncovers the human simplicity of the Oz legend and its relevance to all our longings in realms related to power and spirit.
The Rich and the Rest of Us: A Poverty Manifesto. SmileyBooks
Building community and clout through congregation-based organizing.
A small congregation in Kentucky demonstrates how your church may have more money—and power—than you think.
First, we had CIA Director David Petraeus being held over the fire for a possible affair with his biographer, Paula Broadwell. Then General John Allen, the top-ranking U.S. Commander in Afghanistan, drawn into the drama as allegations of indiscretions of his own with Jill Kelly (the credibility and severity of which remains to be determined), who also is linked to Ms. Broadwell and the related Petraeus drama. Then there’s rumor of FBI agents sending shirtless pictures of themselves to women and … anyway, you get the idea.
As if all of that wasn’t weird enough, now there’s the matter of Kevin Clash, inventor of and voice for Sesame Street’s Elmo, being accused by a young man of having an illicit relationship while the accuser was underage. The man has since recanted his claim, but not before Clash admitted to a consensual encounter with the accuser when he was of legal age, if just barely.
Why do they do it?