Hillsong

Australia's Hillsong Church Exports Its Influence Through Praise and Preaching

Senior Pastors Brian and Bobbie Houston in prayer at Hillsong Church. Photo via RNS/courtesy Hillsong Church

The ubiquitous praise song “Shout to the Lord” can be found in many churches across the U.S. on any given Sunday. What fewer people realize is that it comes from a church in the outskirts of Sydney, with a Hillsong brand that is spreading across the globe.

Hillsong Church has combined Christian rock, charismatic energy, and Australian accents to create a winning combination in major cities across the globe. On Sunday at their main campus just outside of Sydney, children and adults swarmed a petting zoo for children and coffee stations outside the glass entrance as volunteers gave out balloons celebrating the 30th anniversary of one of the most globally influential churches.

A New Wave

FOR ANYONE who’s sick of explaining that not all evangelicals are flag-waving, Quran-burning, gay-hating, science-skeptic, anti-abortion ralliers, The Evangelicals You Don’t Know: Introducing the Next Generation of Christians provides a boost of encouragement. Written by frequent USA Todaycontributor Tom Krattenmaker, this who’s who of “new-paradigm evangelicals” explains how a growing movement of Jesus-followers are “pulling American evangelicalism out of its late 20th-century rut and turning it into the jaw-dropping, life-changing, world-altering force they believe it ought to be.”

Unlike their predecessors, these new evangelicals are characterized by a willingness to collaborate with members of other religions and no religion for the common good, warm acceptance of LGBTQ folks, a rejection of the dualistic pro-life vs. pro-choice debate, and a desire to participate in mainstream culture rather than wage war against it. All this “while lessening their devotion to Jesus by not a single jot or tittle.”

Admittedly, the book’s cover photo doesn’t quite do justice to Krattenmaker’s observations. Featuring young worshipers in a dark sanctuary with hands uplifted and eyes closed, each apparently lost in a private moment of four-chord progression praise, the cover looks more like a Hillsong worship concert circa 1998 than cutting-edge 2013 evangelicals. (If you’re unfamiliar with the four-chord progression, Google “how to write a worship song in five minutes or less.” You’re welcome.)

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