Clutching a Bible in one hand and a walking stick in the other, Pastor Stephen Lenku Tipatet traverses the plains of Kajiado County, fighting female circumcision and propounding on the Christian gospel.
The region is the homeland of the Maasai, an indigenous community in Southern Kenya and northern Tanzania. The community has resisted modernity and Western influences, and clings to their traditional way of life, including the practice of female genital mutilation, or FGM.
“Princes shall come out of Egypt; Ethiopia shall soon stretch out her hands unto God.” -Psalm 68:31
The Bible is a multicultural book. This statement may sound controversial but archeology, history, and the text prove it to be true. In 2013 this controversy played out in the media when viewers of The Bible miniseries were upset that Samson was played by a black man. A second controversy occurred when a Fox News broadcaster confidently declared that Santa Claus and Jesus were white, yet when people researched original depictions of Saint Nicolas, they found pictures of a dark brown man. It appears that our faith has been distorted. As we celebrate Black History Month and prepare for Lent, how can uncovering the black presence in the Bible aid us in mourning against the sin of racism? One of the effects of racism is the whitewashing of history and sadly this has taken place even in our biblical studies.
The Roman Catacombs show biblical scenes painted by first- and second-century persecuted Christians, and their paintings clearly show people of color. What would Roman Christians gain from painting these characters black? What did these early Christians know and accept that seems unbelievable today?
When I think of weavers, what comes to my mind are the ladies in the back of the knitting store in my Southern California hometown, the ones who hang out on weekend afternoons with their handlooms – weaving cloth shawls, blankets, or the occasional modern tapestry.
Here, weaving is, by and large, a pastime. Some would call it an art form. The ladies in the back of the knitting shop are craft weavers. We might consider them "artisans" and laud them for mastering the truly ancient craft.
In the West, machines do most of the commercial weaving, not people. In Ethiopia, and elsewhere in the developing world, handloom weaving is most often an occupation for men and one that isn't usually heralded for its artistry. Weaving isn’t a prestigious job and, by and large, those who weave are the working poor.
Back home in California, we recently purchased one of those one-cup-at-a-time Kuerig coffee makers after running through two high-end traditional coffee machines in 18 months. (Two writers in one house equals a high rate of coffee consumption.) While I think it was the proper choice for us – we waste less coffee this way, and have bought one of those reusable pods so that we’re not always using recyclable-but-still-plastic-and-not-terribly-ethical disposable pods pre-filled with the coffee of our choice.
I brought home a pound or so of ground coffee from Ethiopia and we’ve tried to get the amount of grounds and water pressure just right to replicate the drink I’d had in Africa.
Ethiopian coffee ceremony a la Keurig is too fast, too easy, and much too weak in myriad ways.
In coffee ceremonies back in Africa, the beans were ground by hand with a mortar and pestle. They’d be uneven. Chunky. When steeped, the coffee needed to be sieved over and over to make the final product perfectly potable. It took time, patience, and a practiced hand. It also required a different kind of regard for the act itself: the woman preparing the coffee wasn't simply making a drink. She was presiding over something humble and holy.
Even if I could replicate the grounds (I do have a Le Creuset mortar and pestle that mostly serves as decoration on my kitchen window sill), and sieved the elixir until it was just right, it still wouldn’t be.
Why? No frankincense and all the sacred intention that comes with it.
The band may be taking a well-deserved break from touring and recording, but U2 fans still have a new album to relish just in time for Thanksgiving.
Ǎhk-Toong Bāy-Bi Covered features cover versions of U2's famed 1991 album Achtung Baby featuring renditions by Snow Patrol, The Fray, Patti Smith, Damien Rice, Depeche Mode, Jack White, The Killers and others.
And all proceeds from the album's sales will go to help some of the estimated 13.3 million Africans suffering through the worst drought and famine in 60 years.
With 35,000 churches and monasteries and 500,000 clergy in Ethiopia, the Orthodox Church is poised to send messages into the most remote parts of that country to prevent HIV and to fund ministries to treat the infected. The International Orthodox Christian Charities, the humanitarian aid agency of Orthodox