Back in 2005, Africa was a recurring theme of U2's worldwide Vertigo tour, where Bono’s campaigning for debt relief, trade justice and immediate intervention in the AIDS pandemic — each fueled by his following of Jesus — met in his music in indelibly powerful collision of faith, justice, and art.
When Bono and his bandmates played “Where The Streets Have No Name,” the most amazing mass of colors dropped from the rafters as millions of Willie Williams-designed, light bulbs descended from the rafters to form stage’s back drop and a modern-mosaic high-tech screen. Then came the flags of each African nation in the most moving light show I’ve ever seen.
During the razzle-dazzle on stage, Bono made his claim,
“From the swamp lands of Louisiana to the high hills of Kilimanjaro, from the bridge at Selma to the mouth of the Nile…AFRICA…AFRICA…AFRICA…the journey of equality moves on, moves on…AFRICA…from town centers to townships…sacred ground, proving ground…”
The link between the Martin Luther King Jr. (the Doctor of the Deep South of America’s inequality) to Desmond Tutu and Nelson Mandela (the Archbishop and President of Africa’s inequality) was particularly potent art.