Culture

Cathleen Falsani 4-03-2013
Marcus Mumford in Verona, Italy. By Andrea Sartorati / Flickr.com

Marcus Mumford in Verona, Italy. By Andrea Sartorati / Flickr.com

Labels can be helpful when, for instance, applied to cans of soup or barrels of toxic waste. But they are less so when affixed to human beings – particularly when labels are meant to summarize, indelibly, one’s spiritual identity.

In a recent Rolling Stone interview, Marcus Mumford, the 26-year-old lead singer of the wildly successful British band Mumford & Sons, raised the hackles of religious folks (in some quarters) when he declined to claim the “Christian” label as his own.

You see, Marcus is the son of John and Eleanor Mumford, who are the national leaders of the Vineyard Church in the U.K. and Ireland, an arm of the international evangelical Christian Vineyard Movement. Last year, he married actress Carey Mulligan, whom he’d met years earlier at a Christian youth camp.

And the music of Mumford & Sons, for which Mumford is the main lyricist, is laden with the themes and imagery of faith – often drawing specifically upon the Christian tradition. They explore relationships with God and others; fears and doubts; sin, redemption, and most of all, grace.

Tripp Hudgins 4-03-2013
Light trails from fast-moving cars, ssguy / Shutterstock.com

Light trails from fast-moving cars, ssguy / Shutterstock.com

Nuanced or not, are Christians, especially evangelicals, perceived as being against things like peacemaking? Or is it that their version of peacemaking is backward looking toward some halcyon day of yore (or 1950s America)? At this point in the book, Rob spends a lot of time walking us through the development of justice in the Bible from “eye-for-an-eye” to “turn the other cheek.” I want you to read this chapter for yourself and make your own conclusions about what Rob sees and tell me if you see it, too.

Rob's thinking is that people are gradually cluing in to God's vision of a world without retributive violence. “Revenge always escalates,” he writes. Always.

Adam Ericksen 4-02-2013
Cross shadow on earth, Cardens Design / Shutterstock.com

Cross shadow on earth, Cardens Design / Shutterstock.com

Tripp Hudgins touched on something in his post yesterday that is essential to this discussion about Rob Bell and his book What We Talk About When We Talk About God. He wrote:

Why does Rob write this stuff? Whose side is he on? Yours. Mine. Ours … Rob is on everyone’s side. He’s trying to live like the God who meets him when he’s surfing, hanging with his kids and friends, walking along the city streets, or doing just about anything.

Tripp, how can you say such a thing! “Rob is on everyone’s side”? How could Rob possibly be on the side of those who ruthlessly criticize him?!? I’m sorry my friend, but that’s just ridiculous and absurd.

And yet the ridiculous and absurd is at the heart of the Christian message. I hope that Rob is for everyone. Not because I need Rob to be on my side, nor because I need his approval or acknowledgment. (Although, I wouldn’t mind it!) Rather, I hope it’s true because at the heart of the Christian message lies the ridiculous, absurd, and even scandalous message that God is for everyone.

Tripp Hudgins 4-01-2013
Young woman meditating, Luna Vandoorne / Shutterstock.com

Young woman meditating, Luna Vandoorne / Shutterstock.com

It's the Monday after Easter, and I couldn't think of a better day to talk about God being with us. Adam Ericksen wrote about the dance of doubt and faith on Good Friday, the challenge and beauty of embracing the fullness of the journey. Rob takes that all one step further in this chapter: With.

There is, I believe, another way to see God, a way in which we see God with us— with us, right here, right now. This isn’t just an idea to me; this is an urgent, passionate, ecstatic invitation to wake up, to see the world as it truly is. 
(Kindle Locations 1201-1203)

Suddenly I have “Right Here, Right Now” by Jesus Jones playing in my head. Excuse me for being a child of the 80s.

My take-away? This God doesn't choose sides like we do.

Adam Ericksen 3-28-2013
Faith and doubt,  iQoncept / Shutterstock.com

Faith and doubt, iQoncept / Shutterstock.com

(The Controversial figure Rob Bell has created another firestorm with his latest provocative book What We Talk About When We Talk About GodRaven Foundation Education Director, Adam Ericksen and Tripp Hudgins will share our thoughts on the book in this blogalogue. We invite you to join the discussion by leaving a comment below.)

Tripp Hudgins always gets me thinking. He is right that Rob’s chapter “Open” in What We Talk About When We Talk About God is about science and religion but that it’s also not about science and religion. This is the longest chapter of the book, and it’s full of scientific information that points to the mystery of the material world. What’s the point? As Tripp states, Rob is “asking for a little humility. He’s asking for a little poetic imagination. He’s asking for curiosity.”

That’s the point of the next chapter, too. Titled “Both,” in this chapter Rob points out a major problem we have with “God-talk.” That problem is language. Tripp set me up for this at the end of his post by asking, “Are words actually enough? Ha! Write about that. Words. Words. Words.”

When I was in seminary I learned about apophatic theology, or negative theology. It tries to define God by what God is not. A 9th century apophatic theologian named John Scottus Eriugena asserted, “We do not know what God is. God Himself does not know what He is because He is not anything. Literally, God is not because He transcends being.”

Jim Wallis 3-28-2013
Jim Wallis at the Lincoln Memorial. Photo by Brandon Hook / Sojourners

Jim Wallis at the Lincoln Memorial. Photo by Brandon Hook / Sojourners

A revealing thing happens when you remove yourself from the daily drum of politics and become a mere observer. I did just that last year, during some of the most divisive moments of the presidential election. Sitting back and watching the deluge of insults and accusations that feeds our political system, I witnessed the worst of us as a nation. And I came to the conclusion that it’s time to reframe our priorities.

When did we trade the idea of public servants for the false idols of power and privilege? When did we trade governing for campaigning? And when did we trade valuing those with the best ideas for rewarding those with the most money?

We’ve lost something as a nation when we can no longer look at one another as people, as Americans, and — for people of faith  — as brothers and sisters.  Differing opinions have become worst enemies and political parties have devolved into nothing more than petty games of blame.

During a three-month sabbatical, observing this mess we’ve gotten ourselves into, I prayed, meditated, read — and then I put pen to paper. The resulting book gets to the root of what I believe is the answer to our current state of unrest. It is not about right and left — or merely about partisan politics — but rather about the quality of our life together. It's about moving beyond the political ideologies that have both polarized and paralyzed us, by regaining a moral compass for both our public and personal lives — by reclaiming an ancient yet urgently timely idea: the common good.

Tripp Hudgins 3-28-2013
Open-mindedness illustration, yeahorse / Shutterstock.com

Open-mindedness illustration, yeahorse / Shutterstock.com

This is going to be a problem. This chapter on faith and science and quantum mechanics is going to be a problem. Why? Well, because this faith and science thing has been done to death. Did you know that the Vatican has an observatory and that one of the authors of Red Shift Theory was a Jesuit? Yep. The famed Scopes Monkey Trial was more than a century ago and those of us in the Protestant Mainline have long ago made peace with it. The Vatican apologized for the oppression of scientists, most specifically it said that Galileo was right. Scientific inquiry and Biblical interpretation are not the same thing. So what's Rob's purpose for this chapter?

Well, it's manifold. He's an evangelical. He's writing in some ways to other evangelicals, specifically those who have felt cut off from the tradition. Here in the States, the classic evangelical line holds echoes of the arguments used during the Scopes Monkey Trial. Some in that Christian tradition are still fighting that fight. Heck, some progressives are, too. Powerful (if false) dichotomies have been established. 

Caleb Bell 3-19-2013
Satan in the miniseries “The Bible.” Photo courtesy of The History Channel

Satan in the miniseries “The Bible.” Photo courtesy of The History Channel

The producers of History Channel’s The Bible fended off claims Monday that the actor who plays Satan in the miniseries resembles President Barack Obama.

Executive producers Mark Burnett, who created Survivor, and his wife, the actress Roma Downey, described the comparisons as “utter nonsense.”

“Both Mark and I have nothing but respect and love for our President, who is a fellow Christian. False statements such as these are just designed as a foolish distraction to try and discredit the beauty of the story of the Bible,” according to a statement from Downey, who starred in the television show Touched by an Angel.

Mehdi Ouazaani, the Moroccan actor who portrays Satan, has played satanic roles prior to his work on The Bible, the statement said.

The social media sphere blew up with the comparison Sunday night, which was touted by  conservative commentator Glenn Beck, among others.

The Editors 3-18-2013

Three years after the 2010 earthquake devastated Haiti, the impoverished island nation is still struggling to rebuild. The ruins include Notre Dame de l’Assomption, Port-au-Prince’s renowned cathedral.

Hope abounds, however, as the capital city seeks to reconstruct this sacred place of worship. Edwidge Danticat’s “House of Prayer and Dreams,” in the April 2013 issue of Sojourners magazine, beautifully illustrates why the cathedral is central to the city’s past, present, and future.

Ed Spivey Jr. 3-14-2013

Art by Ken Davis

THE DAY BEFORE President Obama's second inauguration (campaign code name: "Neener, neener, neener!"), Republican Sen. Mitch McConnell sent an email to constituents with a message somewhat lacking in a spirit of new beginnings: "The gun-grabbers in the Senate are about to launch an all-out assault on the Second Amendment. They're coming for your guns."

This is disturbing. I don't have any guns, but I'm looking for places to hide them. And without guns, how will I protect my family from the coming assault? Can I hold off federal agents by flinging small appliances at them? Those I've got. In fact, I just got a new hand mixer. It's black and sleek, like the helicopters that will soon be circling over our homes. (Helicopter tip: Make sure the rotor blades have completely stopped before licking off the icing.)

Under Obama's new proposals, I'll probably have to register my appliances, or at least submit to a background check before I buy another one. Although I've heard you can avoid that if you get them at private appliance shows.

This latest attention to gun control prompted National Rifle Association leader Wayne LaPierre to take the stage and, looking directly into the eyes of the American people, vehemently deny that he is French. Additionally, he helpfully pointed out that "the only thing that stops a bad guy with a gun is a good guy with a gun." Or was it the other way around? To be honest I'm not sure what he said, because I got distracted by the wild look in his eyes, and the bits of saliva that gather in the corners of his mouth whenever he talks about guns. This guy really likes guns.

What I would ask Mr. "LaPierre" [giggle]—while keeping both hands out where he could see them—is this: How do you stop a good guy with a gun who's having a bad day? Or what if he's really depressed or angry at his boss for not allowing him to wear camouflage clothing to staff meetings?

Min-Ah Cho 3-14-2013

SOME BOOKS MAKE you want to sit down with the author on a sunny afternoon for a nice cup of tea. You would be excited to talk about how the book resonated with your own journey. For me, From Willow Creek to Sacred Heart: Rekindling My Love for Catholicism, by Chris Haw, is such a book.

Haw, a young, passionate, and deeply self-reflective theologian, shares his spiritual memoir. Part one recounts Haw's faith journey from a childhood as a lukewarm Catholic to teenage years at the evangelical megachurch Willow Creek, to college—including brief but powerful months in Belize, as well as days of protest against the Iraq war—and eventually to his present life in the apocalyptic landscape of Camden, N.J., where he returned to the Catholic Church.

Part two presents Haw's theological reflections on a variety of questions he has raised along his journey. He also focuses on common objections against the Catholic Church, such as the nature of the Mass as a sacrifice, the church's reliance on human tradition over the Bible, its hierarchical system, alleged ritualism, embellished architecture and ornaments, devastating scandals—including child molestation—and so on. Haw explores such challenging issues thoughtfully and courageously, while humbly accepting that he still struggles with them. Despite it all, Haw longs to see beauty and hope furthered through the Catholic Church.

I am a Catholic convert. I was raised in a Methodist family and trained in Protestant seminaries. By the time I decided to convert to Catholicism, I was starting my first year in the doctoral program of theological studies at Emory University. Feminist theology played a central role in both my theological education and spiritual formation, and it continues to today.

Mary Kate MacIsaac 3-14-2013

IN EARLY AUGUST 2010, 10 aid workers were murdered, execution-style, in the province of Badakhshan, in northeastern Afghanistan. Among them were six Americans, two Afghans, a Briton, and a German, all part of a medical mission. It was the deadliest attack on aid workers the country had seen.

Dan Terry, 63, an American humanitarian who, with his family, had called Afghanistan home for more than 30 years, was among the dead.

What compels a person to risk his or her life in a foreign land so riddled with conflict? For Terry it was simple—he was called to a life of peacemaking and service.

A friend of Terry's since childhood, writer Jonathan Larson draws us into Terry's passionate character and the vision he shared with friends in Afghanistan: reconciliation and dialogue. "In the end, we're all knotted into the same carpet," Terry was fond of saying. From a swath of interviews with family, friends, and colleagues, both Western and Afghan, Larson has assembled "oral narratives," sharing with us the exhilarating life of a generous and gentle man, heroic but humble.

The best advice I received as a humanitarian aid worker in Afghanistan was from a leader cut from the same cloth as Terry: "Make no assumptions" and "listen first." We too often accept media caricatures of the other, labels that shut down discourse and clamp off possibility and hope. Challenging this, Terry insisted on the unwavering potential of each person he met. "Categorical 'enemies' have rescued me ... again and again," he once wrote to friends.

Andrew Wilkes 3-14-2013

DANIEL BELL'SThe Economy of Desire juxtaposes Christianity and capitalism, situating both in the context of postmodernity. The main argument of the book is that performing works of mercy—both corporal and spiritual—constitutes an alternative economy that can resist capitalism. Capitalism, in Bell's construal, is an economic system founded on voluntary contracts, private property, and an ideological regime where the rule of the market transcends the rule of law and disregards the reign of God in Christ.

The author draws on the work of philosophers Michel Foucault and Gilles Deleuze to set up a philosophical framework for talking about power and desire. His treatment of Foucaultian insights on the ubiquity of power is meant to decenter the state as the primary engine of social change. Deleuze's work builds on Foucault's argument by conceptualizing people—and society at large—as flows of desire. Taken together, the claim is potentially but not necessarily democratic: Social structures organize desire in particular ways and are malleable due to the fact that power resides not only in the state or market but in the relational networks of everyday people. Under this account, for instance, the typical presidential election is not simply about securing votes, but about directing the aspirations and actions of the electorate toward a collective passion for growing the economy, expanding the middle class, and so on. Capitalism, for Bell, secures our loyalty because it shapes what we do as well as what we desire.

A few strengths of the book stand out. It contains a lucid discussion of the difference between commutative (fair contracts) and distributive (fair proportion of wealth, power, and other goods) justice within society. The scope of the author's analysis is also impressive. Bell substantively engages the arguments of diverse figures from Adam Smith, Milton Friedman, and Friedrich von Hayek to Augustine, Thomas Aquinas, and Martin Luther. Moreover, Bell's contention that proponents of capitalism effectively deny the possibility of social holiness is worth the price of the book.

Gareth Higgins 3-14-2013

A scene from the video game Call of Duty.

THE CEO OF one of the world's most popular video-game manufacturers recently denied any relationship between his products (some of which have their users re-enact mass slaughter) and real killing. The substance of such denial appeared to some to be no more complex than "because I said so, and some other people agree with me." Meanwhile, in the immediate aftermath of the Aurora movie theater shootings last year, Hollywood producer Harvey Weinstein called for a summit of directors to discuss their imaginary guns. He later acknowledged that "I don't have the answers to these questions. ... They're so complicated; you need people with better facts and intelligence. In this situation I have to be a follower, not a leader." Refreshing humility from someone better known for bluster and self-assurance, now opening a door to a conversation on which lives may depend.

Film critics, too, have a responsibility to contribute to this conversation, so let me propose some ideas:

1. Portrayal and advocacy are not the same thing. The violence of Reservoir Dogs and Looper may be visceral, but it tells the truth about the suffering that guns and knives can inflict and may help people think twice about enacting real violence. The violence ofHome Alone andTransformers may be cartoonish, but it lies to the audience and may fuel appetites for further destruction.

2. The shape of the narrative arc may be more influential than any particular acts of violence. Our culture seems to be addicted to the idea that order can be brought out of chaos by ultimate force, that violence can literally "cleanse the world." This myth—this religion—shows up everywhere, not just in the movies. Indeed, it is a keystone of our politics. The best thing movies can do about it is to tell a different story.

I DON'T OWN any guns, and I've only fired them at inanimate objects, but I live in the country, so guns are a part of my life.

During deer season, the woods around our place sometimes sound like Baghdad circa 2006. We used to have a close neighbor who regularly fired a gun in his backyard, usually on Sunday afternoons—at what, we're not entirely sure. Our family has a three-legged dog that lost his right rear appendage to a gunshot wound. Our kids in Boy Scouts get gun safety training and rifle and shotgun shooting lessons in a program certified by the National Rifle Association.

So when the gun control debate heats up, as it has since the Sandy Hook School massacre, I come down with a serious case of mixed feelings. I think rural gun lovers are at least partly right when they say that urban gun control advocates look down on them as ignorant primitives. Many city people, and I'd dare say most urban liberals, don't understand the rural culture of hunting and shooting and can't be bothered to expend the moral energy that act of empathy would require. For me, that part of the gun control discussion pushes the same outrage buttons that go off when an economist says people in dying rural communities just need to move, or when someone else suggests eliminating all farm subsidies from the federal budget. Such comments betray the fact that the speakers neither know, nor care, about rural communities and rural culture.

On the other hand, fear of outsiders is also a part of rural culture. Groups like the NRA, and gun manufacturers themselves, have done a pretty good job of exploiting that flaw, to the point that some of my neighbors are convinced that they need assault weapons to defend themselves against some vague, unnamable "them." And my experience of rural life, which has all been in the South, confirms that this can apply doubly or triply to "outsiders" with a different skin color.

Julie Polter 3-14-2013
New Abolitionists

Refuse to Do Nothing: Finding Your Power to Abolish Modern-Day Slavery, by Shayne Moore and Kimberly McOwen Yim, is a guide to how regular people, juggling the everyday demands of family and work, can become activists fighting human trafficking and slavery. IVP Books

Leaders of the Faith

Different writers pay tribute to the work and witness of Catholic sisters in Thank You, Sisters: Stories of Women Religious and How They Enrich Our Lives, edited by John Feister. These strong, faithful women are inspiring, no matter your tradition. Franciscan Media

Edwidge Danticat 3-14-2013

A rendering of the reconstructed cathedral.

WE WERE LOOKING at cathedrals while others were mourning and burying their dead.

It was the first day of the international design competition that would help choose a few architectural plans that might be used to rebuild Notre Dame de l'Assomption, Our Lady of the Assumption, Port-au-Prince's most famous cathedral. This cathedral was so central to the city that, before it was leveled in the Jan. 12, 2010, earthquake, its turrets could be seen from most places in Port-au-Prince, as well as from the sea, where mariners used a light on the cupola of the church's north tower to help bring their ships home.

During the 2010 earthquake, the Catholic archbishop of Port-au-Prince, Monsignor Joseph Serge Miot, was killed inside an administrative building adjoining the cathedral, along with priests and parishioners. It was the images of their crushed bodies and their loved ones wailing around the perimeters of the cathedral's rubble that motivated me, a non-architect and non-Catholic—but a lover of cathedrals—to agree to join a development strategist, a preservationist architect, a structural engineer, a priest and liturgical consultant, the dean and associate dean of two architectural schools, and the editor of a magazine that discusses the dual issues of faith and architecture to help select three out of the 134 moving, elegant, and in some cases totally out-there designs that we had received from architects all over the world. Among the panelists, three of us were Haitian born, and many of the others had either worked in Haiti or in the Catholic Church for years.

The selection exercise itself was one that mirrored faith, blind faith. We were looking at sketches and plans but had no idea who had designed them. Some of the entries contained written statements that were so moving in their optimism for Port-au-Prince and its 3 million inhabitants, their hopes for Haiti and her people, and their longing for the rebuilt cathedral to serve as a symbol of renewal that they nearly brought me to tears.

Betsy Sholl 3-14-2013

Blindfolded and gagged, tossed in the back
of a car—it's how they gather up young men
and after tire irons and chains, leave some

lying in the road like dirt, rained on all night.
Some are bundled-up, tossed off a bridge
into the river whose muddy swirls warn:

kick, fight, breathe, twist your arms free.
Some do. They rise, spit out the rags
stuffed in their mouths, limp back to town,

and one begins to sing—slow at first— Lord,
I want to be in that number
... Another moans
a low muted tone where words won't go.

DR. JAMES BROWNSON'S book Bible, Gender, Sexuality: Reframing the Church's Debate on Same-Sex Relationships calls us all into a deeper engagement with the Bible itself, exploring in the most thoughtful and thorough ways not just what it says but, more important, what these inspired words of revelation truly mean.

On the one hand, Brownson argues that many of those upholding a traditional Christian view of same-sex relationships have made unwarranted generalizations and interpretations of biblical texts that require far more careful and contextual scrutiny. On the other hand, those advocating a revised understanding often emphasize so strongly the contextual and historical limitations of various texts that biblical wisdom seems confined only to the broadest affirmations of love and justice.

For all, Brownson invites us into a far more authentic, creative, and probing encounter with the Bible as we consider the ethical questions and pastoral challenges presented by contemporary same-sex relationships in society and in our congregations. In so doing, Brownson does not begin by focusing on the oft-cited seven biblical passages seen as relating to homosexuality. Rather, he starts by examining the underlying biblical assumptions made by those holding to a traditional view, and dissecting the undergirding perspectives held by those advocating a revised view.

Brandon Hook 3-04-2013
Maciek Pozoga/Courtesy of the artist

Tame Impala blend psychedelic classlic rock with more modern sounds. Maciek Pozoga/Courtesy of the artist

When I first listened to Tame Impala, I was almost convinced they were the late-60s Beatles reincarnated. Lead singer Kevin Parker’s nasally yet gentle voice sounds about as John Lennon as you’re gonna get.

But Parker makes it work. And Tame Impala, under his leadership, sounds fresh in a world saturated with music. Critics agree that Tame Impala manage to fuse classic psychedelic rock and blues with jazzier and more modern music. And that seems pretty accurate. Ezra Pound urged his modern contemporaries to “make it new” in regard to poetry, and even though Parker’s project may not be entirely or dramatically new, it is innovative.