Books

LaVonne Neff 7-16-2010
That could be the conclusion of an op-ed piece in the New York Times, "Economics Behaving Badly." P
Brian McLaren 7-12-2010
Here are some of my favorite women writers of spirituality and theology in no particular order with short comments on why I recommend them.

Andrew Wilkes 5-28-2010
Our sins are hidden in our sanitation. Last week on the New York subway, I read an article about the connection between sanitation and self-deception.
Tony Campolo 5-26-2010
To make a difference for good in this world a person has to have a sense of place. But few of us have such a sense. We are a people on the move.
Julie Polter 5-17-2010

Kirkus Reviews calls Sara Zarr's third young adult novel,

LaVonne Neff 5-07-2010

"On average," writes Jonathan Safran Foer, "Americans eat the equivalent of 21,000 animals in a lifetime." Alas, most of these animals came from factory farms, n

Rose Marie Berger 5-07-2010

In my daily prayer book, the morning antiphon for today said: "The Lord chose these holy men for their unfeigned love

Debra Dean Murphy 5-03-2010

There's a scene in the film Food, Inc. that reveals the hypocrisy at the heart of U.S.

Tefi Ma'ake 5-03-2010
One of the best gifts I received when I finished grad school was a book called http://www.amazon.com/gp/product/0805086587?ie=UTF8&tag=sojo_blog-20&lin...
Katherine Paterson 5-01-2010

The summer that I was 17 years old, I, who was born of missionary parents in China, was rooming with a friend whose parents were missionaries in Africa. Although our mothers had been friends long before we were born, Mary and I first met as summer employees at our denomination’s conference center when she came back to the States to go to college. World War II had driven my parents out of China, so I had lived, since the age of 8, in various places in the southern United States.

One night after the day of waitressing was over, Mary began to read aloud to me Alan Paton’s novel Cry, the Beloved Country. At first it was just the sound of Mary’s Africa-haunted voice caressing the beauty of Paton’s language that kept me wide awake and enthralled. But gradually, chapter by chapter, that beauty told me of the unspeakable oppression and tragedy that was South Africa’s story for too many years. I’m not sure exactly when it happened, but suddenly one night the book came alive for me in a new way. I saw for the first time that the tragedy of South Africa was the tragedy of the American South, where I had been blind to the oppression from which I as a white person had been exempt. I began to cry, sob rather, for my own thoughtless sins and the sins of my people.

I look back on those tears as a turning point in my young life. I did not leave all my sins and fears on that wet pillow—I’m still not free from them—but I know my life began to change that night because of a book.

Caroline Gordon, in her book How to Read a Novel, speaks of the reading of a great book as a “conversion experience.” You are not the same person when you finish the last page, she says, that you were when you first sat down to read. I believe, from my own experience, that Gordon is right, and that is why I think reading is so important to our growth as wise and compassionate human beings.

Julie Polter 5-01-2010

The words “hope” and “change” have been taking a beating lately: mocked by some, tarnished in the political sphere by partisan gridlock, seeming like mere illusions to many who need them most. But hope and positive transformation are more profound realities than will ever fit comfortably in the 24-hour news cycle; they germinate in individual hearts and local communities and grow along the long arc of history.

Whether you’re trying to nurture change in your church community, neighborhood, or on a larger scale for our battered, beautiful world, here are some books that can get you started, keep you going, or help you begin again. Because hope, while sometimes down, is never out.

For starters, there’s the new and revised version of Soul of a Citizen: Living with Conviction in Challenging Times, by Paul Rogat Loeb (St. Martin’s Press). Through the stories and voices of dozens of activists from a wide variety of backgrounds and beliefs, Loeb names the psychological and cultural barriers that can stop us from becoming involved in issues that we care about and explores how such hindrances can be overcome. While not writing from a faith perspective, Loeb sees the search for meaning and values as key to the activist life, and includes several people of faith among his interviewees. This thoughtfully researched, engaging book is both grounded and inspiring. First published in 1999, it has been updated to include perspectives and insights from the tumultuous first decade of the 21st century.

It's said that the best children’s literature appeals to the child in the adult and the adult in the child. Below, books for kids of all ages—and grown-ups who are young at heart—that simultaneously inform, challenge, and delight.

Picture Books for Young Children

Preschool to Grade 3

Click, Clack, Moo: Cows That Type, by Doreen Cronin, illustrated by Betsy Lewin. Farmer Brown’s Holsteins presente! When the farmer won’t meet their demands for a warmer barn, the cows go on strike and rally other animals to bargain for better conditions. With goofy illustrations and plot details, the book is far from a heavy-handed treatise on union organizing, but children still take away the importance of speaking up for themselves and others. Simon & Schuster

He’s Got the Whole World in His Hands, written and illustrated by Kadir Nelson. The only words in this picture book are the lyrics to the titular spiritual, but Nelson’s lush illustrations make them sing. Beginning and ending with his place in the vast universe, the book follows a young boy as he flies a kite with his family, enjoys a rainstorm, and imagines life in distant lands. Dial Books

Silent Music, written and illustrated by James Rumford. As bombs fall on Baghdad in 2003, Ali finds comfort in soccer, pop music—and Arabic calligraphy. His pen strokes are embedded in the earthy collage style of the illustrations, with script adorning the background and details of garments. Drawing inspiration from a 13th-century calligrapher who made his art during another invasion, Ali observes that, in contrast to the word “war,” the pen “stubbornly resists me when I make the difficult waves and slanted staff of salam—peace.” Roaring Brook Press