Who can forget Harold Camping, the Christian radio media mogul who picked two dates in 2011, hit the airwaves, put up billboards, solicited money — and nada. He joined some rather famous names — Edgar Cayce, Sun Myung Moon, Jerry Falwell, and Pat Robertson [at least twice, but before he had access to the White House], and John Hagee among them — of failed futurists. Heck, Sir Isaac Newton himself, great astronomer and mathematician, bet that Jesus would return in the year 2000.
As members of the left, we find ourselves wanting meaning, now, no less than did those who voted to Make America Great Again. We want a theodicy. We want answers. We want, in a sense, a religious explanation for how to proceed next.
It would be intellectually satisfying to come up with new narratives. It would also be lazy.
As Christians, what we are called to do is sacrifice that. We go on living. That’s it. We donate, if we choose to; we participate, when we can, in acts of goodness and solidarity and defiance; we rage against racism when we see it; when men grope women on subway platforms we follow the women to comfort them, as happened to me earlier this week. We do dull, good things, and we vote. We love, but do not soothe ourselves with the softness of that love. We deconstruct our own narratives, especially when they make us feel good.
We cry out in the wilderness. But we do not expect answers — not yet, and maybe not ever. If we are called to anything, now, it is do the work of living without them.
Like most interpreters, I believe that apocalyptic thought shaped Jesus’ vision. When he announced the kingdom of God, he meant it (Luke 4:43; 8:1). Jesus understood his ministry as God’s dramatic intervention into human history, a decisive moment that forced people to accept or reject what God was about. Yes, his ministry was meant to bring peace. But in an apocalyptic perspective, peace ultimately follows a period of intense conflict.
The world is falling apart.
Admittedly, the world has always been falling apart—since Christ’s resurrection, we’ve been living in the last age, and the New Testament is full of an apocalyptic expectation—but in our modern world, we seem to be spinning apart even faster. In our pop culture, either “winter is coming” or zombies are. Robots who look just like us are threatening genocide or a perverse “Capitol” is forcing our kids to kill each other. How to Survive the Apocalypse, by Alissa Wilkinson and Rob Joustra, looks at this theme in modern culture and what it might tell us about ourselves.
This is a book written by college professors, and I mean that in the best possible way. They define their terms, keep us engaged, and push us toward engaging the world like the best professors do. And, like all good professors, they are honest about their ideological approach: They are strongly neo-reformed and use Charles Taylor’s opus A Secular Age to interpret the culture that they address.
Indeed, How to Survive the Apocalypse is basically a fleshing out of Taylor’s description of the modern age (and its difference from a pre-modern era) through fictional ends of the world. Wilkinson and Joustra examine individualism and autonomy, a quest for and skepticism of authenticity, and the appropriate source of power (the questions and obsessions that Taylor sees at the root of modernity) through a half-dozen TV and movie apocalypses and dystopias, ranging from The Hunger Games to Her. These questions press all the more in our age, in which we seem to have lost the transcendent.
If this is your first Advent, or if it has been awhile, let me catch you up. Advent is the season of expectant waiting before Christmas. It’s a time to wake up, slow down, sit still, listen, and wait. A kind of expected, engaged waiting, with one another. And the first Sunday of Advent — celebrated on the four Sundays before Christmas — always starts with apocalyptic end-of-world scenarios.
Again, an odd way to start. But I think there is wisdom in it. The ancients saw fit to remind us of the harried, violent world into which the Christ child was born. Which, if we are honest, is also like the world in which we find ourselves.
Violence, brokenness, and heartache can take many forms. Each of us experience the heartache of recent weeks. Maybe it was a year-long affair; or Paris; or a lost job; or mass gun violence; or depression; or Laquan McDonald in Chicago, Ill.; or Garret Swasey in Colorado Springs, Colo.
Editor’s Note: ‘Left Behind’ starring Nicolas Cage hits theaters nationwide on Friday, Oct. 3. The film is based on the wildly popular book series and movies of the same title, in which God raptures believers and leaves unbelievers behind to learn follow Jesus and defeat the Antichrist. So how’s the film reboot?
Sojourners Web editors called up a group of religion writers in D.C. to watch and review the movie together. We left with more questions than answers. Here’s our takeaway on all things ‘Left Behind’ — and a little Nic Cage.
Catherine Woodiwiss, Associate Web Editor, Sojourners: So first things first — why Left Behind again?
When the books were published [starting in 1995], there was a debate happening in Christianity over whether Hell was a real, physical place. And the original movies were produced in the context of 9/11 and the Iraq war. So you can look and say, okay, this was a time of questioning what some saw as fundamental beliefs, of war and terrorism. So the popularity of an end-times series makes some sense.
But why now? Why today?
Editor's Note: Spoilers ahead! You've been warned.
Over the past eight episodes of The Leftovers, HBO’s latest drama based on Tom Perrotta’s play of the same name, viewers have been treated to a case study in grief and faith in the midst of a life-changing event. Unlike the Left Behind series, which incorporated Christian triumphalism with terrible theology, The Leftovers examines the deeper human and spiritual issues of what would happen were two percent of the population to suddenly disappear. It is powerful and beautiful and really hard to watch (especially Episode Five). It asks the question: does life go on when your world is changed forever?
The show offers a variety of responses to the Sudden Departure of October 14: Kevin Garvey, the police chief who seems to be losing his mind after his wife leaves him for a cult and after his father needs to be committed; Nora Durst, who’s lost her entire family, so she keeps everything exactly as it was when the Sudden Departure occurred; Rev. Matt Jamison, Nora’s brother whose faith has been shaken because he was not taken; the town dogs who have become feral; and finally, the creepiest citizens of Mapleton, the Guilty Remnant, or the GR as they’re “affectionately” known.
This past week’s episode gave us a greater understanding of the GR. Although the nihilistic views of the Guilty Remnant are quite different from those of Christianity, I was struck by their powerful and strategic mission of witness. The cult was formed out of the recognition that everything changed on October 14 and that to pretend otherwise was foolish. The group, in their white clothes, their silence, their stripped-down existence, bears witness to the fact that they are living reminders of what happened. They are fundamentalists about their cause and willing to die for it — even if that death comes from their own hands.
Expressions like "the world is getting worse and worse" and "we are living during the end times" are commonly thrown around within evangelical circles, and it needs to stop.
Are things really getting worse? Sure, church attendance might be down, fewer people are identifying themselves as 'Christian' on surveys, and the percentage of atheists continues to rise, but that doesn't mean the apocalypse is right around the corner.
Yet, I continually hear pastors and Christian leaders lament these evil times and Depraved Generation. They emotionally and emphatically condemn this fallen world and seemingly fulfill their own false prophecies by promoting a pessimistic outlook of the future of Christianity — simultaneously validating their theories by judging our future of Christianity: the youth.
The common scapegoat for Christianity's current “demise” is often blamed on young people, who are stereotyped as being more liberal, progressive, post-modern, and susceptible to spiritual relativism than ever before. They're the ones who have bought into the lies of the Emergent church, the temptation of the Prosperity Gospel, the sinfulness of our media-saturated world, and have become addicted to entertainment and denied the inerrancy of Scripture.
First things first: with all due respect to interim host John Oliver, I for one am thrilled to have Jon Stewart back on The Daily Show. I know it is sad to say, but I actually missed him while he was on summer hiatus. Welcome back, little buddy!
Last night, Stewart interviewed Richard Dawkins, author of The God Delusion, who was promoting his newest title, An Appetite for Wonder. The most interesting moments in the interview revolved around Stewart’s question to Dawkins about whether science or religion ultimately would be responsible for hastening our journey down this path of apparent self-annihilation. What followed was a fascinating, if not entirely satisfying, dialogue about the “downsides” of both disciplines.
For thousands of years, select groups of Christians have thought their generation was Earth’s last. Even the Apostle Paul thought Jesus would return in his lifetime. But Paul didn’t have the audacity to pinpoint an exact date for what we call the Rapture. Harold Camping, on the other hand, did.
Apocalypse Later: Harold Camping vs. The End of the World a new documentary that premiered June 8 — exposes wrongful and conflicting beliefs about Jesus’ return by sharing Camping’s concrete opinions of those who didn’t follow his beliefs of the apocalypse. Declaring their spot in hell, Camping was certain that those who didn’t follow his apocalyptic views would spend eternity in damnation.
Apocalypse Later tells the story of Camping, a man who had to let go of his pride and face the reality of joining the dozens of others who have wrongly predicted the end of time.
In the documentary, historian and New Testament scholar Loren Stuckenbruck refers to the apocalypse as a “literary genre,” a “mode of thought,” and “a social movement.”
The film is emotional and shocking, contrasting the scary, more literal interpretations of fundamentalist Christians with the more nuanced hermeneutical approaches of academics like Struckenbruck. The juxtaposition reveals that the tensions and battles that Christians face might not be against those who will be “left behind,” but rather between Christians themselves.
What comes into your mind when you hear the word apocalypse? Most of us think of us think of the total destruction of the world, or at least life as we know it. Think zombies roaming the streets, feasting on brains. On the other hand, my sarcastic generation is doing a pretty good job of using apocalypse as a silly word. I remember a few years ago when we had a large winter storm here in Washington, D.C.; it was instantly dubbed Snowpocalypse!
The English word apocalypse derives from the ancient Greek apocalupsis, which is the original title for the infamous Book of Revelation. Revelation involves a lot of fire, smoke, battles, and things generally blowing up, so it’s understandable that today we would associate apocalypse with end-times battles. However, the word apocalypse contains a much deeper meaning. Far more profound than the long-awaited zombie hordes – or even the end-times prophecies of some churchgoers – this ancient, misunderstood word is an essential tool for comprehending the world we live in.
Apocalupsis is a term that means unveiling – as in setting aside a covering to discover what lies underneath. At the most basic level, the Book of Revelation is about removing the blindfold that the Powers have pulled over our eyes, allowing us to see the world as it really is. Revelation is about unveiling Empire, exposing the ways in which powerful interests destroy the earth and enslave other human beings to promote their own luxury and power. Despite its reputation, Revelation is not about a future-oriented, earth-hating vision of universal destruction. On the contrary, it is a vision of a new creation and universal restoration – the world finally set right and edenic harmony restored in the midst of the city.
OK – great, you may be saying. Nice to know, but how is this relevant to me?
Fair question. It’s true that the Book of Revelation was written almost 2,000 years ago. Those were the days of the Roman Empire – think Ben Hur and Spartacus. For sure, things have changed a lot since then.
Yet, the more things change, the more they stay the same.
It seems that America is on the verge of a zombie apocalypse.
First, Ronald Poppo had most of his face eaten off by Rudy Eugene, and now, Alexander Kinyua reportedly killed his roommate, Kujoe Bonsafo Agyei-Kodie and then ate his heart and part of his brain.
Is it just coincidence that this spate of violent attacks comes when the county’s fascination with zombies is at its height, or is there a connection?
From movies to video games, Zombies are the big ticket these days. The undead top the media charts, gnawing and clawing their way into the forefront of our imaginations. Move over vampires; Zombies are the new black.
It’s hard to say if the pop culture popularity has influenced similar copycat killers, or if the zombie craze simply has made us more sensitive to similar real-life stories. Either way, both the fictional tales and actual news items may speak to something going on in our collective imaginations.
Radio evangelist Harold Camping has called his erroneous prediction that the world would end last May 21 an "incorrect and sinful statement" and said his ministry is out of the prediction business.
"We have learned the very painful lesson that all of creation is in God's hands and he will end time in his time, not ours!" reads the statement signed by Camping and his staff and posted on his ministry's website.
"We humbly recognize that God may not tell his people the date when Christ will return, any more than he tells anyone the date they will die physically."
Polaroid camera are back on the market, apocalypse survival guide, Jack Kerouac for bros, the NBA begins using 3D graphics, the hit show Portlandia, James Franco's new film, classic album covers are given a clip art makeover, and more.