American Promise spans 13 years as Joe Brewster and Michèle Stephenson, middle-class African-American parents in Brooklyn, N.Y., turn their cameras on their son, Idris, and his best friend, Seun, who make their way through one of the most prestigious private schools in the country. Chronicling the boys’ divergent paths from kindergarten through high school graduation at Manhattan’s Dalton School, the documentary presents complicated truths about America’s struggle to come of age on issues of race, class, and opportunity. American Promise is an Official Selection of the 2013 Sundance Film Festival.
I always notice something when speaking to a mostly secular audience. Many people have been so hurt or rejected by the bad religion in which they were raised or have encountered elsewhere over the course of their lives, and, quite understandably, they are skeptical and wary of the faith community. But when someone looks like a faith leader (this is where the ecclesial robe helps ) and says things that are different from what they expect or are used to, their response is one of gratitude and the moment becomes an opportunity for healing.
After I spoke Sunday and joined the circle around the White House, person after person came up to me to express their thanks or simply to talk.
My favorite comment of the day came from a woman who quietly whispered in my ear, "You make me almost want to be a Christian."
Broadcaster Tavis Smiley and Princeton professor Cornel West just wrapped up their 18-city "Poverty Tour." The aim of their trip, which traversed through Wisconsin, Detroit, Washington, D.C., and the Deep South was to "highlight the plight of the poor people of all races, colors, and creeds so they will not be forgotten, ignored, or rendered invisible." Although the trip has been met with a fair amount of criticism, the issue of poverty's invisibility in American media and politics is unmistakable. The community organizations working tirelessly to help America's poor deserve a great deal more attention than what is being given.
The main attack against the "Poverty Tour" is Smiley and West's criticism of Obama's weak efforts to tackle poverty. For me though, what I would have liked to see more is the collection of stories and experiences from the people West and Smiley met along their trip. The act of collective storytelling in and of itself can be an act of resistance.
Being a socialentrepreneur used to be a lonely endeavor. I grew up believing that to be in business meant leaving your soul at the front door -- being ruthless, shrewd, and above all focused on profitability at any cost. But as a businessman, I found myself less interested in the bottom line of profit than in the bottom line of community impact. For example, I started Busboys and Poets as a restaurant and gathering place, but also a social enterprise -- a business with a conscience -- in Washington, D.C.'s U Street neighborhood.
Having grown up in D.C., I was amazed at the dramatic changes that swept various neighborhoods in the 1990s. The U Street corridor in particular was undergoing some of the most vivid transformation.