Mary Oliver Was More Complex Than Her Most Quoted Poetry

Video still from Mary Oliver: Saved by the Beauty of the World. Courtesy of American Masters Pictures/Kino Lorber

I was a Mary Oliver skeptic for a long time. The first time I read “The Summer Day,” with its lines about feeding sugar to grasshoppers and considering your “one wild and precious life,” I found it preposterously sentimental. At the time, I resented being told it was more honorable to spend my time strolling through fields and hand-feeding bugs than to pursue my preferred activities of browsing library bookshelves and hovering over record store discount bins.

Then, a few years ago, I was helping my uncle water his garden when I noticed something out of the corner of my eye. There, balanced on a hosta leaf, was the biggest grasshopper I’d ever seen, about the size of a field mouse. I knew, without a doubt, God had made that grasshopper. More than anything, I wanted to feed it some sugar. That was the moment Oliver’s poetry finally clicked for me—a divine nudge to notice the world’s natural beauty and its intricate systems.

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An image of the November 2026 issue of Sojourners, titled "Face to Face." It features George Lakey on the cover
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