Arts & Culture
In its second season, 'Andor' explores the complications of resisting quiet authoritarianism.
For years, Tabish felt that there was no space for a left-leaning woman in church. But playing Mary Magdalene on TV has helped her carve a new path.
Alex Garland’s new film is being touted as “the most realistic war movie ever made.” Is that a good thing?
The return of Matt Murdock reminds us that neither the law nor vigilantism can offer satisfying justice.
A recent book tries to make the case that empathy is leading Christians astray. What it really reveals is a fear of losing power.
Robert Eggers' update of the vampire classic is a darkly apt companion piece for a season of limbo between death and resurrection.
A Palestinian pastor tries to answer that question in a new book.
In Bong Joon-ho’s ‘Parasite’ follow-up, Mickey is resurrected ad infinitum, humbly accepting the pain, suffering, and dehumanization inflicted on him. Remind you of anyone?
Osgood Perkins’ latest horror film reminds us that hiding from violence won’t make it go away.
Much of the rhetoric surrounding immigration debates is steeped in the language of Revelation, argues New Testament professor Yii-Jan Lin.
Edward Norton’s performance captures the late folk artist’s steady approach to justice — one that serves us well today.
