The images in Real War Stories are as strong and memorable, and sometimes as graphic, as those in its reactionary counterparts.
Culture Watch
I am making an exception to trashing public television as an anti-democratic instrument for Bill Moyers.
These days, more and more workers in all sorts of circumstances are finding it hard to remember why anyone would have ever felt so passionately about a union affiliation.
"Doonesbury" cartoonist Garry Trudeau is having a hard time in the Reagan era; reality keeps outstripping his wildest flights of satire.
"Freedom of the press belongs to the [person] who owns one."
--A.J. Liebling
Yippee! It's another bicentennial, if your constitution can stand it.
This past spring I went to Graceland, the home of Elvis Presley, again. Like millions of other Americans, I've got a thing about Elvis.
1984 is three years past, and the Brave New World is just 20 minutes into the future. That's where the computer-run and video-tranced world of ABC-TV's "Max Headroom" is located.
It's morning in America. Our long national daydream is over. The worm, so to speak, has turned. The Reagan era is history.
Poised at the brink of a new century, Americans are forging bravely into the past. Nostalgia is the order of the day. All the TV classics of the '50s and '60s are back in style.
At about the time this magazine reaches most subscribers, ABC's 12-hour miniseries "Amerika" will be fouling the airwaves.
The Front has Woody Allen in a semi-serious role about a very serious subject -- the blacklisting that went on in Hollywood in the ‘50s.
Jurgen Moltmann focuses on a basic theme from his own Lutheran tradition, namely, the theology of the cross, and elucidates its many aspects in typical German style and thoroughness.
The following list of books can be found in the public libraries of most large cities.