Magazine

Rose Marie Berger 2-26-2021
The dome of the Capitol being entangled by green vines.

Illustration by Matt Chase

FOR ME, FURY has a face. In 1999, I sat in a refugee camp with Kosovar families. They had been driven from their homes ahead of attacking Serb crowds aroused to violence by the cruel and charismatic oratory of then-president Slobodan Milosevic.

Thirty-year-old Hajrija thrust forward this question: “How can I live with this pain that our neighbors who we shared our bread with, who my husband shoveled snow from her walk even before he cleared our own ... asked aloud, in our yard while I was hanging my laundry, how she was going to kill me and my children? She was trying to decide between mortar or sniper. How can I go back and live with this person?” Hajrija was incandescent with fury.

On Jan. 6 this year, I saw the other side of Hajrija’s story—the spectacle of an attacking crowd. Several thousand gathered in front of the White House under the sway of another cruel and charismatic president. Like all such leaders, he deceived the crowd by saying their sacred rights had been stolen; that the enemy wants to “indoctrinate” their children; that if they did not act, the enemy would “illegally take over our country.” He loaded the crowd, aimed them at Congress—then gave the command.

Lisa Sharon Harper 2-26-2021
Legos built together to look like clouds in a blue sky.

Illustration by Matt Chase

HABITS ARE FORMED in response to contextual cues. The stronger the cue, the harder it is for our minds to access alternative responses.

We just spent four years resisting. We became experts at pushing back, filling public squares, locking arms. Some of us also built habits of self-care. We would receive the cue for a big justice push and, without thinking, plan a day of hibernation on the other side. These habits were (and are) beautiful and necessary. But now we live in a new context. The old cues that triggered those habits will come less and less frequently. It is entirely possible that a year from now we could find ourselves coasting on autopilot rather than establishing new habits of dreaming and building what we dream.

By the end of the Civil War, 4 million enslaved people of African descent were sustaining themselves with survival habits cultivated and passed down over the course of 250 years. They found themselves in a brand-new context on April 10, 1865. Survival was no longer the highest goal. Now they were free to dream.

Damon T. Berry 2-26-2021
Illustration of a person falling into a trap that is shaped like the letter Q to represent Q-Anon.

Illustration by Michael George Haddad

FOR MORE THAN a century, evangelical Christians in the United States have frequently and variously imagined an apocalyptic upheaval that would usher in a new world. Evangelicals have had no shortage of appetite for cataclysmic stories, though they have differing interpretations of the biblical texts that describe the “end times,” as demonstrated by the popular appeal of the Left Behind series in the early 2000s. This craving is evident in the way that Christian visions of a final battle between the forces of darkness and light have been woven together with the conspiratorial narratives of QAnon.

In the U.S., Australia, and elsewhere, the far-right conspiracy theory QAnon is growing rapidly among New Age adherents and anti-vaccination communities. However, as religion reporter Katelyn Beaty has noted, there is explicitly Christian-sounding language in QAnon messaging. Explicit examples of the blending of Christian apocalyptic language and the QAnon conspiracies can be found in web posts and books published in the wake of the alleged “revelations” of the anonymous web poster “Q.” In these texts, Donald Trump is often presented as God’s anointed, an equivalent to King Cyrus, battling the diabolical forces of the “Deep State” (a conspiracy theory that posits a hidden government working within the legitimately elected government). The Deep State—supposedly composed of individuals such as Hillary Clinton, Pope Francis, and well-known celebrities who are often described as demonically controlled—is said to be guilty of the most savage crimes, including child sex trafficking and using their victims’ blood to extend their own lives.

A woman wearing an orange jumpsuit walks down a hallway toward a door with a first-aid symbol over it.

Illustration by Michael George Haddad

IN SEPTEMBER 2020, reports emerged from the Irwin County Detention Center, an immigration facility in Georgia, detailing forced hysterectomies performed on migrant women held in custody. An Immigration and Customs Enforcement detention center in Ocilla, Ga., owned and managed by LaSalle Corrections, a private prison company, oversaw these surgeries in what have been described as appalling conditions and an “utter lack of care of detainees’ health” during the current COVID-19 pandemic.

Tragically, as too many people fail to realize, forced sterilizations are not a recent development. Rather, as a form of state violence they date back more than 100 years, when states across the country (beginning in 1907 with Indiana and followed in 1909 by Washington, California, and Connecticut, as well as many others over time) approved “eugenic sterilization.” These early laws passed by state legislatures allowed state officials to sterilize males and females—some as young as 12 or 13 years old—believed to have inheritable and incurable diseases or afflictions, including insanity, mania, or dementia.

Conor M. Kelly 2-25-2021
Illustration of a vaccine needle behind a barrier.

Illustration by Michael George Haddad

ACCORDING TO PSYCHOLOGISTS, fairness is one of our most innate moral intuitions. As a parent, I can vouch for this because I routinely navigate the extra-sensitive fairness meters of bickering siblings. Young or old, we protest perceived slights in the same terms: “That is so unfair!”

This snap judgment, however, is not always accurate. Consequently, when circumstances trigger a reflexive accusation of unfairness, we should pause to verify that we are not off base. As Christians, especially, we must test our gut reactions against the insights of our faith to ensure that our intuitions match our convictions.

The rollout of the COVID-19 vaccine is a paradigmatic illustration of this responsibility.

With a limited supply likely deep into 2021, many who want the vaccine will be unable to get it for quite some time. Recognizing this reality, the Centers for Disease Control and Prevention’s Advisory Committee on Immunization Practices (ACIP) has created guidelines for who should have priority at each stage of the rollout. According to ACIP, health care workers and residents of long-term care facilities have priority, and after that essential workers and those over 75 should have access before anyone else.

Illustration of a kid with a foam finger watching a basketball game.

Illustration by Jackson Joyce

MARCH IS MY favorite month of the year and not simply because of the renewal of spring. As a college basketball fanatic, it is also because of the NCAA men’s tournament, otherwise known as March Madness. My passion for college hoops began when I moved to Tucson before my junior year of high school and started attending every home game at the University of Arizona, where college basketball is an obsession. In light of the hardship and devastation that this pandemic has inflicted, it feels overdramatic to say that my spirits were crushed last March when the NCAA made the necessary decision to pull the plug on the March Madness tournament. This year, the NCAA plans to host the tournament in a bubble, following the model of last summer’s NBA playoffs. The tournament will feel incomplete without screaming fans, but the fact that it will take place at all offers a signal that the beginning of the end of the pandemic is within sight.

As our nation moves out of a long, dark winter of COVID-19 infections, hospitalizations, and deaths, we can all use a dose of something to look forward to, even if those somethings don’t look identical to life before the pandemic. A bubbled March Madness feels like a fitting metaphor to the critically important space we will be in as vaccines help us turn the tide against this virus and toward a new normal. But the journey between the spring and fall will likely feel like a long and tortuous one, particularly if COVID-19 fatigue devolves into resentment, resignation, or at worst nihilism. With the advent of more contagious and possibly more deadly strains of the virus, social distancing and mask-wearing will be even more necessary to transition from the wilderness of the current pandemic into the promised land of a post-COVID-19 world.

Jim Rice 2-25-2021
An illustration of poet Amanda Gorman from the 2021 Inauguration. Above her head is the text, "For there is always light. If only we're brave enough to see it, if only we're brave enough to be it."

Illustration by Blane Asrat

CHRISTIAN DENOMINATIONS IN North America and around the world have been torn asunder around questions concerning the full inclusion of LGBTQ members. The United Methodist Church is no exception. When (or, because of COVID-19, if) the church gathers in August for its General Conference, the hottest topic on the table, in the words of UM News, is “the denomination’s intensifying debate around the status of LGBTQ Christians—which has already led multiple congregations to disaffiliate.”

But for many pastors of local congregations—and, needless to say, for many individual Christians who love one another—questions of same-sex marriage aren’t, at heart, about church policy, doctrines, or books of discipline, as important as those ecclesial structures may be. They’re about covenant, and commitment, and pledging fidelity in the context of a faith community that loves them and holds them accountable—in other words, they’re about marriage. As Methodist pastor Bill Wylie-Kellermann and his daughter, Lydia Wylie-Kellermann, explain in our cover story, sometimes following the love ethic of Jesus requires trusting “the grace of God in Jesus Christ” and asking “the grace of [our] sisters and brothers in church and covenant.”

Ed Spivey Jr. 1-27-2021
Illustration of human faces with vaccine vials around them.

Illustration by Ken Davis

AT THIS POINT, vaccines for COVID-19 have been administered to hundreds of thousands of Americans, all of whom waited patiently for Donald Trump’s family to be treated first. Also, to all Republicans in the House and the Senate who tried to overturn the election. And people named Rudy, probably. This follows the latest Centers for Disease Control and Prevention guidance that assigns first priority to people who attempt to undermine democracy. Repeatedly. (Hopefully, the vaccine will also include a dose of shame, for those who have none.)

So far, few side effects from the vaccine have been reported, other than mild headaches, a slight fever, and an uncontrollable urge to watch The Queen’s Gambit again. Some recipients exhibited abhorrent anti-social behavior, which experts feared was a psychological reaction to the injection. But it turned out Sens. Josh Hawley and Ted Cruz (R-Sedition) have always been like that. The vaccine was not the cause and, sadly, not the cure.

Meanwhile, those of us still waiting for the vaccine are honoring the clear protocols of the CDC. Vaccinations first go to health care workers, then to the elderly, particularly those in senior care centers. Fortunately for me, the wait won’t be much longer. Because of my daughter I’m nurse-adjacent, and if I throw my arms around her for a well-timed hug, who’s to say which arm gets the shot? I’m also well over 65—the minimum age for elderly recipients—although I’m cursed with the body of a 64-year-old. I hope that won’t count against me.

Isaac S. Villegas 1-27-2021
Graphic of money spilling out of a golden calf piggy bank.

Illustration by Matt Chase

“WE'RE CAPTURED by sin, we’re captive to a power,” said theologian Stanley Hauerwas, “not as something so much that I do as something that I’m captured by and that I don’t even recognize as captivity.”

In this month’s scriptures, we confront the captivity of sin—social forces that diminish life, powers of oppression that colonize our desires. Sin whispers lies about the world, deceptions that lead to harmful acts—harmful for our personal lives with neighbors and our collective lives as a society.

The gospel passages assigned for the first and last Sundays spotlight the sinful power of money—from the marketplace’s corruption of the temple courts to Judas Iscariot’s betrayal of Jesus in exchange for silver. Money bookends Lent. We cannot talk about Jesus without talking about how mammon worms itself into our longings—the allure of wealth, the power of profits.

Jesus enacts liberation from the sinfulness of the thrall of money. In John 2, Jesus frees people from money’s bondage by scattering gold and silver in the streets. He seizes the currency of the bankers. He redistributes the wealth of the few into the pockets of the many. The reign of God will involve an economic overhaul. Lent would be a fitting season to tax the rich and to cancel student and medical debt.

Benjamin Schmitt 1-27-2021
Broken glass that looks like a spider web.

Alamy

Crossing a river in Africa the spider
shooting her blacksmith’s thread
of melted-down swords and armor
the world’s molten madness bridging
dangling over the water

The creature moves frantically
and to an observer miraculously
like some stressed-out downtown commuter
levitating to work
surely this is a phantasmagorical
outpouring of mighty engineering
Golden Gate sprung from a thimble
that you would never believe
if it hadn’t bored you in second grade
like the kindness of Jesus Christ

The cover of "Decolonizing Christianity"

EUROCENTRIC CHRISTIANITY, since the days of Constantine, has predominately served as an apologist for authoritarian regimes, be they emperors, kings, crusading popes, or military dictators. In the last century alone, Eurocentric Christian jargon sustained and supported brutal regimes guilty of unimaginable human rights violations. Think of how the Catholic Church, fearing the loss of power during Spain’s Second Republic, threw its support behind the right-wing politics of the usurper Francisco Franco, who cloaked himself as a defender of religious liberties. The church stood by him as he ignited a civil war against the seculariziation of society, turning a blind eye to the Spanish killing fields. ...

Julie Vassilatos 1-27-2021
The cover of "Darkness is as Light."

WE ARE LIVING in dark times. A perfectly timed and distinctive new devotional, Darkness is as Light, wrestles with the dark, and from its many entries emerges a clear chronicle of the real power and meaning of God’s grace for us even—especially—in the dark.

The book consists of nine sections of eight entries each, beginning with a poem by Tennessee poet Allison Boyd Justus. Meditations by 22 authors are based on scriptural texts and grouped by theme: provision, sweetness, healing, death, balm, help, trial, consolation, and closeness. Graphic artist David Moses created striking cover art and illustrations for each section.

These are self-consciously women’s words based on women’s experiences. In her introduction, publisher and editor Summer Kinard draws connections from these modern meditations to ancient women mystics and a kind of Gothic spiritual ethos. There are occasional visions recounted in these pages, and a miracle or two, but mainly we see the range of women’s lived experiences, met every step of the way by grace. The grace of Christ shared with shunned St. Photine, the woman at the well. Ravages of bipolar disorder. Sexual abuse. Food insecurity, homelessness, inability to pay the rent. Leaving an abusive spouse. Caretaking for a chronically ill spouse. Sheltering from an abusive parent. Loss of a child. Unexpected surgeries. The exhaustion of mothering five young children.

Weldon Nisly 1-27-2021
The covers of "Patriotic Dissent" and "To Start A War"

THERE'S A TRAGIC truth behind America’s endless war since 9/11: It’s based on lies. Two recent books confront the lies. Robert Draper and Danny Sjursen independently critique the arguably the worst foreign policy blunder in modern U.S. history.

To Start A War is Draper’s account of how the second Bush administration used 9/11 to justify invading Iraq, which was not involved in the attacks. An author’s note opens his treatise: “This is a story bracketed by two defining tragedies of the 21st century. The first was an unprovoked attack on America’s homeland. ... The second, 18 months later, was an act of war by America against a sovereign nation that had neither harmed the United States nor threatened to do so.” Draper masterfully unravels the Bush administration’s litany of lies following the labyrinthine road to war from the White House to Foggy Bottom, the Pentagon, and Congress, through national security and intelligence agencies, the diplomatic corps, and military ops. The reader becomes privy to real people and conversations. Every page stirs outrage.

The end of the road? Six weeks into war, President George W. Bush swaggered across the deck of the USS Abraham Lincoln, flashed thumbs up, and pronounced, “Major combat operations in Iraq have ended.” Overhead hung a red, white, and blue “Mission Accomplished” banner. Draper concludes, “The slogan accurately reflected the Bush administration’s wishful thinking and grandiose sense that history had already been made.”

Vermeer's "A Lady Writing" depicts a woman sitting at a desk in a yellow robe writing.

"A Lady Writing" / Johannes Vermeer / The National Gallery of Art

IF YOU WOULD be so kind, I’d like for you to do an experiment with me. Think about a famous work of art, a painting so widely considered Important and Valuable its status could never be questioned. Maybe you’re debating between “The Starry Night” or “Mona Lisa.” Maybe you’re considering something else entirely: Monet’s endless assortment of water lilies, for example. Good. Hold the image in your mind and recall, if you can, the work’s textures, its colors and its moods. Do you like the piece? Do you remember when you first encountered it?

Now, having answered those questions, imagine that someone has stolen it. This mysterious person explains that they are holding the painting hostage until works falsely attributed to the artist in question are exposed as fraudulent. They sign their manifesto with the words, “You will come to agree with me.” What would that do for the public imagination?

Blue Balliett explores this question in her 2004 novel, Chasing Vermeer, and though its main characters are sleuthy sixth graders, I find its basic premise has much to offer even to jaded adults (see: me). A Vermeer painting on its way to the Art Institute of Chicago—“A Lady Writing”—disappears mid-journey, and the thief posits a series of challenges to art historians and the broader world. Petra and Calder, two intrepid University of Chicago Laboratory School students, find themselves caught in the painting’s thrall and, through a series of dreams and coincidences, set out to find the “Lady.” But they’re not alone.

The Editors 1-27-2021
The cover of "Black Church" features a photo of the inside of a black church during the Civil Rights movement. A scene from The Long Song depicts a 19th century British woman with an enslaved young Jamaican woman.

A Shared History

Based on Andrea Levy’s novel of the same name, The Long Song depicts a young woman coming of age in Jamaica, anticipating the imminent end to slavery and her servitude. The series displays Britain’s colonial history with the island and crafts a gripping rendering of survival, insurgence, and joy. PBS.

Radical Repair

Decolonizing Discipline: Children, Corporal Punishment, Christian Theologies, and Reconciliation presents practices from Indigenous experts to repair the harm children have endured due to colonial legacies. Edited by Valerie E. Michaelson and Joan E. Durrant, this practical book reimagines raising children. University of Manitoba Press.

Abby Olcese 1-27-2021
A drummer sits at his drum set in a scene from 'Sound of Metal'

IN HIS BOOK Where God Happens: Discovering Christ in One Another, Rowan Williams writes, “We are easily persuaded that the problem of growing up in the life of the spirit can be located outside ourselves.” In other words, we like to think if only it weren’t for a health problem or professional situation, our lives would be better. If we put off becoming the person we are called to be because we’re waiting for the “right” circumstance, then we won’t learn and grow. Even when circumstances need to change, we must find joy in the present.

This same lesson powers Darius Marder’s drama Sound of Metal, about a drummer, Ruben (Riz Ahmed), who’s suddenly affected with permanent hearing loss. Ruben’s journey underlines the importance of presence and its potential to foster spiritual growth. He must learn that the situation he is in presents an opportunity to embrace a new community and a more intentional life.

Menachem Wecker 1-26-2021
Colorful scribbles bursting out of a drawn heart within a human frame.

IT'S LONG BEEN known that empathy may be inherent in portraiture—walking a mile in the shoes of one’s painting subject. As the renowned 15th-century painter and monk Fra Angelico put it, “He who wishes to paint Christ’s story must live with Christ.” New research reinforces this association between artmaking and spirituality.

A 2020 Fetzer Institute study of U.S. spirituality, which includes 16 focus groups and 26 in-depth interviews, reports that more than 80 percent of its 3,600 respondents self-identified as somewhat spiritual, and about 60 percent aspired to be more spiritual. Novelly, researchers used drawings as an “inductive research tool” to understand better what respondents meant by “spirituality,” said Veronica Selzler, lead author of the Fetzer study and strategy director at Hattaway Communications in Washington, D.C. Art allowed participants to define spirituality creatively rather than prescriptively. “It was through these drawings that the diversity and common threads began to emerge,” she said.

The study reproduced 38 drawings in which respondents, aged 18 to 71, interpreted spirituality. The “slightly spiritual/not religious at all” Dale, 69, drew five clouds—one perhaps smiling—and grass as his “happy place, but you could call it a spiritual place.” Daniel, 20, who is “very spiritual/not at all religious,” drew a self-portrait praying on his knees before Jesus.

Graphic of various items related to policing. First aid kit, hand gun, cell phone, ambulance, etc

Illustration by Claire Merchlinsky

WHEN A WOMAN experienced an opioid overdose during a morning breakfast service at St. Mary’s Episcopal Church in downtown Eugene, Ore., church staff quickly administered naloxone, a medication designed to rapidly reverse an overdose.

Then the police arrived, lights blazing, according to Bingham Powell, rector at St. Mary’s.

Police interference during a drug overdose or mental-health crisis can often turn deadly, putting some of society’s most vulnerable further at risk for harm. Thankfully, when the officers arrived on the scene at St. Mary’s that day, no one was killed. But a police response can also impair the situation in other ways. The woman who had overdosed became frightened by their presence and left.

“This isn’t a story of police misconduct,” Powell said. “It’s just a story of the police showing up, and it caused the person to run away and not get the help they needed.”

What if someone else had arrived on the scene first? In Eugene, it’s entirely possible that they could have. For nearly three decades, the city has been home to CAHOOTS (Crisis Assistance Helping Out On The Streets), an emergency-response program that sends experienced unarmed crisis counselors and EMTs in response to mental health, substance abuse, and homelessness-related crises. The program has become a model for other cities looking to shift community resources away from armed policing in favor of social services.

Danté Stewart 1-26-2021
Illustration of a family holding hands, walking out of a cave.

Illustration by Jamiel Law

“To be loved, baby, hard, at once, and forever, to strengthen you against the loveless world. Remember that: I know how black it looks today, for you. It looked bad that day, too, yes, we were trembling. We have not stopped trembling yet, but if we had not loved each other none of us would have survived. And now you must survive because we love you, and for the sake of your children and your children’s children.”

— James Baldwin,
The Fire Next Time

I ENTERED THE doctor’s office, met by the smiling face of the receptionist. “May I help you?” she asked, as I tried to maneuver my lips to smile to cover how terrible I was feeling. “I need to get tested.” She didn’t ask me what test I needed, or where I had come from, or what I was feeling. She checked me in and pointed me to the waiting area—a cold and lonely and familiar place.

I wondered if they knew how terrified I was for me, for my wife, for my son, for our baby not here yet. I wondered if they knew that my body was on fire, that my mind kept alternating between anger and regret for letting my friend in the house with no mask. I wondered if they knew how my stomach emptied the chopped carrots, old celery, and the warm chicken noodle soup into their clean toilet.

“Danté Stewart,” the nurse called out to me, “right this way.” I could hear my heartbeats through my ears as I took the steps through the cold and lonely and familiar clinic. She called in the other nurse. They took my pulse. They put the little white and blue device with the red numbers on my left middle finger. 97. Good. 106 bpm. My heart is racing. As I felt the blood pressure cuff tighten its grip on my arm, the nurses gave that look.

Liz Theoharis 1-26-2021
Aerial view of cars waiting in a food line in a parking lot in Texas.

Vehicles lined up in a stadium parking lot for a San Antonio Food Bank mega-distribution. Photograph by Tamir Kalif / The New York Times / Redux Pictures

SINCE I BEGAN to help organize a movement to end poverty, people have said to me that our goals are too ambitious—that demands for human rights and human dignity are both politically inconceivable and impossibly expensive. They quote the Bible, arguing that since Jesus said, “the poor will be with you always,” it can’t be God’s will for everyone to share in the abundance of our world.
 
But when I read the Bible, including and especially Jesus’ statement above, what I see from Genesis on through the New Testament is a constant revelation of God’s will that no one should be made hungry, sick, homeless, underpaid, indebted, or bereft by the violence of social injustice. I read an ongoing indictment of those who would take and keep the wealth of our world for themselves and cause others to suffer. I hear the biblical command to “fill the hungry with good things” (Luke 1:53), not simply as “caring for the poor” as an end result but by advocating for policies and structures that lift the load of poverty—admonishing nations to “do no wrong to the immigrant, the homeless, the children. And do not shed innocent blood” (Jeremiah 22:3).
 

Biblical roots of justice

The founding story in the Bible tells of a diverse group of freedom fighters who have been on the march since the burdens of Egyptian slavery and scarcity got to be too much, since leaders like Moses, Aaron, Miriam, and many others—named and unnamed—came forward to say, “It doesn’t have to be this way.” And God sent plagues and pandemics that only hardened the heart of the ruling authorities, who doubled down on misery, dispossession, and militarization.