Culture Watch

IN THE GREAT gospel and blues tradition of affirming in the negative, Bruce Springsteen’s new album, Wrecking Ball, is simultaneously a ferocious roar of righteous anger at what the captains of Wall Street did to America in 2008 and a riotous celebration of American roots. That could make it the perfect soundtrack for a spring and summer resurgence of the Occupy Wall Street campaign.

At this point a new album from Bruce Springsteen is no longer an earth-shaking event, even in the world of rock and roll. After all, the guy is 62. In the past few years, two core members of his band (organist Danny Federici and sax man Clarence Clemons) have died, not from rock-star excesses but from the old-guy ailments of skin cancer and stroke, respectively. And The Boss’ last album of new material, the 2009 Working on a Dream, was definitely subpar.

But with Wrecking Ball, Spring-steen has, for the second time within a decade, stepped forward to assume the role of a Telecaster-toting poet laureate and produced a stirring work of popular art that speaks to the depths of the national condition. The first time was with The Rising, his 2002 meditation on mortality and loss in response to 9/11. The songs in this new collection plainly declare about our ongoing economic crisis what no mainstream national political leader has been willing to say: We were robbed, and the thieves have escaped justice.

Gareth Higgins 6-01-2012

DISNEY ANIMATION is often criticized for masking cynical corporate values—Wall-E’s profound challenge to over-consumption was accompanied by the selling of toys and games; the company claims to be pro-feminist but only tweaks the fairytale princess archetype with heroines who express their “strength” by showing that they can fight like a man.

Yet there’s still some magic in the Disneymagination—Fantasia, The Jungle Book, and The Lion King, despite their political alarm bells (racism and homophobia are challenged and reinforced, the average of which can only compute to ambivalence), are examples of visual resplendence, a sense of humor, and an invitation to hope. The best parts of the Disney worldview look like the eschatological images in a Martin Luther King Jr. speech; the worst merely bolster a culture of privilege and exclusion.

The most Disney-like current film is Mirror, Mirror, a retelling of the Snow White story, directed by the fantastic visual stylist Tarsem Singh. It features Julia Roberts in a wickedly entertaining turn as the queen, with a witty script, gorgeous set and costume design, and some bawdy fun. But the portrayal of Snow White as a “liberated” young woman whose liberation depends on her behaving like a Bruce Willis action character produces a paradox: Any of the images from this film could be exhibited in an art gallery—so elegantly composed and imaginative are they—but the ethical heart of the film isn’t artful at all.

Julie Polter 6-01-2012
Street Stories

UCLA professor Jorja Leap has immersed herself in the study of Los Angeles gangs since 2002. Jumped In: What Gangs Taught Me about Violence, Drugs, Love, and Redemption displays her deep passion and anthropological insight. Beacon Press

Up with (Real) People

Corporations Are Not People: Why They Have More Rights Than You Do and What You Can Do About It, by Jeffrey D. Clements, looks at the roots and consequences of the Citizens United vs. Federal Election Commission case and presents a strategy to fight back. Berrett-Koehler

Andrew Wilkes 6-01-2012

AL TIZON’S Missional Preaching, as one might expect, is designed for those who proclaim the gospel. The text, moreover, should prove useful to homiletics professors, local ministerial groups, and church bodies seeking to encourage more reflective approaches to the craft of sermon-making. Tizon, an ordained minister in the Evangelical Covenant Church and professor of evangelism and holistic ministry at Palmer Theological Seminary, writes with lively prose, frequently deploying humor and hyperbole to complement biblical exposition and theological reflection.

For Tizon, missional conviction is about joining “God’s mission to transform the world, as the church strives in the Spirit to be authentically relational, intellectually and theologically grounded, culturally and socio-economically diverse, and radically committed to both God and neighbor, especially the poor.” Tizon’s commitment to mission is both theological and autobiographical: The author spent nine years doing community development in the Philippines and currently serves as the director of the Word and Deed network of Evangelicals for Social Action.

Structurally, Tizon begins with three chapters on missional theology, covering liturgy, biblical perspectives on mission, and the missio Dei (the mission of God). For Tizon, missio Dei signifies God’s restorative purposes for the world, beginning with Israel and consummating in Christ. To complement the opening essays, each subsequent chapter pairs Tizon’s reflection on a missional topic with a sermon on the same subject matter. In a particularly compelling chapter, the author’s insights on whole-life stewardship are concluded by a riveting homily from Shane Claiborne.

Beth Newberry 6-01-2012

THE VIDEO for the title track of 2/3 Goat’s EP Stream of Conscience features members of the New York City-based band standing knee-deep in a stream in the mountains of Central Appalachia. Lead singer and mandolin player Annalyse McCoy belts: “Stream of conscience hear my cry / I don’t want my hills to die.” The video intermixes a fictional family’s daily life in the coalfields with harrowing footage of mountaintop removal (MTR) coal mining, which has destroyed more than 300 mountains in the region. In later scenes, the band walks down a country road with coal-dust covered miners, young people, and families in a rambling, spontaneous protest march. It truly is a visual evocation of Appalachia Rising—a tagline of the region’s anti-MTR movement.

The other core members are guitarist, song writer, and vocalist Ryan Dunn and fiddler Ryan Guerra. 2/3 Goat is a self-proclaimed metrobilly band, a portmanteau referring to the music’s urban audience and its roots in country and mountain music. Its acoustic-driven, bluegrass- and old-time-music-inspired sound has engaging harmonies and a sweetness and honesty to it. The other tracks on this five-song release are strong, both in musical composition and storytelling. “Lay It on the Line” is a playful duet between McCoy and Dunn with upbeat fiddle, guitar, and mandolin accompaniment that will make you want to flat foot (if you have enough mountain swagger to pull it off) to this almost-love song. “Band of Gold” highlights McCoy’s textured alto voice and ability to wail when the lyrics call for it. The tone is emotionally heavy, but the fiddle accompaniment and the shift in tempo at the end of the song save it from needing a side of whiskey to wash it down.

Debra Dean Murphy 5-01-2012

ELECTION-YEAR POLITICS reveal the struggle faced by people of all political persuasions: how to meaningfully engage a process that increasingly sows division, disappointment, disgust, and even despair. Americans, no surprise, are more cynical than ever. Our elected officials are spectacularly unpopular. While there has never been a golden age of American politics, the current levels of vitriol, fear-mongering, and childish bickering have unsettled even the most jaded of political observers. And the corruption wrought by money? Let’s not even go there.      

Navigating the intersection of religion and politics in such a toxic environment poses an even more acute challenge. What’s a person of faith to do? That, of course, depends on whom you ask, since the political battle lines in religious communities are often drawn as rigidly as they are in the culture at large.

Four recent books, each dealing broadly with religion and politics in contemporary America, offer insights on these and other pressing questions.

In Testing the National Covenant: Fears and Appetites in American Politics (Georgetown University Press), ethicist William F. May takes the historical approach, examining two competing accounts of America’s origins—the contractual and the covenantal—and the prospects and promises held out by each. He notes that the preamble to the Constitution begins with a given identity—“We the People”—followed almost immediately by the acknowledgment of ongoing work (to form “a more perfect union”). May argues that this “American identity of gift and task” is best held together by the concept of covenant. The nation, he says, “is both a community and a community in the making.” May is a keen observer and an eloquent chronicler of the “runaway fears and appetites” that have driven a good deal of self-deception in American public life, and he reckons honestly with the harm done to our national character and, more urgently, to decision-making in policies both foreign and domestic. His final chapter, a moving discussion of immigrants and undocumented workers, brings the theme of “keeping covenant” to bear on one of the most pressing moral and political issues of our time.

Debra Dean Murphy 5-01-2012

Sidebar to "Bearing Witness in Contentious Times"

Richard Vernon 5-01-2012

NICK HARKAWAY’S second novel, Angelmaker, is out now through Knopf. His first, The Gone-Away World, found favor with fans of boisterously literate science fiction. Angelmaker is, in many ways, tipped from the same mold as its predecessor. It is unapologetically fun (with a particularly English sense of humor familiar to fans of Stephen Fry and Douglas Adams), stuffed full of blisteringly creative ideas and digressive subplots, and shot through with darker undernotes. In it Harkaway asks some large questions about (among other things) the nature of identity, who owns the truth, the dark side of the will to power, and the true cost of the preservation of stability. The novel also makes a strong case for the power of compassion, courage, and the glory of imagination used well.

Angelmaker follows two alternating threads. In one an irreverent and intelligent orphaned girl, Edie Banister, is recruited into wartime secret service with the Ruskinites, an order of men and women devoted to beautiful craftsmanship who have been roped into weapons development. She rescues and falls in love with a genius who is using microscopic clockwork to build a supercomputer that will reveal the truth and end war. This “Apprehension Engine” (the titular Angelmaker), is baroque and bizarre; the force field of truth is to be disseminated by mechanical bees swarming from clockwork hives around the world. Naturally, an unreconstructed dictator wants to use it as a weapon of mass destruction.

The second thread is the present-day tale of Joe Spork, as he attempts to lead a humble, honest life until he is manipulated into adventure by the elderly Banister and pursued by the now-corrupt and terrifying Ruskinites.

Julie Polter 5-01-2012

Four novels with nothing in common except storytelling done well.

CHILDHOOD VACCINATIONS have been a rite of passage for decades now. But in recent years, growing numbers of parents have refused to go along. A movement that began in the 1980s over adverse reactions to the diphtheria, tetanus, and pertussis (DTaP) and mumps, measles, and rubella (MMR) shots started to become a tidal wave in 1998. That’s when a British researcher, Andrew Wakefield, published a study allegedly linking childhood vaccinations to autism.

A decade later, an anti-vaccination trend had spread into a broad swath of educated, upper- middle-class Americans inclined toward “alternative” lifestyles. It has been especially strong in the Pacific Northwest. In one county in Washington state, according to the February 2012 New England Journal of Medicine, 72 percent of kindergarteners and a whopping 89 percent of sixth graders were not fully vaccinated. Under pressure from this new constituency, many jurisdictions made it easier to get vaccine exemptions, adding to the existing “religious” exemption a new one for “philosophy” or “personal beliefs.”

Then, in 2011, the Wakefield autism study that had sparked the anti-vaccination movement was completely discredited. The British medical journal The Lancet, which had published Wakefield’s article on his findings, officially retracted it. That should have been that. But it wasn’t. In the last year public health advocates have learned the hard way that once something is on the internet it never goes away and, as one scientist told PBS’ Frontline, “People were much more likely to believe something they had seen on YouTube than the Centers for Disease Control.”

Now doctors and state governments are pushing back, and a new round in the vaccination war has begun. Washington now requires a doctor’s signature on those philosophical exemptions. In March, the Vermont Senate repealed the state’s philosophical exemption. All over the country, family doctors and pediatricians are refusing to see patients who don’t comply with vaccinations.

Makoto Fujimura 4-01-2012

The painter Makoto Fujimura imagines what God might say to the church about its frequent rejection of the artists.

Julie Polter 4-01-2012

Worship Across the Racial Divide: Religious Music and the Multiracial Congregation, by Gerardo Marti; The Forgotten Bomb; Let It Burn; Still: Notes on a Mid-Faith Crisis.

Gandhi and the Unspeakable: His Final Experiment with Truth, by James W. Douglass.

Julie Clawson 4-01-2012

What The Hunger Games and the gospels have in common.

Gareth Higgins 4-01-2012

Along with the silent film The Artist, Haywire, and War Horse, the smartest wide-release recent movie is Chronicle, a kinetic fusion of Breakfast Club-style teenage angst with post-9/11 violence-as-a-way-of-life (or at least way-to-be-noticed).

Piano-playing cats or union organizing drives—Google and Facebook don’t care. They just keep a sieve in the flow to collect information that can be sold to advertisers.

Pariah, written and directed by Dee Rees. Focus Features.

Julie Polter 3-01-2012

Homies and Hermanos: God and Gangs in Central America; The Amish; Simplifying the Soul: Lenten Practices to Renew Your Spirit; The Ethical Vision of Clint Eastwood. 

Andrew Wilkes 3-01-2012

The Cross and the Lynching Tree, by James H. Cone.

Gareth Higgins 3-01-2012

A perfect time to catch up on the 10 best Blu-ray releases of the past year.