On Sunday, June 28, the day of gay pride parades in Chicago and around the world, millions celebrated the recent United States’ Supreme Court decision that effectively legalized gay marriage at the national level. But David Wichman took his personal Pride rally to the General Admission (GA) line at the United Center.
With his hand-decorated rainbow flag in tow, he wanted to get a place close to the stage. His flag simply said: “IN THE NAME OF LOVE – THANK YOU!” Wichman wanted Bono and the band to know their work as allies had not gone unnoticed.
Dozens of fans bring their banners and signs to the GA floor on each night of the tour — but not every fan has their banner or sign lifted high by the lead singer onstage. As Bono had done in Arizona in May after the news of Ireland’s successful marriage referendum, he turned this spirited Sunday night show into a celebration of marriage (his wife Ali was in attendance), and a joyful tribute to the civil rights advocates who worked to make marriage equality a reality for the whole United States.
When Ireland became the first country to legalize same-gender marriage by popular mandate, double rainbows appeared over Dublin, and an Irish rock band transformed their Arizona concert into a gay-rights celebration. Almost 30 years ago, Bono endured threats from angry Arizonans for his support of the U.S. national holiday for the late Rev. Martin Luther King Jr. But on Saturday, Bono invoked King as peacemaker as U2 celebrated the victory of love, turning the song “Pride (In The Name of Love)” into an anthem for gay pride.
Bono shared, “This is a moment to thank the people who bring us peace. It’s a moment for us to thank the people who brought peace to our country. We have peace in Ireland today! And in fact on this very day we have true equality in Ireland. Because millions turned up to vote yesterday to say, ‘love is the highest law in the land! Love! The biggest turnout in the history of the state, to say, ‘love is the highest law in the land!’ Because if God loves us, whoever we love, wherever we come from … then why can’t the state?’”
Sunday evening I did something I haven't done in close to 30 years: I went to an actual record store and bought a brand-new U2 album on vinyl, took it home, pulled out the turntable, put on my headphones, sat on the floor, and stayed up way too late reading the liner notes and listening to the songs over and over again.
Lord, how I've missed this particular ritual.
When I was a teenager, late Sunday nights were when I indulged my secret pleasure by listening in bed (clandestinely so as not to incur the wrath of my parents for being awake well past my bedtime) to the "King Biscuit Flower Hour" on WPLR, the classic rock station in New Haven that was one of two (the other being a horrendous pop-40 station) that came in clearly on the FM stereo in my upstairs bedroom.
I listened, religiously, every Sunday night for years, hoping to hear a song by one of the British New Wave bands of which I was fond, or, if I was particularly lucky, by my favorite band on the planet: U2.
Sometimes weeks would go by without hearing a U2 song on those late Sunday nights, my ear pressed to the transistor radio secreted next to the pillow on my twin bed. But then, like a bolt of lightning — I'd hear Bono's voice or Edge's guitar begin to keen. It was a wee bit magical, although in retrospect today I might call it sacred.
All the waiting and listening was worth it. Always.
1. In Record Turnout, Demographics Shape Scotland's Emphatic No Vote
National Geographic has a recap (and stunning photos) of yesterday's vote: "Tomorrow a new campaign—for reconciliation—will begin. The referendum opened up deep, sometimes venomous, class and regional divisions."
2. WATCH: It’s On Us
Today, the White House announced its nationwide public service campaign to prevent and respond to sexual assault on campuses. Watch and share.
3. Together We Make Football
“Football encourages some deep tremor of romance about what it means to be a man. ...Save for the military — with which it has a symbiotic relationship — the NFL is the biggest and strongest exponent of American masculinity. And integral to that notion of American masculinity is violence.”
4. Confessions of a Military Skeptic
"Do we believe that everything will be fine after we kill the last Islamic State militant?" Thomas Reese, on being neither military hawk nor pacifist in regards to ISIS, for National Catholic Reporter.
If you’ve been reading our blog or have checked your iTunes last week you’ve noticed the power couple of Steve Jobs’ ghost and Bono working together again. (Anyone rememberthe U2 iPod?) I’ll leave it up to music critics to debate the musical quality of the album and the potential violation of the now infamous iCloud downloading music for each Apple user. But there is one other issue to discuss regarding the U2’s recent release: God.
In a recent article published by The New Yorker, author Joshua Rothman takes an in-depth look into the spirituality of what some would call the world’s most popular rock band. Throughout the years, Bono’s religious roots have not been a secret. Books such as Get Up Off Your Knees: Preaching the U2 Catalog and We Get to Carry Each Other: The Gospel according to U2 have been published within the last decade. The Archbishop of Canterbury has addressed Bono in lectures and Bono has preached at the National Prayer Breakfast.
One of the most interesting aspects of Rothman’s article was the citing of “churches around the world celebrating U2charists.” Churches as far as the Netherlands, Austria, Mexico, and as close as Iowa, Baltimore, and Maine have celebrated U2charists, a communion service accompanied by U2 songs in lieu of traditional hymns. Rev. Paige Blair, of St. George’s Episcopal Church of Maine, was one of the first religious leaders to host such a service. According to Rev. Blair:
“the liturgy itself is pretty traditional — it has all the usual required elements: a Gospel reading, prayers, and communion from an authorized prayer book. The music is really what is different. And yet, not so different. It is rock 'n roll, but it is also deeply and overtly spiritual.”
By now you have heard that Apple gave you music. Free music. From U2. Now, they paid U2 a lot of money for those tunes and it's pretty clear that it's not the first time that someone paid a U2 a lot of money for their music so that you could have it for free as long as you were a loyal customer.
Some of us are rather peevish customers, it would seem. There have been numerous articles on the betrayal by either U2 or Apple. Don't they know that our iDevices are private property? Don't they know that we have put a fence around our little corner of the cloud?
Sadly the tech doesn't really work that way and the agreement you checked - we all checked, really - makes it pretty clear that they own the cloud and you merely lease space there. Your iDevice is a portal, no more, no less.
Perhaps you heard. U2 has a new album. You can download it from iTunes for free right now. Go. I'll wait. It's free.
Yes, free. This is what has my mind spinning right now. Bono wrote:
"It’s also free to everyone on iTunes thanks to Apple. To celebrate the ten year anniversary of our iPod commercial, they bought it as a gift to give to all their music customers."
So, free to us thanks to the largesse of Apple. Why would that be? Well:
"We’re collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed. We’ll keep you posted. If you like Songs of Innocence, stay with us for Songs of Experience. It should be ready soon enough … although I know I’ve said that before …"
I didn’t expect to get hit on during Super Bowl XLVIII.
I mean, I was expecting the usual stuff — the testosterone-fueled web hosting pitch, the adorable animals selling beer – but this was shameless. Someone really did their homework, because company after company turned up with things I like to hear: healthy families; cute biracial kids; a nation of immigrants; a thriving main street; victory for the marginalized; solving the world’s most pressing social ills. Check, check-check.
Progressive values, you are currently the it-girl for advertisement pickup artists. Enjoy it?
I, for one, do not.
Don’t get me wrong, commercials that celebrate our society as diverse and affirming are far more appealing than the advertising tropes we’re used to. But they also veil or flat-out misrepresent the structures and practices of the companies telling them. Without a significant shift towards justice on the part of these companies themselves, their social good stories shouldn’t charm us — they probably should leave us with a bad taste in our mouths.
U2 frontman Bono exchanged Bible references and bantered about music, theology, and evangelicals’ role in AIDS activism in a recent radio interview with Focus on the Family President Jim Daly.
Growing up in Ireland with a Protestant mother and a Catholic father, Bono imitated C.S. Lewis in Mere Christianity, where Lewis argued that Jesus was a lunatic, liar or Lord.
“When people say ‘Good teacher,’ ‘Prophet,’ ‘Really nice guy,’ … this is not how Jesus thought of himself,” Bono said. “So, you’re left with a challenge in that, which is either Jesus was who he said he was or a complete and utter nut case.”
The ONE Campaign, co-founded by music legend Bono of U2, has launched a new platform to promote global messages of social justice, women’s rights, and putting an end to apartheid, war and poverty — just to name a few.
The campaign, agit8, features new covers of famous protest songs throughout history by contemporary musicians ranging from Mumford & Sons to Greenday.
With the stated goal of ending poverty by 2030, agit8 is timed to coincide with the upcoming G8 summit next week. Noting the impact protest music has had on American history, agit8 encourages artists to “get on their soapbox” and amplify “the voices of those who spoke up for social change throughout history.”
I don’t know how I feel about liberalism or capitalism beyond the degree to which I participate in both by necessity. But I do know what I perceive as the source of my activism and Bono’s: Jesus and the Bible; spirituality and scripture; the new commandments of radical love and service taught by the carpenter from Nazareth. What’s been called the preferential option for the poor. Bono’s lack of economic literacy, or worse, allegiance to wrong-headed economic mentors, may make me and others uncomfortable and may play into the hands of the problem-creators rather than the problem-solvers, yet Bono’s Biblical, musical, and poetic literacy remain on target in my eyes and heart.
In 2005 just after How To Dismantle An Atomic Bomb, as much as I loved that record and the subsequent Vertigo tour, part of me wanted to give up on Bono for his self-imposed public silence on the Iraq War, for hanging so intimately with people like George Bush and my then least favorite Tennessean Bill Frist. That year, I picked up Bono: In Conversation with Michka Assayas. Not only does the front man answer all his critics in a nuanced manner, he diminishes and self-deprecates his own significance. The alleged egomaniac also has a streak of deep and deferential humility.
But more than that, he speaks ever so elegantly and evangelically about his faith in Jesus and how Christian religious perspective, spiritual practice, and central Gospel narrative inform everything he does. Like Bono, I am no economist, but also like Bono, I take seriously the Biblical teachings about poverty and justice.
Labels can be helpful when, for instance, applied to cans of soup or barrels of toxic waste. But they are less so when affixed to human beings – particularly when labels are meant to summarize, indelibly, one’s spiritual identity.
In a recent Rolling Stone interview, Marcus Mumford, the 26-year-old lead singer of the wildly successful British band Mumford & Sons, raised the hackles of religious folks (in some quarters) when he declined to claim the “Christian” label as his own.
You see, Marcus is the son of John and Eleanor Mumford, who are the national leaders of the Vineyard Church in the U.K. and Ireland, an arm of the international evangelical Christian Vineyard Movement. Last year, he married actress Carey Mulligan, whom he’d met years earlier at a Christian youth camp.
And the music of Mumford & Sons, for which Mumford is the main lyricist, is laden with the themes and imagery of faith – often drawing specifically upon the Christian tradition. They explore relationships with God and others; fears and doubts; sin, redemption, and most of all, grace.
There are a lot of emergent folk who shun creeds. They have let go of much of their free-range evangelicalism, but the anti-creedal posture still holds a principal place. Still, I am thinking about music and liturgy, spiritual formation (that troublesome word again, formation), and the creeds we keep in our hearts though no agency has "approved them for community use." Instead these creeds are "sanctified by use," if you will. Here's mine.
Back in 2005, Africa was a recurring theme of U2's worldwide Vertigo tour, where Bono’s campaigning for debt relief, trade justice and immediate intervention in the AIDS pandemic — each fueled by his following of Jesus — met in his music in indelibly powerful collision of faith, justice, and art.
When Bono and his bandmates played “Where The Streets Have No Name,” the most amazing mass of colors dropped from the rafters as millions of Willie Williams-designed, light bulbs descended from the rafters to form stage’s back drop and a modern-mosaic high-tech screen. Then came the flags of each African nation in the most moving light show I’ve ever seen.
During the razzle-dazzle on stage, Bono made his claim,
“From the swamp lands of Louisiana to the high hills of Kilimanjaro, from the bridge at Selma to the mouth of the Nile…AFRICA…AFRICA…AFRICA…the journey of equality moves on, moves on…AFRICA…from town centers to townships…sacred ground, proving ground…”
The link between the Martin Luther King Jr. (the Doctor of the Deep South of America’s inequality) to Desmond Tutu and Nelson Mandela (the Archbishop and President of Africa’s inequality) was particularly potent art.
In a room filled with African heads of state, captains of industry, leaders of international development and countless executives from NGOs at the G8 Symposium on Global Agriculture and Food Security in Washington, D.C. late last week, stood one Irish rock star — Bono, the lead singer of U2 and co-founder of the ONE Campaign.
At first blush (to the uninitiated, perhaps), Bono's presence might seem incongruous, but most of the folks in the room at the Ronald Reagan building a few blocks down Pennsylvania Avenue know the Irishman more for his tireless humanitarian efforts than his closet full of Grammy awards. For more than 25 years, Bono, 52, has been involved deeply and effectively in international affairs as a champion for the poorest of the poor.
"Can we manage the oil as well as the farmland? Manage it properly, responsibly, transparently?" Bono asked the audience. "Because when we don’t, you know what happens. Hundreds of billions of dollars got lost to oil and gas corruption in Nigeria. That’s what the watchdog groups are telling us. Just mind blowing. Huge numbers.
"Crops need sunlight. So does resource extraction. Both need sunlight’s disinfecting glare. Isn’t transparency the vaccine to prevent the worst disease of them all? Corruption. Everybody here knows that corruption kills more children than HIV/AIDS and malaria combined. So that’s what I want to leave you with. That very simple word. That very simple concept. Easy to say. Much harder to realize, especially in law. The word 'transparency.'
"We won’t have food security without it," he said. "But we will have oil riches without it but those riches will be held and hidden by very few hands."
DC’s resident “bad-boy reporter,” Jason Mattera thought that he had caught a major scoop when he accosted U2 lead singer Bono at a recent event, challenging him to come clean about the finances of One, the musicians charity (as well as being a classic U2 hit – FWIW, I prefer with version with Mary J. Blige).
Sadly, it turns out that Mattera’s scoop was not so Magnificent. The man he thought was Bono may have looked and sounded like Bono. But it was, in fact, a Bono impersonator, TPMreports. And even more embarrassingly for Human Events’ editor was that it wasn’t until after he promoted the clip on Sean Hannity’s radio show today that it was revealed to be a look-a-like.
Yes, it's odd, having a rock star here—but maybe it's odder for me than for you. You see, I avoided religious people most of my life. Maybe it had something to do with having a father who was Protestant and a mother who was Catholic in a country where the line between the two was, quite literally, a battle line. Where the line between church and state was… well, a little blurry, and hard to see.
I remember how my mother would bring us to chapel on Sundays… and my father used to wait outside. One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God.
For me, at least, it got in the way. Seeing what religious people, in the name of God, did to my native land… and in this country, seeing God's second-hand car salesmen on the cable TV channels, offering indulgences for cash… in fact, all over the world, seeing the self-righteousness roll down like a mighty stream from certain corners of the religious establishment…
I must confess, I changed the channel. I wanted my MTV.
Even though I was a believer.
Perhaps because I was a believer.
~ Bono of U2, in his 2006 National Prayer Breakfast keynote address
Dream beneath the desert sky
The rivers run, but soon run dry
We need new dreams tonight
~ from "In God's Country" by U2
On March 9, 1987, U2 released The Joshua Tree, its fifth studio album and one that would catapult the Irish rock quartet from popularity to international superstardom.
Twenty-five years later, today The Joshua Tree is one of the most bestselling albums in history — with more than 25 million copies sold — and is considered to be among the best rock albums of all time.
Its spiritual and socio-political heft has, for me at least, only grown more powerful over the years. As I listened to it again today, the soul-shaking music and lyrics sounded even fresher in our current nervous times than they did to my teenage ears in the twilight of the Reagan era.