new album
Living in an age where rage is a currency, where anything and everything is a financial stressor, and where our political machine’s main function is to sow division, clinging to positive platitudes like “Things will get better!” or “Just hold out hope!” can feel like an expression of wilful ignorance, or at best, stupid naivety. It’s hard, nearly impossible, to remain hopeful in such uncertain times; a feeling encapsulated in the fifth album from Joy Oladokun (they/she), fittingly titled Hope is a Heavy Thing.
The Arizona-born singer-songwriter’s career has burgeoned from her pensive lyricism, a marriage of the personal and political: their Nigerian-Christian upbringing as a queer person in their 2019 single “Sunday”; the unique pain of the African-American experience in the piano-led pandemic anthem “Who Do I Turn To?”; or her dependence on self-medication in “Drugs.”
As Semler, Grace Baldridge has spent the past few years proving there was a space for people like her in the Contemporary Christian Music scene, even if she had to dig that space with her bare hands. Now, with the release of her debut album, she's looking back on how she did it — and what’s next.
Some clever folks have created a magnificent "mash-up" of Sesame Street's resident pastry enthusiast, Cookie Monster, and the iconoclastic performer Tom Waits' song "God's Away on Business" from his 2002 album, "Blood Money." (Waits' song also appeared in the 2005 film, Enron: The Smartest Guys in the Room.)
There are several factoids about John Ringhofer that elicit fandom, and none of them have anything to do with his music:
- He still uses a CD walkman
- He lives rent-free in a church in Berkeley, California, where he serves as the custodian.
- He often attends two to three church services a Sunday because he loves the art of sermonizing.
- He is a nice guy.